Sunset

Blake Edwards' "Sunset" has the misfortune of following a series of films that are among his all time best: "10", "S.O.B.", "Trail of the Pink Panther" (a surprisingly cohesive film considering the circumstances; see my review for more details), "Victor/Victoria", "The Man Who Loved Women" (an underrated film), "Micki and Maude", "A Fine Mess" and the remarkable "That's Life!" By comparison, "Sunset" is a weak film.

But it is a good Blake Edwards film and good Edwards ("Blind Date", "Curse of the Pink Panther") is much better than horrible Edwards ("Switch", "Bring Your Smile Along", "Justin Case"). "Sunset" is Edwards' attempt at a risky genre, film noir, which if handled wrong, gives us films such as "Palmetto". When handled right, the results can be very entertaining.

"Sunset" is indeed very entertaining. It has laughs, but they're not important here. The atmosphere is what's important here and Edwards drenches us in it. And his casting of James Garner and Bruce Willis is inspired and right. They work wonderfully together and it is a testament to Garner and Willis as actors that they are so utterly believable as Wyatt Earp and Tom Mix, respectively. The bigger surprise here is Willis, who has a fresh faced charm that he doesn't show all that much anymore. I had forgotten what a solid actor he really is beneath that cliched "ACTION STAR" persona.

What prevents "Sunset" from approaching greatness is that Edwards is weighed down by the plot. He wants to create a complex mystery and he achieves that. But after getting to know such rich and likable characters, I really wish he had just forgotten about the plot and focus on them. All of his very best films are about character. Look at the list in the beginning. Each and every one of those films has characters we care about and he wisely forgets about resolving the plot. He observes and that's how he gets our attention (and laughs where appropriate). I only wished he had remembered. Luckily, his next film "Skin Deep" remembered that.

I still recommend "Sunset", if only for the charm of Willis and Garner and that wonderful atmosphere. This isn't a great film, but you just can't resist smiling at the end.

*** out of 4 stars

A very interesting premise ends up with a rather tame execution here, however the cast is full of talent, and they help to pull the film through. The best performance of the film is delivered by James Garner as Wyatt Earp. Although, no thanks to a poor makeup job, Garner does not look or act like he is approaching eighty years of age, Garner still portrays the charisma that one would expect from Earp very well. Of interest also is Mariel Hemingway, who is quite good as needing woman. The main problem with the film is that the mystery is rather dull, and its implementation into the plot comes at the cost of sacrificing room for further character development. Blake's directing work is slightly heavy-handed here, full of silly spectacles and violence that add little flavour to the film - and his work directing the film won him a Razzie award. It is not half bad as a film overall though. Garner and the rest of the cast, which includes Malcolm McDowell, help make some interesting segments when on screen, and Henry Mancini's music is as good as ever.

I appreciate Sunset the film because it gave the man who I consider the best big screen Wyatt Earp, James Garner, a chance to reprise the role.

Garner played Earp back in the mid sixties in John Sturges's Hour of the Gun. That film took the unusual plot line of beginning with the famous Gunfight at the OK Corral and showing the aftermath from that event. It was a pretty grim western, and Garner was not playing his usual likable con artist.

It took twenty years from Hour of the Gun to Sunset, but it was over 40 years in real life from the OK Corral fight until the events of Sunset that take place in Hollywood in and around the first Academy Award dinner in 1928. Wyatt Earp was in fact in Hollywood and did in fact know Tom Mix. Earp died in 1929 at the age 80 and Garner is one of the liveliest 80 year olds ever on screen.

Blake Edwards must have hated Charles Chaplin because Malcolm McDowell as Alfie Alperin, the Happy Hobo and villain of the film is one loathsome creep. No doubt Chaplin's character is used as the basis for McDowell's. The famous Thomas Ince shooting on board a yacht is also worked into the plot. Topping all that the first Academy Award dinner had a triple homicide in the lobby.

Bruce Willis as Tom Mix stars as Wyatt Earp in a film about the OK Corral and of course with Wyatt still being alive, Garner is brought in as a technical adviser. The two of them get involved in a lovely web of intrigue during end of the silent era that starts with the murder of a bordello madam who had a lot of blackmail information concerning the mighty of Tinseltown. Wyatt Earp discovers a few personal facts about himself he didn't know also.

Patricia Hodge is McDowell's long suffering wife and Jennifer Edwards is his equally loathsome sister. Another pair that Willis and Garner have to deal with are Richard Bradford as a corrupt LA detective and M. Emmet Walsh as the studio cop who do a lot of McDowell's dirty work.

Sunset is entertaining enough, not a great film for either Willis or Garner. And it does capture the ambiance of old Hollywood, give or take a lie or two.

I can't believe I had never heard of this movie before I decided to record it. I was expecting standard Blake Edwards fare, which for me means mostly enjoyable, usually ranking about a 7 of 10, but instead was treated to an engaging cinematic odyssey. This movie has everything, it is a western, it is a romance, it is adventure, it is a crime drama, it even has horses, car chases, and a biplane, not to mention the stunning art deco scenery. And western scenery. Add in the fabulous shots of Mix's Duesenbergs, and what's not to love.

Malcolm McDowell is sublime as the villain, James Garner is charming as the sidekick, and Bruce Willis is truly at his best, here in an unusual role not playing Bruce Willis.

Not a great film by Academy standards, but an enjoyable way to spend a couple hours. Beautiful, silly, intriguing...all in one movie. Splendid, eh?

For me, it's the supporting actors that make this interesting . Emmet walsh was so good in what's up doc, and joe dallesandro has his own history in warhol films. Mcdowell was probably best known for clockwork orange. In the story, tom mix and wyatt earp meet up in hollywood, on a movie set. When a moidah takes place, they decide to work together to solve it. Fun info in the trivia and goofs sections. While the story is mostly fictional, it does have some elements of truth scattered throughout. Mix and earp really did know each other. And parts of the story itself seem similar to the alleged shooting incident aboard hearst's yacht in 1924. The story is so serious... it's more of a dramatic murder mystery than a comedy. But it seems to want to be both, which would be a typical blake edwards film. Like victor victoria. Which also starred james garner. With a similar song and dance number at the center. According to wikipedia, even siskel and ebert had trouble describing the film. Keep an eye out for jennifer edwards, daughter of the director, as victoria. This felt like an odd role for willis. He also did "die hard" in 1988, and that seemed a better match. Clearly, the best way to get nominated for an oscar is to make a film about the oscars! This was nominated for best costumes. A couple razzies too... hemingway was nominated worst supporting, and blake edwards "won" for worst director! TCM doesn't seem to show this one. It's entertaining, but a little disjointed. Kind of banks on the friendship betwen mix and earp as the glue holding everything together.