CALIFICACIÓN DE IMDb
6.0/10
4.2 k
TU CALIFICACIÓN
Un abogado y un policía renegado forman equipo para detener a un policía corrupto.Un abogado y un policía renegado forman equipo para detener a un policía corrupto.Un abogado y un policía renegado forman equipo para detener a un policía corrupto.
- Dirección
- Guionistas
- Elenco
Thomas G. Waites
- Officer Kelly
- (as Tom Waites)
John C. McGinley
- Sean Phillips
- (as John McGinley)
Henry Judd Baker
- Big Leroy
- (as Judd Henry Baker)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A pretty fun movie to watch, a bit silly in parts and ludicrous in others, its a good entertainer.
Sam Elliot smooths his way through the film as usual and Weller, though good, is a little Robocop with some of his emotions.
Has all the elements you want from this kind of film :)
Sam Elliot smooths his way through the film as usual and Weller, though good, is a little Robocop with some of his emotions.
Has all the elements you want from this kind of film :)
Since its theatrical release, "Shakedown" has all but been forgotten by the public. Having just watched it again after more than twenty five years since I first saw it, I think I know why it has faded into obscurity. Don't get me wrong, it's not a terrible movie. For starters, it looks great, with expert cinematography and lighting despite being made with a somewhat conservative budget. And director James Glickenhaus, like in his other movies, definitely shows he can direct action - the action scenes in this movie are very well done.
But a closer look at the movie soon reveals some big flaws. While Sam Elliot shows his trademark weary charm and makes his character appealing, his co-star Peter Weller doesn't fare so well. Weller is kind of stiff, maybe because his character is eventually made to be not so likable despite being in a lead protagonist position. The screenplay (also by Glickenhaus) is also kind of a mess, with important characters disappearing for long periods of time, as well as the central story moving extremely slowly (or not at all) for equally long periods of time.
Is the movie worth seeing? In some circumstances, yes. If you actively seek it out and/or pay good money to see it, chances are you'll be disappointed. But if it crosses your path during a slow day for free, you'll probably find it helps pass the time in an acceptable manner.
But a closer look at the movie soon reveals some big flaws. While Sam Elliot shows his trademark weary charm and makes his character appealing, his co-star Peter Weller doesn't fare so well. Weller is kind of stiff, maybe because his character is eventually made to be not so likable despite being in a lead protagonist position. The screenplay (also by Glickenhaus) is also kind of a mess, with important characters disappearing for long periods of time, as well as the central story moving extremely slowly (or not at all) for equally long periods of time.
Is the movie worth seeing? In some circumstances, yes. If you actively seek it out and/or pay good money to see it, chances are you'll be disappointed. But if it crosses your path during a slow day for free, you'll probably find it helps pass the time in an acceptable manner.
From James Glickenhaus, director of "The Exterminator", comes this buddy flick that proves that you don't have to reinvent the wheel in order to make a solid action flick. Its characters are always watchable and its action scenes are expertly done. Glickenhaus's script is on the routine side but his execution helps to make up for that.
Peter Weller plays Roland Dalton, a public defender who takes the case of a drug dealer (Richard Brooks) who shot an undercover cop - but who apparently did it in self defense. Teaming up with a maverick detective played by Sam Elliott, he finds that the case leads to revelations about corruption in the NYC police department.
It's nice to see Weller looking like he's really having fun, and Elliott is likewise quite engaging. Weller strikes some sparks with Patricia Charbonneau, who plays a district attorney who just so happens to be an old girlfriend of Daltons'. It doesn't take long for him to submit to her charms even though he's already engaged to be married (to Gail Feinberger, played by Blanche Baker). Antonio Fargas is smooth as ever as big shot criminal Nicky Carr; Brooks and Larry Joshua are good in their supporting roles. While watching, the viewer can have a busy time playing spot the familiar face: Thomas G. Waites, Shirley Stoler, John C. McGinley, Jude Ciccolella, Vondie Curtis-Hall, Kelly Rutherford, Paul Bartel, James Eckhouse, David Proval, Harold Perrineau, William Prince and Holt McCallany all turn up.
Ultimately, this does get silly, and it doesn't tie up its loose ends well, but it's so well paced, and so undeniably exciting at times, that it sizes up as a good time for action aficionados. Among the highlights are a chase / fight Elliott has with a street thug that finishes nicely with a runaway roller coaster moment. It's also good for a look at 42nd Street when it was still in its decadent period.
Look for a theatre marquee displaying "Fatal Beauty", which also featured Elliott; a previous Glickenhaus picture, "The Soldier", can be seen playing on a movie screen.
Seven out of 10.
Peter Weller plays Roland Dalton, a public defender who takes the case of a drug dealer (Richard Brooks) who shot an undercover cop - but who apparently did it in self defense. Teaming up with a maverick detective played by Sam Elliott, he finds that the case leads to revelations about corruption in the NYC police department.
It's nice to see Weller looking like he's really having fun, and Elliott is likewise quite engaging. Weller strikes some sparks with Patricia Charbonneau, who plays a district attorney who just so happens to be an old girlfriend of Daltons'. It doesn't take long for him to submit to her charms even though he's already engaged to be married (to Gail Feinberger, played by Blanche Baker). Antonio Fargas is smooth as ever as big shot criminal Nicky Carr; Brooks and Larry Joshua are good in their supporting roles. While watching, the viewer can have a busy time playing spot the familiar face: Thomas G. Waites, Shirley Stoler, John C. McGinley, Jude Ciccolella, Vondie Curtis-Hall, Kelly Rutherford, Paul Bartel, James Eckhouse, David Proval, Harold Perrineau, William Prince and Holt McCallany all turn up.
Ultimately, this does get silly, and it doesn't tie up its loose ends well, but it's so well paced, and so undeniably exciting at times, that it sizes up as a good time for action aficionados. Among the highlights are a chase / fight Elliott has with a street thug that finishes nicely with a runaway roller coaster moment. It's also good for a look at 42nd Street when it was still in its decadent period.
Look for a theatre marquee displaying "Fatal Beauty", which also featured Elliott; a previous Glickenhaus picture, "The Soldier", can be seen playing on a movie screen.
Seven out of 10.
There's a weird tonal shift in this movie where the Peter Weller stuff is a well done legal thriller about defending a bad man and the Sam Elliot stuff is a totally over the top action movie with crazy stunts, car chases and shoot outs. But you know what? In a crazy way it works! With a balls out insane ending that makes no sense whatsoever I had a lot of fun. It was very competently made and acted and is well worth tracking down.
It's an enjoyable action flick overall.
However it's also a buddy comedy and a courtroom drama quickly whisked together and served in one massive high protein shake.
And that's its biggest downfall.
Don't get me wrong I deeply enjoy the mindless entertainment of 80s "tough policemen" movies but the usual straightforwardness of a Schwarzenegger or a Stallone is lost here.
An amazing cast (Sam Elliott, Peter Weller and Patricia Charbonneau) which would have done really well in any high budget Hollywood production, gets involved in all kinds of extravagant and adrenalin inducing events while distilling great acting throughout and keeping up with the highly energetic pace set by director James Glickenhaus.
Not cohesive but if you're a fan of Lethal Weapon, 48 hrs or Tango and Cash it will serve you well.
¿Sabías que…?
- TriviaWe first see Richie Marks (Sam Elliott) while he is inside a movie theater showing Nombre código: Águila (1982), which was also directed by James Glickenhaus.
- ErroresAt night time, when Roland gets caught at the precinct stealing the evidence from the locker, the shot moves to an exterior shot which shows the precinct by day - very sunny - then cuts back to an interior shot, again at night.
- Citas
Richie Marks: You know what this is?
Tommie: It's a gun! It's a gun!
Richie Marks: Yeah, and you're a fuckin' genius! Now listen up. This gun is clean, no serial number. So if I blow out what's left of your brain and chuck it in the East River, your case is closed. The people downtown are gonna file you under DSAF. "Did Society A Favor." Got it?
- Versiones alternativasOn its first run past the Australian classification board, the film was rated R. To garner a wider audience, Hoyts removed approx. 1 minute of footage so that the film could get an M rating. The footage removed included the "condom" scene with the old jailer, all references to homosexuality and snitches being "turned out", the scene outside the porno theater where the Nicky Carr's right-hand man guns down the bystanders after the cops and the Russian roulette scene in the police station. this footage was never reinstated for the film's VHS or subsequent DVD release.
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- How long is Shakedown?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Blue Jean Cop
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 10,068,039
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,017,800
- 8 may 1988
- Total a nivel mundial
- USD 10,068,039
- Tiempo de ejecución
- 1h 52min(112 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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