Nadia: El misterio de la piedra azul

Possible spoilers ahead.

I don't know what I can possibly say about this phenomenal series that hasn't been said already, but I'm here to try anyway. From the moment I saw a review of this series in Gamefan magazine (rest in peace), I fell in love. I had to see it. I dashed out to the mall and grabbed the first copy I saw. And it grabbed me right back, and would not let me go.

The series uses 20,000 Leagues Under the Sea (and to a lesser extent the sequel Mysterious Island) as a jumping point for its own story. It takes place in 1889, and revolves around two teens, Jean, a French boy who wants to change the world with inventions and is the biggest weenie who's ever been the hero of an anime, and Nadia, a circus acrobat and animal trainer who has a magical crystal, the Blue Water, and no clue about where she comes from. During the course of things they embark on an adventure to get to the bottom of Nadia's past, meet Captain Nemo and help to stop a group of people from Atlantis from taking over the world. And I loved every minute of it.

I mean for crying out loud, what kind of mad genius does it take to make episodes on end of adjusting to life on a submarine entertaining? Whatever kind it is, the guys at Gainax had it. Their smarts in storytelling show in other areas too, mainly the finely tuned characters, like the obligatory kid, Marie, who manages to be anything but the obnoxious brat the kid in an anime series almost always is. Nadia's the only short-tempered anime girl I've ever actually liked. The Grandis Gang go from the comically inept antagonists to helpful and resourceful back-up for the other characters once the real menacing villains show up. In the two really big battles of the series it's arguably them who ultimately save the day.

It does warrant mentioning that this show kind of flounders in the middle, owing to a bunch of quickly-proudced episodes that were shoehorned in to pad out the length of the series when it became an unexpected hit. Most of the mid-to-late 20's of Nadia can be skipped without missing anything worth seeing.

If you're an anime fan, want to watch a series with people in it you'll care about, and don't mind being expected to root for a dork like Jean, please do yourself a favor and pick this up. Oh, and do yourself another favor and watch it with the subtitles on. I'm sure Nathan Parsons is a wonderful human being who'd give me the shirt off his back, but a friend of mine actually started laughing out loud at how dumb Jean's voice sounded when we watched it with the English voices.

And before I go, I want affirm what everyone else is saying, that the sequel movie is terrible and should be avoided by fans of the series at all costs. Unless you want to see how badly a story can undermine itself (pretty much every suspense issue is defeated by watching the series epilogue and twenty five minutes straight of the movie is series flashbacks). Otherwise, stay away. You'll thank me.

"Fushigi no umi no Nadia", or "Nadia of the Strange Sea" is loosely based on Jules Verne's 20,000 Leagues Under the Sea, however, I say 'loosely'. Anno Hideaki, who would later be recognized for his direction on 'Neo Genesis - Evangelion', directed this series in cooperation with NHK(Primary Japanese TV station), intended to be broadcast on TV.

The story centers on an intelligent(a nerd:), inventive boy named Jean(pronounced jAn-g) and a mysterious girl named Nadia. A close encounter with a trio of mercenaries led by a very attractive red-headed lady, Jean finds himself attracted to Nadia and a whole lot of adventures.

Of course, if you wanted to break down the series into recognizable formulas you could say: 1)The boy is nerdy but will stop at nothing to make the girl happy and rescue her, should the girl find herself in perilous situations 2)The girl kicks ass(and literally does too:) 3)The story is immensely complex 4)The action scenes are some of the most memorable in recent history, especially the detailed movements of machines left me breathless and in awe 5)Did I say the story is immensely complex?

Anno Hideaki, in later interviews, commented that the direction of the plot and character interactions for Nadia wasn't really what he wanted and he actually considers Nadia to be something of a failure.

Nadia was aimed at the primetime viewers of animation, namely, roughly anyone under the age of 14, I'd say. So, there are some dark overtones within the story that fans of Evangelion would easily identify with, however, the overall plot got 'serviced' to facilitate the wishes of NHK, so, I'd recommend this animation heartily to any one(even adults), however, with the intent of insuring future generations of literate human beings, how about guiding the kids to read the original '20,000 leagues under the sea' afterwards?

If you felt compelled to root for the bad guys in Nadia and loved their attire, and had previous experiences of warm and fuzzy feelings whenever you saw a red, double bladed light saber, why not watch 'Evangelion', a true master piece from the same Anno Hideaki, or perhaps 'Memories', an omnibus of animations that are best watched than explained.

If, on the other hand, you wanted a child just like Jean or wanted to build a time machine that sent you into the same era, I suggest 'Future Boy Conan' from the master of Japanese animation, Hayao Miyazaki.

This series, a creation of Studio Gainax, is a perfect example of why I love anime. It has everything: Adventure, romance, action, comedy, and drama. Oh, does it have drama. And all of these elements are brought together in such a way that "perfection" doesn't do it justice. Running for 39 episodes, this series starts out in Paris in the late 1800's. Jean (pronounced the French way), a young boy with an incredible knowledge for designing aircraft, meets a girl named Nadia. Nadia is a mysterious girl, and quite unusual. Her companion is a grey lion cub named King, and they are being chased by a band of jewel thieves (Graten, Samson, and Hanson, three of the coolest anime characters ever)because Nadia has a pendant around her neck, a diamond-shaped, blue crystal. But, that's just a small part of the story, for you see, that crystal holds a secret capable of destroying the world. Nadia and Jean meet other characters, including the enigmatic Captain Nemo, captain of a high-tech, almost futuristic submarine named the Nautilus (the series borrows some elements from the Jules Vernes novel 20,000 Leagues Under the Sea, then adds it's own spin to them). They also encounter the series' true villain, the leader of a society called Neo Atlantis. This villain, named Gargoyle, is perhaps the single most evil villain I've ever seen, as well as one of the coolest. He's very proper, with a calm, smooth voice, not loud and over-the-top like most typical villains, and hides his face behind a mask (take Darth Vader's coolness and multiply it by about 10, and you've got Gargoyle). Eventually, the series explores the secrets of Nadia's past, her relationship with Nemo and Jean, and the awesome power her pendant, the Blue Water, unlocks. The series' finale, the final four episodes, are some of the best viewing you can get (why, oh why can't American animation be this good?), with heart-wrenching drama and glorious animation. The music, by the same composer as the Evangelion music, is heavenly, and the character designs by Yoshiyuki Sadamoto are as good as his Eva character designs (the man is an artistic genius). The opening and ending themes are fantastic, also. All in all, this series is the only anime I can think of that equals Neon Genesis Evangelion in every respect, and in some may actually surpass Eva. After all, Eva was great, but lacked a cool villain (and Gargoyle is one of the coolest). If A.D. Vision ever gets around to releasing this officially over here, buy it (and please buy the subtitled versions, the voices are just TOO GOOD to watch a dubbed version). An 11 out of 10.

I have this in Japanese, English subbed and dubbed and even in French. Slightly different edits for each. A superb show with first class animation, especially in the first episode. Some very slight nudity was removed from several edits (including the French aired shows) and there are some very powerful emotional moments - such as Marie's grief at the loss of her parents. If you can, sit down and enjoy the whole show - it will not leave you untouched. Highly recommended introduction to the real art of Japanese animation. NB: The movie which followed is not so good.

i bought a package of various bootleg anime series (bad, i know) and spent a few months muddling my way through them all. some were really good (pretear, love hina) some grew on me (macross 7) and some flat-out stunk. (to heart, and ironically, the series for which i bought the bundle, angelic layer) i approached them all with a certain amount of skepticism and nadia was no different. the story takes place in the 1880's and spent its first few minutes placing the viewer within the frame of the times. however, a few minutes later the story introduces the villains/heroes known as the grandis gang and their apparent mastery of a level of technology unavailable now 100 years later. so if anachronisms and anthropomorphisms bug you, nadia won't appeal to you.

as the plot develops, the characters take on depth and voice and you can't help but be charmed. the story becomes complicated and textured and not a little dark. then suddenly the first act closes and the second begins by abruptly changing from a tense drama into a wile e. coyote cartoon. then as soon as you settling into the admittedly funny and loopy island adventures, the series swiftly switches back into its formerly dramatic theme. so if wild swings in tone bug you, nadia won't appeal to you.

can a series flip and twist back and forth between drama and slap-stick comedy and still work? watch nadia for yourself and you be the judge. i found myself forgiving its flaws because it created characters i cared about, who seemed to have the depth to consider who they themselves were and what motivated them. the series lovingly embraces its characters flaws rather then exploiting them. (as was the case in evangelion, also by hideki anno) i forgave the surreality of the plot because it had the profound insight and courage to craft REAL teenagers. (i know a real kid who in his loving teenage cluelessness could have written jean's painfully funny "nadia" song) i especially appreciated the fact that marry's 5-year-old character wasn't nearly as obnoxious as she could have been. nadia could have been done differently, eliminating either its most serious moments or its most ridiculous, but it might not have been the same.

somewhere between the wide swings of our own pendulum is where real life happens.

p.s. there is a movie. it stinks, and adds nothing to anyone or anything in the story. resist the temptation to find it or watch it.