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Agrega una trama en tu idiomaA murdered couple return from the beyond to care for their two young children, as well as seek revenge against their killer, accept their children's step parents, and try to prevent their ho... Leer todoA murdered couple return from the beyond to care for their two young children, as well as seek revenge against their killer, accept their children's step parents, and try to prevent their house from being sold.A murdered couple return from the beyond to care for their two young children, as well as seek revenge against their killer, accept their children's step parents, and try to prevent their house from being sold.
- Dirección
- Guionistas
- Elenco
Jean-Christophe Brétignière
- Carlo
- (as Jean Christophe Bretigniere)
Lubka Lenzi
- Mary Valdi
- (as Lubka Cibulova)
Vernon Dobtcheff
- The Exorcist
- (as Alexander Vernon Dobtcheff)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A couple moves into a nice country mansion to care for their niece and nephew after the children's parents are brutally murdered one night returning from a cocktail party. Strange things begin happening so the couple decide to take the children away and sell the house. But it soon becomes apparent that the house is full of spirits that are out for revenge and have some sort of connection to the kids.
This Lucio Fulci made-for-Italian-TV horror isn't one of his best to be sure but it does seem to have a bit of its own charm. The overall story is a bit nutty (a murder thriller with a supernatural twist) but I thought decent enough. The English dubbing was God awful as most of these imports tend to be so the acting comes off as uneven and even hilarious. But Fulci fans should check it out just because and those with a fondness for little cheesy a la Italiano might be interested too. 2 of 5
This Lucio Fulci made-for-Italian-TV horror isn't one of his best to be sure but it does seem to have a bit of its own charm. The overall story is a bit nutty (a murder thriller with a supernatural twist) but I thought decent enough. The English dubbing was God awful as most of these imports tend to be so the acting comes off as uneven and even hilarious. But Fulci fans should check it out just because and those with a fondness for little cheesy a la Italiano might be interested too. 2 of 5
A married couple return to their large house only to be brutally murdered by an intruder, the husband having his brains bashed out, the wife having her face smashed in. Very gory, very Fulci. After this promising start it's all down hill as an uncle and aunt come to live with the two (annoying) orphaned children. The actors are badly dubbed, in particular the girl, having been given a voice that sounds older. The kids are visited by two dancing, giggling flames, the spirits of their murdered parents! Not only is this very silly but the special effects are very poor looking. The dialogue is equally awful, "The flames don't like fat ugly men who do terrible things to them!". Added to the horror are attempts at comedy, in particular a scene involving a bulldozer. Not funny at all. The two kills from the start are repeated later on in flashback, this no doubt saved on more effects but at least they are worth seeing twice. Fulci had obviously seen Uli Lommels "The Bogeyman" as two pebbles glow to the sound of heartbeats, in Bogeyman shards of glass do this. Despite being under 80 minutes this film does outstay its welcome.
Fulci made this and another movie The House of Clocks for Italian TV in 1989, Clocks being by far the better of the two.
A couple is killed in an extremely sadistic way, but their souls return to their two orphaned children to caress them, to take revenge on the killer and to mock the relatives who want to sell the house and the one who wants to buy it respectively. Sounds odd for a Fulci movie, doesn't it?
And it really is kind of odd. It starts like a typical Fulci-gorefest with the murder scene which has to be seen to be believed, especially when one considers this one was made for TV. But after this unbelievably violent prologue, the whole thing turns into a fairy tale. There are even scenes that could come right out of a typical Italian slapstick comedy! So, "La Dolce Casa degli Orrori" is an extremely strange mix of genres, and most of the special effects are very cheesy, although the murder scene is outrageously disgusting.
It's not bad, but by far inferior to Fulci's other film in the four part TV-series Houses of Doom, "La Casa nel Tempo", which is terrific (the other two are by Umberto Lenzi and called "La Casa delle Anime Erranti" and "La Casa dei Sortilegi").
And it really is kind of odd. It starts like a typical Fulci-gorefest with the murder scene which has to be seen to be believed, especially when one considers this one was made for TV. But after this unbelievably violent prologue, the whole thing turns into a fairy tale. There are even scenes that could come right out of a typical Italian slapstick comedy! So, "La Dolce Casa degli Orrori" is an extremely strange mix of genres, and most of the special effects are very cheesy, although the murder scene is outrageously disgusting.
It's not bad, but by far inferior to Fulci's other film in the four part TV-series Houses of Doom, "La Casa nel Tempo", which is terrific (the other two are by Umberto Lenzi and called "La Casa delle Anime Erranti" and "La Casa dei Sortilegi").
In my mind there's an eternal debate ongoing about who my favorite director of all times is. Mario Bava, ...or Lucio Fulci. Whenever I lean towards Fulci, I deliberately exclude some of the titles he directed in the final years of his career. "The Sweet House of Horror" is perhaps the worst, but it's still a genuine Lucio Fulci; - meaning there's extreme gore! And that is peculiar because it's made-for-television with a child-friendly plot.
The start is quite dramatic, with a happily married couple coming home from a night out and stumbling upon a violent burglar who murders them. Of course, in Fulci's world, this means that the husband repeatedly gets his head banged against a marble pillar until his brains are stuck to the wall, and the wife is bludgeoned with a kitchen object until her eyeballs pop out. Classy! The couple's children - Marco and Sarah - are supposedly heartbroken, but they blow bubblegum bubbles at the funeral and appear to be giggling the entire time. Auntie Marcia and Uncle Carlo take custody of the kids and move into their house, but the actual parents return as well, as ghosts and flickering flames, to punish their killer and to prevent their house from being sold.
The aforementioned kills, plus the nasty death of Guido under a truck and a bizarre melting moment during the finale, are the only highlights. The rest of the movie is almost painful to watch, with terrible acting (and even worse dubbing), especially the children. Fulci doesn't bother to keep the killer's identity secret for long, and he gets what he deserves after half a movie already. Why did he bother to wear a mask, anyway? The other half is stuffed with sentimental appearances of mum & dad, shenanigans with bulldozers and obese real-estate agents, and meaningless glowing stones.
The start is quite dramatic, with a happily married couple coming home from a night out and stumbling upon a violent burglar who murders them. Of course, in Fulci's world, this means that the husband repeatedly gets his head banged against a marble pillar until his brains are stuck to the wall, and the wife is bludgeoned with a kitchen object until her eyeballs pop out. Classy! The couple's children - Marco and Sarah - are supposedly heartbroken, but they blow bubblegum bubbles at the funeral and appear to be giggling the entire time. Auntie Marcia and Uncle Carlo take custody of the kids and move into their house, but the actual parents return as well, as ghosts and flickering flames, to punish their killer and to prevent their house from being sold.
The aforementioned kills, plus the nasty death of Guido under a truck and a bizarre melting moment during the finale, are the only highlights. The rest of the movie is almost painful to watch, with terrible acting (and even worse dubbing), especially the children. Fulci doesn't bother to keep the killer's identity secret for long, and he gets what he deserves after half a movie already. Why did he bother to wear a mask, anyway? The other half is stuffed with sentimental appearances of mum & dad, shenanigans with bulldozers and obese real-estate agents, and meaningless glowing stones.
A couple, Charles and Marcia, adopt two tragically orphaned children. The new family moves into the dead parents' beautiful old home and is haunted by strange sounds. Soon, the couple is forced to sell the place and take the kids away, but the house is dead against letting them leave. Learn the blood-curdling truth about the parents' deaths and the shocking secret behind the possessed "Sweet House of Horrors".
Direct by horror maestro Lucio Fulci, this one is really not good one, but you can check it out if you are a true Fulci's fun. About a two children which after they're parents are brutally murder have to go to fosters parents. Story is really not bad but somehow it doesn't work this time for Mr. Fulci.
Direct by horror maestro Lucio Fulci, this one is really not good one, but you can check it out if you are a true Fulci's fun. About a two children which after they're parents are brutally murder have to go to fosters parents. Story is really not bad but somehow it doesn't work this time for Mr. Fulci.
¿Sabías que…?
- TriviaFirst part of the cycle "Le case maledette" (Doomed Houses) produced by Reteitalia. Other titles of the series are La casa nel tempo (1989), La casa del sortilegio (1989) and La casa delle anime erranti (1989).
- ErroresMother's ghost tells her daughter that they wouldn't hurt anybody, yet they hurt Mr. Coby and the spiritualist.
- ConexionesFollowed by La casa del sortilegio (1989)
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- También se conoce como
- The Sweet House of Horrors
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