Rocket Gibraltar

I too came across this little gem while channel hopping late one night. After watching fro a few minutes, i was into it.

This movie put me on to Billie Holiday. The old man lies on his bed, listening to a voice that had me enraptured. I almost wished the movie would end so that i could find out who the singer was.

Since then, Billie has been on the top of my list of female vocalists...perhaps her contribution to the movie alone should score it a few points?

That aside though, the movie is worth watching. Sometimes it takes the "innocence" or rather the openness of children to show us what is important in life

This movie has more than one of the last movies of Burt Lancaster and the screen debut of Macaulay Culkin. It also contains the screen debuts of Angela Goethals and Sara Rue. It was the third of these kids mentioned that got me more interested in seeing it, and the fact that no video chain is selling rental copies anymore which got me to buy a copy. Angela Goethals grew up to be quite a babe, and LESS THAN PERFECT turned me into a fan of Sara Rue, whereas before I simply recognized her throughout the 1990's from the short-lived NBC Sitcom GRAND, and somehow I have a feeling that Emily Poe is related to the original playwright Amos Poe. But I digress;

Levi Rockwell(Lancaster), a writer, teacher and stand-up comedian blacklisted during the McCarthy-era is celebrating his 77th Birthday at his house in Sagaponack, Long Island with his children, their spouses and grandchildren. The family consists mainly of writers, as well as an aging baseball player(Bill Pullman), a washed-up comedian(Kevin Spacey) and a promiscuous aunt(Suzy Amis). That promiscuous aunt is actually kind of cute, but the kids are the most important part of the movie, next to Lancaster's character. It's clear that Grandpa Rockwell has very little time left on this earth, and confides in his grandchildren that he only wants one present -- a boat that he can use for a viking funeral when he dies. And while the adults seem partially wrapped up in their own lives while arranging the birthday party for Grandpa Rockwell, the kids are determined to fulfill his wish.

While the movie takes place in Sagaponack, it's actually filmed in and around Westhampton Beach. FYI, Sagaponack, Long Island is a real town that's much further east than Westhampton Beach. It's the last town along Montauk Highway before you cross the Southampton-Easthampton Township line. But if you can forgive Neil Simon for using segments of Long Island to pass as the mythical "Twin Oaks, Ohio" in 'THE OUT-OF-TOWNERS(1970), you should have no problem with this little geographical error.

After surviving a heart attack, we find Levi's personal physician, Dr. Dean Bonacker(George Martin) had a crush on Levi's late wife. Some may find it less of a story if it doesn't lead to a fistfight or an over-dramatic argument. I also noticed in one scene, Sara Rue occasionally put her arm around Macaulay Culkin. Hmm. I wonder if she had a crush on him back then. Anyway, the movie is super-sappy and sentimental, but it does contain one car-chase and some lines that'll bring a few chuckles, mainly from the kids. If you hate yuppies you may find this movie hard to live with, but you'd be missing out on an interesting tale.

So I have been an avid IMDb fan since, let's say, 1998, when I was in middle school. I wasn't the first to view the site and based on the date, not here from the beginning. I have roughly 2,000 star-click reviews on netflix but never joined here... and never really felt a need to join.

I joined tonight after almost 13 years of viewing this site because of the reviews I saw here and what I think is missing from those reviews.

I am not a movie snob, and respect Independent films to foreign films to old films to actually admitting to liking Norbit, Like Mike, and Blue Crush. No one's opinion means anything against your own judgment, but I hope my opinion makes you want to see this film.

Often we see movies where directors cast multiple children. Many times, people underestimate that a director has the desire to use this as a way to direct children on a higher level than say a "Spy Kids" or "Sky High." They want to create a movie for all levels, to understand at any stage in life.

First, this movie takes place in Sagaponack, NY. if you read the news, this zip code has become the wealthiest zip code in the country and is smack in the middle of the Hamptons. You never really hear of it as a Hampton town because there are no stores, only one post office attached to one Deli. This movie is one of the few media examples that documents what the Hampton's once were: a playground for artists and free spirits that had 'made it' and wanted a retreat. In the 22 years since this film was released, we see not only a change in our culture, but a change in how we spend and show the money we have. Today, the Hamptons is a playground for the wealthy. While artists are still there, it is not to the level it was when real estate wasn't 'the wealthiest zip code in the country.' In the landscape of this film, you can see how much we've changed.

Furthermore, people claim that the adult characters are stereotypes and really characters that don't come alive like some great films can manage to do. I disagree. I think that the film shows characters that can be understood on all levels, whether the person watching is the age of the children or the age of the adults. They are simple enough for children to understand what their purpose and identity is, and complex enough (sexually, maturely, etc.) for adults to see the things that kids will only understand over time. The best example I cam possibly think of is by the same director, Cocoon

I used to watch this as a child with my whole family. The first time I saw it was 1995, our first year living in Sagaponack. As you can now tell, I have a strong bias for this film but I hope my review proves my opinion is beyond bias. Rocket Gibraltar represents so much to me. Viewing it as a child, i loved the innocence of the children's quest to provide the Grandfather's seemingly simple last wish. As I got older, I understood how the reality of the adult real-world sometimes forbids us from listening clearly to our own family's desires- and even forbids us to listening to the innocence and straight-forwardness of a child. As a kid, I also loved Kevin Spacey's character as being 'out there' and sarcastic, Suzy Amis' character for being sexual in a way I knew was taboo but not why, Bill Pullman's character because I knew as a young male what being a sports wash-up would be like, and of course Burt's character for being that Grandfather that was soooo bad a$$ that none of his own kids could ever empathize with the life that he had lived.

I am not getting into depth with the children's performances because I will let you find the own child within you to realize how they each play their own part, and each represent not only a small part of you but on an exaggerated level, each can be linked to one of your own friends growing up.

As I got older, I realized things each and every time I watched the film, but I never forget how the movie represented a different mentality and state of being with each level of maturity I was a viewer.

The story itself, is very strong. Conflict is present. It is not in a truly original way, in which each and every character we've seen time and time again. But, while they all are recycled players, they are placed within a landscape of a story that is truly original and bold in what it was able to pull off. I really believe this movie is trapped in time. It couldn't be made now, for so many reasons.

Regardless of my ramblings, just go check this one out for yourself. Try to be the kid I was, the pubescent young man, the high-schooler, the college kid, and the man I was when I watched this film. If you do that, you really will see that it deserves much higher than a 6.4.

I'm told that this was Burt Lancaster's last film. I happen to like his acting, but the script for this effort could have been better. There are the adults, who are rather shallow caricatures of real people with problems. The kids who play grandpa's grandchildren, however, make the best part of this opus. I could almost see myself in their places so many years ago. Of course, my siblings and I wouldn't have done some of the things these grandkids end up doing. The last 10 minutes of the film make up for some rather boring parts spent on the adult characters.

I think that some viewers overlook a lot of what the movie is trying to tell its audience. The portrayal of the adults in the film along with that of the children and the dying grandfather is quite accurate. The film chooses to portray the adults of the film as being selfish or "shallow" because it strives to show us the connection between the very young and the very old. It is often thought that there is a wisdom found only in early childhood and lost in later life that is regained with old age. The magical connection between the grandchildren and their grandfather is something both entertaining and touching to view. The film is well done and I do agree that the children really do make the film, with the help of a great veteran actor.