Purgatory

Peace Corps Carly and Melanie are leaving the African country Umlanga, but when they're pulled over by the authorities. The hitcher-hiker they picked up, happened to be carrying drugs. The two ladies are falsely convicted of smuggling drugs too. So the judge, sentences the pair to eleven years to the penitentiary known as Purgatory. When they get there, Carly soon discovers that showing fear and aggression is a big mistake and only backfires. The abuse going on behind the scenes sticks to the warden and the guards taking advantage of the inmates sexually. After their first encounter, Melanie cracks insistently. Carly becomes the warden's favourite and is forced to work in a brothel. While, her mother is doing her best to get her daughter out, despite finding it hard getting help from the American embassy.

Tanya Roberts (who's basically wasted) is the main draw card to this highly dank, lewd and by-the-numbers women-in-prison exploitation fodder. Well there's plenty of leering shots on Tanya Roberts (who wears some skimpy outfits and naively whimpers a lot over her innocence), but it really does utilize the lustful sexual attraction that's brewing. However, while it's sordidly suggested, it falls mostly into the implied bracket. It's pretty weak and tame in what you see and there's very little sleaze and flesh. Too much jilted dialogues involving whining or long-winded speeches with political interference has a certain seriousness about it, which just drowns out the fun that could've been and only aggravates. It doesn't quite ignite until the last fifteen minutes, but even then the action is amateurishly staged and the final big bang (the usual break out with some explosions and sweet revenge) lacks zing. Obvious plotting in the material doesn't help the stuffy pacing either. The look of the film comes across like a jagged TV episode, but it cooks up a gritty, dour and harsh atmosphere despite not entirely illustrating it. Director Ami Artzi does an systematic job, but can succumb to lazy touches, just like the conclusion. Free-willed camera-work can get murky with one or two unusual handled POV shots and the broodingly over dramatic music score is totally mishandled. The voluptuously stunning Roberts has trouble holding the film together in the lead role, but however it's a gusty performance. Clare Marshall provides much added spark as the mother Ruth Arnold. The performances aren't terrible, just extremely plain and shell-like.

A visually enticing Roberts and couple of unintentional chuckles can be found in this free-risk, below-average cheapjack "WIP" exploitation staple. Tanya Roberts' fans will eat it up, but I don't know about others.

Despite the initial set-up (2 American girls in a foreign - here African - country get arrested and sentenced to 11 years in jail for a crime they didn't commit), "Purgatory" is not really a Women-In-Prison film. It almost completely ignores the daily prison life of the women and focuses on one aspect only: their sexual exploitation. The warden has set up a prostitution ring and the prisoners are used to satisfy the needs of many high-paying customers. After 75 minutes of this repellent junk, we finally get to the escape part. "Purgatory" supposedly has serious intentions: there are even title cards telling us what date it is, and at the end another card telling us what happened to the surviving characters, as if this was based on a true story, even though at the end of the credits there is the usual "any similarity to real persons, living or dead, is purely coincidental" disclaimer. But it is technically rough, even amateurish at times, and although Tanya Roberts deserves credit for taking on a role that has her appear completely unglamorous, she's still too limited an actress to carry a movie by herself. (*)

This truly crappy women-in-prison flick looks like a leftover from the 1970s. Like so many of that genre, it was shot in the Philippines. One difference; instead of a totally no-name cast, it has Tanya Roberts, the erstwhile Charlie's Angel. Hold your Oscar nominations, please.

Though none exists, this movie could easily be subtitled, "Carly and Melanie Go to Africa and Get Gang Raped." That's pretty much the size of it. Sadly, poor Melanie drops out in the first twenty minutes, so that leaves Carly ( Roberts ) to fend for herself against a bunch of really yucky people. They're yucky, she's plucky. The outcome is predictable.

Lots of people get killed along the way, not that anyone really cares. The biggest question remains: What is John Newland doing in this dreck? Yes, that's right; the same John Newland who hosted the Sci-Fi TV classic from the 1950s, "One Step Beyond". He's dead now, so it's impossible to ask him. One can only imagine that his last wish was to have his name deleted from the credits. That appears to have been granted.

Read dozens reviews and wandered why people are so close-eyed. The film shows a real-like story happened in Rhodesia, sorry, after fall of Rhodesia, the newly created independent state of Zimbabwe. Clearly shown Russian red flags. Clearly shown Cuban militants and Castro portraits. Accurate image of American diplomats who imitated protection of the US citizens.

Absolutely, this documentary styled film critically depicted both totalitarian communists system and lair US policy.

This was a deep satirical political message of people of South Africa who felt a close catastrophe after the silent betrayal of UK and US. They had seen what happened in Rhodesia and they knew that same will occur in their native land.

After the several years the people of South Africa has been expelled from their land. Developed country was ruined, gangs expanded by country, garbage and blood made the streets unfit for living. Majority of the population fled from country for ten years.

The old and crummy VHS-copy I own of "Purgatory" makes it look as if it's a typically raunchy and sexist women-in-prison exploitation movie, like the used to make them during the 70s and early 80s, but this one has slightly more to offer. In fact, I daresay that if "Purgatory" (1) had been based on a true story, (2) starred an actress like Angelina Jolie, and (3) was directed by an acclaimed name like Roland Joffé, this film easily might have won an Oscar. I'm serious.

Does that mean "Purgatory" is an underrated hidden gem? Unfortunately not, it could and should have been much better, but at least it has a captivating story to tell, and there's enough drama and misfortune to last a lifetime. By picking up the wrong type of hitchhiker when they drive to the airport in a fictional African country, two female Peace Corps volunteers are accused of drug-trafficking. What follows is an incredible series of disastrous and downright rotten breaks. The DEA agents don't believe their story, the arrogant US ambassador refuses to help, the corrupt judge accept a $10,000 bribery but still sentences them to 11 years of prison, and the penitentiary - aptly named Purgatory - is a lawless slammer where the head warden rents out the prettiest girls as prostitutes. The whole country is so corrupt that every honest procedure lasts months, and whenever a good Samaritan tries to help, he/she ends up brutally assassinated. Start a riot and attempt to escape seems the only way out for the poor and desperate Carly, but her spirit has - understandably - weakened.

I love Tanya Roberts. Not only because she's unearthly beautiful, but she's normally also a good actress. She doesn't exactly demonstrate this in "Purgatory", however. Her dramatic over-acting is too obviously fake, and even after spending several months in this hellhole of a prison, her hair and skin still look perfectly silky. Director Ami Artzi does manage to create a strong and compelling atmosphere of despair, and you do feel genuine empathy and pity for Carly and her allies. The abuse and torture sequences are quite dull, but they remain decent, and the last 15-20 minutes are action-packed and full of (badly executed) building fires and explosions. Difficult film to rate, this "Purgatory", but don't want to flunk it (like most other reviewers obviously did).