Pecados de Guerra

Although Platoon may have gotten more acclaim, by far the best film on the Vietnam War is this one. Casualties Of War is going to leave Platoon way in the dust when history has its verdict.

Though Sean Penn's got several great films to his credit, by far this is the best work of Michael J. Fox on the big screen. His soldier with a conscious who can't live with himself after witnessing an act of barbarity that the other men of his squad commit should have brought him an Oscar nomination. In fact there could have and should have been a few of them for this film.

Fox plays a young soldier only a few weeks in Vietnam. On patrol Sergeant Sean Penn saves his life, but then on a second patrol because Penn and friends could not get leave to bleed the lizard as they say, they kidnap a young Vietnamese woman and take her on patrol. All the men on the patrol, Penn, Don Harvey, John C. Reilly, and John Leguizamo all gang rape the girl, but Fox refuses. Later on he's got a crisis of conscience.

Kids who grew up on World War II movies and westerns with clearly defined good and bad guys were ill prepared for a war in Vietnam. So was our government which had been involved in more or less degree since the end of World War II and the breakup of French Indochina. The subtleties of the regional politics eluded our policy makers in Washington. It was mighty hard to tell who was a friend and who was an enemy. You treated anyone with a yellowish pigmentation and slanted eyes as an enemy, the only friends you knew were the ones wearing the same green jungle fatigues as you were.

The war twisted Penn and Harvey. Leguizamo and Reilly were essentially followers, only Fox who hadn't been there long enough to have his sense of morality impaired could see this was all wrong. That's the frightening part of Casualties Of War. None of the four could see anything wrong, even Leguizamo who sees his first duty as to stick with the guys who have your back in the field.

As good as Fox and Penn and the rest of the Occidental cast is, the best performance in the film is Thuy Thu Lee. As the bewildered and frightened young girl she will positively break your heart with her one and only film performance.

Casualties Of War was shot in Thailand so we're seeing actual Southeast Asia locations. Brian DePalma's direction of his stellar cast is right on target. Don't ever miss Casualties Of War about the ultimate Vietnam experience.

If there's a moral to this story, aside from all the basic ones, its that a lot of casualties of war are because boys are sent in to fight for causes they only know a little about. In this case, Michael Fox plays a boy who, more than any other movie ever made, has to grow up in a hurry. He is part of a fighting unit which has gone loco, thanks mostly to two insane members. The five man unit kidnap a young girl in order to rape and kill her. Fox does all he can to stop it, as a boy who is a member of a respected group. During the movie, Fox realizes he must be more than that to stop the maniacs. He realizes the maniacs will never stop. In essence, he becomes a man, which alienates him from the numerous maniacs in charge, which is the real problem. Excellent writing and production. And one of the best realistic yet Hollywood endings of all time.

This is a true story of what happens in war when morality and ethics are tossed aside. The killing that is involved in war gets mixed up with murder, bigotry, and revenge in this factual horror story.

Fox is excellent as the naive but ethical young man exposed to a "Nobody cares" atmosphere in the midst of war. The film not only shows what can happen to human beings when they let go of any sense of conscience, but it is also a metaphor of the amoral mentality that was behind the Viet Nam conflict and its aftermath.

The struggle depicted here is between going along with the group or maintaining one's own integrity. Are there rules of war? Are there rules of living? These are the profound questions which underlie the action in this disturbing film.

`Casualties of War' belongs to the same year as that other anti-war film `Born on the Fourth of July'. From about the mid-eighties American feeling rose bitterly against the aftermath of the Viet Nam war: the price had been too high. Too many young men killed or wounded and, worse perhaps, too many young men psychologically scarred for the rest of their lives. `Casualties of War' does not point any accusing fingers at anyone: the film is an anguishing account of a horrendous series of actions based on real facts. Even so, our interpretation must go a little beyond what the film tells us, what we are seeing. We must ask how many more service-men lost their nerve in the middle of that jungle inferno which was Viet Nam?

Brian de Palma obliges us to enter into that indescribable hell, so that we might, with a bit of luck, if our feelings can bear the torture of witnessing such inhumane irrationality, understand a little more the agonising palpable naked terror which so many men had to go through.

However, whether Michael J. Fox or whether Sean Penn played their part better seems to overlook an obviety: without that performance by the Vietnamese girl, Thuy Thu Le, this film would have been forgotten years ago. My first seeing of that fragile creature – some years ago – left me nauseated, my stomache churned and I had bad dreams for several nights. That pathetic little face and her screams of anguish haunted me for days afterwards. Her performance was so compelling, rivetting, anguishing, it had me hating being a man. I only just stopped short of throwing up. Perhaps nobody expresses this better than `Tony's Corner: a Fan's Notes' (www.colba.net):

<< the performance of a young actress, a woman named Thuy Thu Le. It is to my mind, one of the bravest, most courageous, and one of the most heartbreakingly real pieces of acting that I've ever seen………… the intolerable suffering that Thuy's character Oahn endures, her emotional intensity………... searing power, of blistering emotion, and raging despair, the outstanding performance of Thuy Thu Le is central to it's success >> (end partial quote)

Amen.

It is one of those performances that no Oscar can ever pay for: indeed such a triviality would have been an insult. The film is cruel, sickening, loathsome, heartbreaking; but something humane, something I can't explain, something deep inside me, compelled me to see this poor `wretch' again, compelled me to witness once again her tremendous scream of despair against the bestial inhumanity of war – any, every and all war. I have no love of morbidity: I shun such ridiculous programmes. But this poor creature called Thuy Thu Le forced me to see the film for a second time.

Enough: I will never see this film again. I have seen naked desperation and fear so realistic that my soul seethes to boiling point and is about to burst thus twice. That will do. In the end we are all casualties of war.....

No vote: I cannot reduce this to a simple vote. It just would not have any real meaning, would it?

CASUALTIES OF WAR tells the excruciating true story of a squad of American soldiers during the Vietnam War, who kidnap and rape a young Vietnamese girl in the name of fun. The story is told through the youthful and innocent eyes of Michael J. Fox, in a rare dramatic performance that may be his career-best.

Films like this can hardly be enjoyed, but CASUALTIES OF WAR proves to be unmissable entertainment and one of the harshest war stories out there; also, one of the best. It's a bit like watching a film of a train wreck, where you can't tear yourself away from what's happening and what you know is going to happen. The tragic, soul-searing story is one of the most moving I've ever seen.

A film like this needs a great director to tell it, and de Palma is that director. He wisely lets the story tell itself for the most part, but he can't resist incorporating a couple of flourishes (like the POV sequence) that remind us of his skill as an auteur. The cast is great, too, particularly the newbie actors (John C. Reilly and John Leguizano) playing soldiers and Sean Penn as the hateful sergeant. Understandably, Thuy Thu Le has the toughest role, and it's one she walks away from with her head held high; if ever an actress deserved an Oscar nod, it's her.