Crímenes y pecados

When I registered with the IMDb, one of the survey questions asked what my favorite film was. I listed Allen's Crimes and Misdemeanors. I don't know if this is always true, but for the most part I feel fairly confident regarding my choice. Allen's story here works, like most well written literature, on many levels. It is funny (Woody's lessons), symbolic (the Rabbi going blind), ironic (the good suffer and the evil go unpunished), deep (faith and suicide), and is a film that leaves you with something to identify with and learn from. Even Hally Reed's (Mia Farrow) surprising revelation at the end of the film, which I won't reveal of course, shows us a bit about the dangers of prejudging others. Woody shows us that we shouldn't judge on the surface, but must look deeper into the individual value of people. Do we trust Hally, or do we stick to what we see as the truth about Lester (Alan Alda)? This is a lesson that Woody's character, Cliff, doesn't even fully grasp at the end of the film, but Allen gives us the insight, even though what Hally reveals about Lester goes against what we've seen of him.

Crimes and Misdemeanors is certainly not for all tastes. It's not exactly a film that people would watch for pure escapism. This is a film to be treasured, revisited and held up with some of the greatest films of all time. Not for how it looks or sounds, but for what it says. This is a film aimed at both the heart and the mind and succeeds in capturing both.

This is a profound film, a true classic and great even among Woody Allen's great films! Thought-provoking and involving, I've found since seeing it that the film and its statements about good versus evil, denial, guilt, narcissism, have never really left me. A film with many layers, one that demands a re-visiting from time to time.

"Crimes and Misdemeanors" (1989)- is Woody Allen's masterpiece and my favorite film. It is urban and sophisticated, subtle and cruel. It is darker than dark and self-ironic. It is profound and touchingly poignant. It is deadly serious and in the same time it is incredibly funny. Its humor is razor sharp and sparkling and the best and funniest Woody's one-liners and comic performances belong here. As always in his best films, Allen had created a clever and elegant film out of his own weaknesses and insecurities and it shines. How much was Allen able to meditate on life, death, God, religion, morality, crimes and the responsibility, love and lust, happiness and the price one pays for it, and among those eternal subjects - how much fun it is to skip work or school and to sneak to the movies.

It is universal. It has the references to many Artists and cultures - Chekhov, Dostoyevsky, and Bergman among the others but it is so undeniably and uniquely Allen. It could not have been made by any other director.

It is the movie Allen will be remembered for.

Not much has to be said. This is an outstanding film, possibly one of the best films I have ever seen. All performances are perfect. Half drama, half comedy, and that very well done. It has deep thoughts about quilt and mistakes, lots of truth about relationships. It has laughs and a perfect ending. Every time I watch this film I just want to sit down and write, just write something interesting to leave behind. The film is already 16 yrs old and you wont notice that at all, it's one of those films that never age. I would recommend this movie to anyone who doesn't want to spend another two hours of his life watching yet another Hollywood crap.

Woody Allen is not everybody's cup of tea, with me while his body of work is not always consistent(but that is true with a lot of directors) much of it is wittily written and insightful as seen with his masterpiece Annie Hall. Crimes and Misdemeanours has everything that is so good about the best of his work. With the subject matter and how the comedy and seriousness is blended Crimes and Misdemeanours is one of Allen's most ambitious, and along with the likes of Annie Hall, Hannah and Her Sisters, Husbands and Wives and Manhattan it's one of his best too. The look of the film is elegant and hauntingly dark, while the score is jazzy and seductive. The story has some key themes(good and evil and life and death as examples) that are very clearly addressed and dealt with with adroitness and truth. The concept is not an innovative one as such but it's challenging and hugely compelling. And the writing is to thank for that, the humour is wonderfully ironic and very characteristic of the distinctive wise-cracking Allen style, there are references and observations that are sharp and insightful(always one of Allen's strong points as a writer) and they is blended well with a serious tone that is dark and appropriately troubling, the shifts between comedy and drama didn't jar to me. The acting is very good, often outstanding. Woody Allen acts as well as directs and writes and there are no obvious problems with his performance(or his directing), not a likable character by all means but that was the intent. Anjelica Huston doesn't disappoint, nor does Jerry Orbach before his Law and Order days, Sam Waterson and Claire Bloom. Mia Farrow is affecting as well. But the acting honours go to Alan Alda and especially Martin Landau, Alda plays an absolute weasel to perfection while Landau gives a performance that has not only only been matched by his Bela Lugosi in Tim Burton's Ed Wood but also one of the greatest performances of any Woody Allen film. All in all, a Woody Allen classic, an example of ambitious done brilliantly. 10/10 Bethany Cox