The Haunting of Sarah Hardy

Initially interesting movie with a plot that held promise. Sela Ward's performance was better than what audiences have come to expect in television movies. The build up of suspense started with increasing expectancy. I felt that the ending was anti-climatic and sputtered into confusion. I give 3 stars out of 10.

I love Sela Ward, so I watched this movie when it aired on TV last night, and at first it seemed like a campy thriller. It quickly turns into a "Lifetime Original Movie." I thought Sela's acting was terrible, which surprised me. Morgan Fairchild is pretty enough but can't hold a candle to Sela, and the man playing the husband (who I didn't recognize from anything before or since 1989) doesn't help the movie at all. I think it would have been saved by better writing in the latter half and better direction. It starts promisingly and goes downhill fast. It's dated, boring, predictable and the ending itself made me wish I hadn't even wasted two hours. Save yourself and skip this one.. It's too late for me.

I thought the movie was very good. Thrilling. It had me literaly on the edge of my seat. But the ending was rather confusing. When it was over I said "Right, so they end it." I think they should have made a sequel.

Directed by Jerry London and adapted to teleplay by Thomas Baum from the novel, The Crossing, written by Jim Flanagan. It stars Sela Ward, Michael Woods, Roscoe Born, Morgan Fairchild and Polly Bergen.

After a troubled childhood that saw her father die and her mother go mad to the point of suicide, Sarah Hardy (Ward) blossoms into a beautiful woman and marries a handsome man. In spite of her close friends concerns, Sarah and her husband decide to move back to the family home of her childhood, The Pines. It's not long before strange occurrences begin to unnerve Sarah at The Pines. Is her mother not really dead, is it a ghost, or outside influences with ulterior motives?

I genuinely feel bad pouring some scorn on this TV movie, because I so wanted to like it, to grasp a bit of freshness in what has become known as the Gaslight sub-genre of horror. Sadly it's just not very good. It's awash with soap opera operatics, some very poor acting, a confused tonal flow (am I mystery, horror, a message thriller?), an out of place porn movie jazz like musical score, and an ending that beggars belief. The mansion design is great, and there's some nice night time photography during the outer grounds sequences, but it's a difficult film to recommend to those after a good old fashioned mansion based spooker. 5/10

I remember this as one of the first great mystery films that I saw as a child. My parents only let me watch it because Alan's office and Ms. Stepford's kitchen were both located in my family home in Oregon. We still tell the tale of Sela Ward volunteering to babysit my baby brother while Mom drove the three of us girls to elementary school.

Not until I saw The Others have I seen a movie that makes me second-guess myself so much. I love Sela's acting, even if the writing would not have impressed me as an adult.

It also reminds me of What Lies Beneath, the conspiracy of one character who may not believe in supernatural influences preying on the credulous for their own gains.