Tapeheads

Ivan Alexeev (John Cusack) and Josh Tager (Tim Robbins) try to break into the L.A. music scene in the late 1980s. Quirky Samantha Gregory (Mary Crosby) tries to help.

I caught this back in the late 1980s at a small art house. The audience loved it and it was held over for a few weeks. Back then I thought it was just great. Seeing it now, 20 years later, its charms have faded. It is very energetic and Cusack, Robbins and Crosby are just great. There's also a large cast of character actors in small roles that help. The commercial parodies and music videos are funny and inventive. BUT the film gets repetitious real quick--the same jokes are made over and over. It's also very dated (you have to laugh when a character says "Video is the future"), has plenty of bad jokes and some real mediocre songs. Still this has enough good moments to give it a 7 and the closing song/video during the closing credits is lots of fun! Ex MTV DJ Martha Quinn appears as a--music TV DJ! This might work better with an audience.

I can't explain why but I've watched this a hundred times and I keep laughing, alongside Cusack's Better Off Dead. John Cusack and Tim Robbins were still playing losers and became good friends off camera when they made Tapeheads, as they play bumbling would-be music video makers. In order to get their boyhood heroes The Swanky Modes (played by real-life singers Sam Moore and Junior Walker) the gig of all gigs, they scam and plug their way through unpaid work, Roscoe's chicken and waffles, relentless hitmen and a vengeful politician. Great character acting by Jessica Walter, Don Cornelius and Clu Gulager. Cameos by a ton of folks, including executive producer Michael Nesmith (from the Monkees), Jello Biafra, Fishbone and the Nuge. Along the way are all kinds of catchy little jokes that you either like and remember forever or. just don't like. "We love Menudo." "On spec." The mounting parking tickets. At least watch it for Cusack and Robbins passing the Brothers Against Drunk Driving (BADD) alcohol test: going through the alphabet backwards with your eyes closed, skipping all the vowels and giving the hand sign for each letter.

The DVD is letterboxed and has a strong analog track with Nesmith, director Bill Fishman and production designer Catherine Hardwicke. Much of the time it is as light-hearted as the movie and interesting. Unfortunately, Fishman brings up tons of scenes that were deleted from the film but aren't included on the DVD. I'm sure there's some reason for this, maybe they just weren't available, but it's kind of frustrating - they actually sound funny instead of the usual deleted scene that deserved to be cut out and forgotten. I was surprised that so much stuff was actually cut out, and that Cusack and Robbins wanted to play the opposite roles when they auditioned. But, this ain't the high theater either. At times the analog track has some of those "Remember when that happened" stories, that only work if you really really like the film. But then, why else would you watch the whole thing with the analog track on?

This oddball comedy delivers an arguably valid comment on the booming music video culture of the 1980s, with John Cusack and Tim Robbins playing two underachievers dreaming of making it big as video producers. The direction is so unskilled and the writing so erratic that the film almost becomes a gaudy curiosity deserving of a cult following. But just almost. If watched with low expectations, it has its moments. Look for 1980s music parody phenomenon "Weird Al" Yankovic in a small role as himself. The director Bill Fishman subsequently continued his career as a music video director, but also directed a few other feature films during the 1990s.

It's not a bad movie but not worth buying it on DVD (as I did). Funny at times but you somewhat get drawn automatically towards a happy ending.

The DVD version had quite a bad soundtrack (with the exception of the music score).

Reminded me of Weird Al's "UHF" (who b.t.w. makes a cameo in this flick) but less hilarious.

Good for one run, then bury it at the bottom of the stack.

starting with the opening credits with the song "bet your bottom dollar on me" and the line "dad put his fingers in it!" i knew this was a cult classic in the making. this film should not only be awarded posthumous awards for sheer, naked drop dead funny lines ("work time's over, drinkin' times begun") to obnoxiously funny music video parodies (can anyone forget the feathers in "my baby doll"?) to bobcat goldthwait as a pre-tony robbins influential speaker (cash-flow, cash-flow, cash-flow). my best friend and i watched this movie for years, and now a dvd release...to hell with extras, this is TAPEHEADS... btw, if anyone has the soundtrack....