Alienator

...It just ain't that good. Prolific B movie director Fred Olen Ray has certainly done better. Despite the efforts of a very solid B movie cast, it fails to ever be as much fun as it should be.

Part of the problem is that Ray never is able to get much momentum going. "Alienator" plods too much for this sort of thing, it's full of nondescript characters, it's not much for continuity, its special effects are something less than special, and when all is said and done it ends with more of a whimper than a bang.

Too bad; the premise had some potential. A typically dull Jan-Michael Vincent plays a cranky warden on a prison spaceship who has one of his prisoners, a rebel leader named Kol (Ross Hagen) escape from him. So what he does is send Amazonian 'hunter unit' The Alienator (played by female bodybuilder Teagan Clive) after the fugitive, who's crash landed on Earth and made contact with some hapless Earthlings, including forest ranger Ward Armstrong (John Phillip Law).

Clive is quite a sight, and she does what she has to do well enough, although her character is nowhere near as cool or memorable as Arnold Schwarzeneggers' The Terminator. Her right hand and arm are encased in a laser weapon that weirdly sets its first victim on fire but then just makes the rest of the victims disappear.

The assemblage of talent here is truly impressive: also in the cast are P.J. Soles (wearing an oddly revealing outfit), Dawn Wildsmith, Richard Wiley, Jesse Dabson, and Dyana Ortelli; Wiley plays the most utterly insufferable of the various humans. Fox Harris (to whom the movie is dedicated) and Hoke Howell play a knuckle head pair of hunters, and it's a treat to see such veterans as Robert Clarke, Leo Gordon, and Robert Quarry (although Quarry, sadly, doesn't get to do a whole lot.) Horror fans will be delighted to see Joseph Pilato (a.k.a. Captain Rhodes from Romeros' "Day of the Dead") in a small role as a technician.

The location shooting in Topanga Canyon is fine, but otherwise this movie is underwhelming. Ray just doesn't give it much pizazz. If you're a very undemanding schlock lover, you may get some entertainment out of it, but it will likely bore most other viewers.

Five out of 10.

I never imagined that this cheapie effort made by the legendary Fred Olen Ray (usually legendary for the wrong reasons) would ever get a DVD release, but it did indeed get one a couple of years ago. So I decided to give it another look. Actually "cheapie" is a kind adjective to give this movie. It looks like most of the VERY limited budget went to securing that legendary B movie cast for a few days of shooting. (Though as it turns out, the cast doesn't exactly give good performances.) With the limited amount of money left over, Ray ended up making a curious hybrid - a movie that feels both made in the 1950s and the 1980s. The plot is clearly inspired by the 1984 movie "The Terminator", though the production values are right out of a low budget Roger Corman movie from decades back. I admit that the tacky production values actually have a little charm, namely because Ray keeps the tone pretty serious and does not seem to find the low rent atmosphere one to be mocked. The photography and lighting are acceptable as well. And there's an interesting twist in the plot towards the end. But ultimately the movie doesn't work because not only is the plot pretty slow-moving for the most part, the action sequences are lacking passion and grit. If Ray had kept things swiftly moving and exciting with both plot and action, I think I could have overlooked all the cheapness and the other flaws in the movie and had some serious fun. But as it is, for the most part it's only worth a look if you have a perverse pleasure of seeing a legendary cast of actors clearly knowing their better days are behind them.

Kol, space prisoner on space death row, manages to hijack a space shuttle and escape to the woods of America where he, along with some new found friend try to escape from the 'Alienator" a female cyborg killing machine. Made one year after the best movie of Fred Olen Ray's career, "Hollywood Chainsaw Hookers", this one can't help but feel like a bit of a letdown. Just as low-budget as that earlier film, but not nearly as fun as I had with it. None of the actors really stood out at me. The film is alright for the undiscriminating viewer during a rainy Saturday afternoon, but that's pretty much all it's good for.

My Grade: D+

Where i saw it: Showtime Thriller

Recipe for one of the worst movies of all time: a she-male villain who looks like it escaped from the WWF, has terrible aim with a gun that has inconsistent effects (the first guy she shoots catches on fire but when she shoots anyone else they just disappear) and takes time out to pet a deer. Then you got the unlikable characters, 30 year old college students, a lame attempt at a surprise ending and lots, lots more. Avoid at all costs.

My review was written in November 1989 after watching the film on Prism video cassette.

"Alienator" is a tongue-in-cheek sci-fi thriller geared toward home video fans with a soft spot for the old stars and old-fashioned serials.

Film dovetails closely with previous pics by Fred Olen Ray, particularly "Star Slammer", in a tale of rebel leader Ross Hagen, who escapes execution on a remote prison planet and travels to Earth. Muscle lady Teagan Clive (as the title "Alienator" character) is sent to destroy him and his Earthling youngsters, Jesse Dabson and Dawn Wildsmith, who have befriended Hagen.

The appearance of genre vets like Robert Clarke and Robert Quarry is a plus, but "Alienator" suffers from a weak script. Leads Jan-Michael Vincent and John Phillip Law have little to do; Wildsmith is cast against type in an uncharacteristically wimpy role, and P. J. Soles is stuck in a rather goofy costume as an outer space technician.

Not enough is made of Teagan Clive, the Alienator. She's strange and awesome looking in a revealing heavy metal outfit but had a much better role in the Italian horror film "Obsesion: A Taste for Fear".

Tech credits are adequate.