Secretaria ejecutiva

"Working Girl" is one of those movies I've put off for years; and I guess it's partly because I'd known it as a romantic comedy, but mostly because I've never been a Melanie Griffith fan.

Turns out she's the movie's best feature, fitting well as an ambitious secretary who can't get ahead, someone who takes the corporate ladder by force. Actually, all three of the stars were ideal, but Ford and Weaver seemed to be supporting Griffith. She just seemed to embody that empowered career woman who sheds her mousy constraints.

And it is a romantic comedy, but a subtle one. The humor is expressed in the dialogue and I found myself laughing more than I'd expected. It's an '80s movie down to its very DNA and pretty much everything about it still holds up.

7/10

This is an example of how to make fun and interesting characters that you can empathize with. It's something that today's entertainment industry has mostly forgotten about.

The film is fun, and the cast is not bad. Melanie Griffith, Sigourney Weaver and Harrison Ford are a great combination. This is a true product of its time and as such is superior to most of today's films.

From the beginning, you sympathize with Tess McGill because the character is well written and not irritating, and the story is well balanced, with different characters, good and bad and those in between.

Sigourney Weaver is excellent in the role of the villain, and Melanie Griffith is great as Tess McGill, a secretary who wants to succeed in the business world.

In this film, not all women are saints, but women of flesh and blood, with their flaws and with whom you can sympathize, and men are the same, different, some are bad some are good, just like in real life.

An interesting and fun story with a good cast.

This is a fabulous movie. Maybe not rocket science, but clever enough! It has an engaging plot, an extremely empathetic heroine, a villainous boss, a cheatin' boyfriend, and a handsome new love interest just stepping into the picture. Get your popcorn ready for the comeuppance story of a lifetime.

The tale revolves around a smart secretary named Tess McGill, who wants to get ahead in the Big Apple but is beaten down by her nasty boss, Katherine, who steals her ideas and passes them off as her own. Fortune smiles on Tess when Katherine breaks her leg during a skiing holiday and Tess is able to 'take charge'...that is, until her boss, who recovers all too quickly, returns. Of course there is also a romance brewing here in the form of a handsome investment banker named Jack Trainer, who just happens to be her boss's boyfriend.

Harrison Ford is his typical dashing, magnetic self in the role of Jack Trainer, but it is the two ladies that make this movie. Signourey Weaver is absolutely villainous as an employee's 'worst nightmare' boss, a lady (no, not a lady) high up the corporate ladder, but lacking any semblance of integrity or kindness toward anyone below her in that ladder. You will be itching to see this nasty snob get her comeuppance.

Above all, Melanie Griffith is brilliant in the role of Tess, every viewer's favorite downtrodden secretary. She's a woman with all the intelligence and skills needed to succeed in the corporate world, but is ill used by those above her who put her down. Many employees out there will identify with Tess, having at some point in their lives been ill treated by a boss, whether male or female, with at least shades of Katherine. Furthermore, Tess will surely gain viewer sympathy regarding her unfortunate experiences with her sleazy live in lover, Mick.

The scene featuring the Staten Island ferry is beautifully done, accompanied as it is by Carly Simon's wonderful Oscar winning song, 'Let the River Run'. What an amazing voice! This is really a fantastic, fun movie. You can't help but love it.

Because there's so much content out there and I'll never get through everything I want to see in my lifetime, to help me decide, I often segue from one actor, director, or theme to another. Mike Nichols was the bridge this past weekend for Super Saturday Cinema since I watched "Who's Afraid of Virginia Woolf?" recently and have seen "Closer", "Charlie Wilson's War", and "Postcards from the Edge" in the past few years.

. This is a movie of its time, still entertaining but also allowing for a bit of anthropological thinking about the 80s. There are many good elements that have survived the test of time (35 years!), including an excellent cast, a good story, a great director, and omigod, the hair! If anyone wonders whether women really wore their hair like that, they only need to look at my 1988 high dchool yearbook where every senior girl worth her salt had her hair Aqua-Netted to the gods.

Watching Working Girl ten years after its release, it's hard not to dismiss it as a dated satire of the corporate world of the 1980's. At the same time, that's part of the movie's charm. Even though ten years has made the costumes, hair, and production design irritating, the charm and intelligence of Mike Nichols' Cinderella story still shine through. As does the quality of the performances, which are also revealing a decade later. Harrison Ford makes a perfectly likable romantic lead while Alec Baldwin and Kevin Spacey offer amusingly smarmy comic performances. But the actresses walk away with the movie. Joan Cusack is hilarious in a scene-stealing turn as a Staten Island secretary, and Sigourney Weaver is great as a shrewd and conniving career woman. The brilliance of Weaver's performance is how slyly and genuinely she plays her villianous character, often decieving the audience as she decieves the characters in the movie. And finally there is Melanie Griffith who gave a star-is-born performance as the big-haired secretary who falls in love with Ford's merger specialist and smartly climbs her way up the corporate ladder after Weaver stabs her in the back. Griffith earned an Oscar nod for this performance (as did Cusack and Weaver for theirs) and it's a testament to how funny, sexy, and wonderful she is in the part that even after numerous flops and odd career moves, she's still a well-known movie star ten years later (For an opposite side at this scenario look at Jennifer Beals in Flashdance or Jennifer Grey in Dirty Dancing, both of whom became big stars and then fell off the face of the earth). Nichols' direction is smart, as is Kevin Wade's clever screenplay, and the light and funny romantic comedy leads up to a surprisingly suspenseful and enormously satisfying climax. All-in-all, a satisfying and amusing entertainment.