Agrega una trama en tu idiomaA wealthy Paris lawyer facing execution finds a poor prisoner willing to trade places with him in exchange for promising his fortune to the man's family. After his release, he returns to his... Leer todoA wealthy Paris lawyer facing execution finds a poor prisoner willing to trade places with him in exchange for promising his fortune to the man's family. After his release, he returns to his old home but doesn't reveal his true identity.A wealthy Paris lawyer facing execution finds a poor prisoner willing to trade places with him in exchange for promising his fortune to the man's family. After his release, he returns to his old home but doesn't reveal his true identity.
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- Ganó 1 premio Primetime Emmy
- 1 premio ganado y 3 nominaciones en total
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Opiniones destacadas
It's a good distance from the perfection of The Third Man, but this largely-forgotten TV adaptation is still a thoroughly engrossing story, much better than the great majority of cinema releases in a similar vein. It's better early on, and ends a little weakly, but all the turns of the plot keep you watching.
Anthony Hopkins is truly first rate, and the script is fine, even if the camerawork, music, direction and general production values are strictly from a 1980s made-for-TV movie. All the other actors are solid, although the young Kristin Scott-Thomas, not yet fully-formed, is slightly miscast as a working class woman with a continually appearing and disappearing amateur dramatics cockerney accent.
With more money, time and care, this could have been just as much a classic as The Remains of The Day or The English Patient, but even as it is, it still remains one of the better adaptations of Greene's work.
A prisoner makes a deal with another prisoner to save himself from being executed they swap places in exchange for everything the one owns including a secluded mansion.
I won't spoil the story or bore you (if you have seen it) with more of the plot.
It is well done...the acting good...the screen adaptation of the book not ponderous like they sometimes are trying to cram too much in.
Anthony Hopkins like Anthony Perkins before him was type caste by one horror role. This younger version of him makes it easier to forget.
A good watch. RECOMMEND.
Three years later, a bearded Hopkins is free and goes to his estate, where Kristen Scott Thomas and an ailing Brenda Bruce are in possession. They wait with fear and hatred Hopkins' return, so he claims to be a nobody and gets a job with them as a common laborer. Then one day,collaborator and fugitive Derek Jacobi, the son of one of the other men in the hundred, shows up, fleeing from the Resistance. He claims to be Anthony Hopkins.
It's based on a novel by Graham Greene that he turned into a script and left in the MGM archives in the mid-1940s. Director Jack Gold handles the film like it's a TV movie with enough of a budget for some extra location shooting. Hopkins plays his role in a repressed combination of shame for what he has done, love for Miss Thomas, and fear for the consequences of any revelation. With a better director, or a better lighting cameraman, the role might have worked. As it is, those who are familiar with Greene's world will understand what is going on. Those who approach it without any background will just find it bizarre.
¿Sabías que…?
- TriviaGraham Greene wrote this when he joined MGM as a contract scriptwriter in 1944. It sat in their archives until it was discovered in the early 1980s, and was originally intended to be a major cinema release.
- ErroresWhen the deed of gift and will are written in the prison cell, the sister's name is spelled 'Terese'. The French spelling is 'Thérèse'.
- Citas
German Officer: There were outrages committed in the city last night. The second in command to the military Governor was murdered. Also a girl on a bicycle. We do not complain about the girl. Frenchman have our permission to kill French women if they wish to.
- ConexionesEdited into Hallmark Hall of Fame (1951)
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- También se conoce como
- Hallmark Hall of Fame: The Tenth Man (#38.1)
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