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This film is very deep and superbly acted. It requires a viewer with a heart, but once you got that working you will surely fall into this touching drama. What is most appealing about this film is its realism and the fact that scenes of heartfelt drama are followed by light hearted humour, leading one easily through this well designed

Harvey Fierstein started performing as a drag artist in Manhattan clubs from the age of 15; even before that age he knew he was just a bit different. He became widely known on the New York club circuit and was more often than not to be found playing drag roles in off off Broadway shows. Following a bad break-up Harvey set about writing a play detailing the difficult and painful experience, this became the play 'The International Stud' and was presented in New York during 1976. The play introduced the character of Arnold Beckoff to the world, writing a further two semi-autobiographical plays about Arnold's life. Eventually Harvey conjoined and amalgamated these three plays into just one, 'Torch Song Trilogy' which, had its stage debut off off Broadway in 1981, where it ran for almost 1230 performances.

Torch Song Trilogy was adapted from stage for cinema and came out in 1998, directed by Paul Bogart and not surprisingly starring Harvey as Arnold Beckoff. Also included in the cast were Brian Kerwin, sexy stunner Matthew Broderick, screen legend Anne Bancroft and infamous American female impersonator Charles Pierce.

The play version ran for over four hours, something not possible in film and thus many cuts, exclusions and edits had to be employed to bring it down to a studio demanded running time of two hours. Without wishing to ignore the onset of AIDS whilst also not wishing to alter the entire fabric of the story the time line of the movie was shifted back several years, started in 1971.

It is a deeply affecting film, emotional and funny to the extreme and yet it works marvellously well, which I am sure is thanks mainly to the authentic way Harvey tells it as Arnold. There are such wonderful moments, high drama, deep sadness and almost unbridled joy, that watching Torch Song Trilogy could be considered of riding on a roller coaster of emotions. However, that should be seen as and is indeed a good thing; it allows you scope to feel things that perhaps you had not even noticed in yourself, or others. It gives you the power to see the good and bad in the characters of others, in all our Technicolor differences.Read more and find out where this film made it in the Top 50 Most Influential Gay Movies of All Time book, search on Amazon for Top 50 Most Influential Gay Movies of All Time, or visit - http://www.amazon.co.uk/dp/B007FU7HPO 

TST is like Harvey Fierstein himself: you love it or you loathe it; I love it. Preachy and heavy-handed as "Torch" is at times, it's also a brilliant, hilarious, and truly heartfelt look at how gay men love each other and their families. Arnold Beckoff, like Harvey, apologizes to no one for who and what he his, and his pride is infectious. And Matthew Broderick, as Arnold's model lover, has never been more appealing.

Torch Song Trilogy is so called because its acts were originally presented one-by-one, months apart, at the off-Broadway La Mama Theater. It is done with a sparse set and few props, letting the incredibly funny, amazingly touching script fuel the play.

The movie version is done much more realistically, and it works! Things that are merely discussed in the play are shown to viewers. The cast is wonderfully realistic (Brian Kerwin is a bit stiff, but it works for the character of Ed.) and the script is just as good as the stage play. So many books and plays are adapted into something that is barely recognizable, but Fierstein makes his own script into something even more special.

The story benefits from the larger scope allowed by the movie.

We get to SEE the drag club, the bars, Arnold's (bunny-motif) apartment, Ed's country house and other locations merely hinted at in the play. The scenes that take place during and after the visit to the country house are somewhat confusing on stage, performed in a huge bed, but are beautifully edited in the movie. Best of all is Arnold's best friend, Murray, only talked about in the stage production. But in the movie, he's brought to magnificent life by Ken Page, filling the screen with his usual warmth and wit.

Harvey Fierstein has said that he hopes TST is like an Indian dress, made beautiful by all the little mirrors that decorate it. And truly, it is seeing and hearing *ourselves* that makes this script sparkle. You don't have to be a female impersonator to understand love and loss and laughter. This is NOT just a movie for gay men.

A touching portrayal of the difficulties involved in family relationships among gays. Noteworthy performances by Fierstein, Broderick and Bancroft. Lotsa laughs and tears. An underground film that deserves more attention. Daring and disturbing, this film examines the trying reality of being rejected by family, friends and co-workers for no other reason than homosexuality.