Corriente mortal

This one wasn't so much frightening as it was an interesting attempt at a horror/sci-fi mix. I think the script needed a little juking, a few more twists and turns and genuinely suspenseful moments, before I could recommend it. There was a little too much macro-photography of wires melting, and not enough attention paid to the characters (one of the major ones is inexplicably written out of the story before the climax.) I never thought I'd say this, but Joey Lawrence actually gives a good performance, and there are some nice, subtle moments-- particularly some strong observations about family. I was never scared, but the ambiguity & unusual premise kept me interested. I think POLTERGEIST was much more effective in creating horror in inanimate objects. Still, a good try. 6/10.

I agree that some of the lines in this film are 'cheesy', but its been a long time since I've seen a film that actually gave me a good case of the creeps and this filled the bill. I'm sick of the blood, gore, sex and foul language. SOmetimes its okay, but gets painfully boring after awhile. I want to be able to be spooked or creeped out; to be able to walk away looking over my shoulder or wondering "what if" and this film was the last film ever made that gave me this feeling. Not many films do, because it seems blood and filth is what horror is supposed to be about. Well I like good old spooky stories, too and this film has what it takes to give you a good case of the creeps. If you like blood, gore and sex, then you probably wont like this film. But if you want to spend the next two weeks walking on the paranoid side, check it out!

I remember I saw this movie about 5 years ago and recently found a videotape with it on. I watched it and thought, it's still a good movie. The electricity is a good touch turning appliances into killers. It's not really a cheesy movie you would expect by it's tagline but goes on the lines of "what would happen if this was true" of course there is no way scientifically possible for any of this to happen... or is there?!

If this tag line seems familiar to you, it's because it is. It's the famous tag line for "The Amityville Horror". Not much happened in this movie, and yet it's considered a classic. We never, in the movie, understood the full source of evil from Stanley Kubrick's "The Shining", and yet it's one of the most horrifying films of the 20th century. Better leave things unexplained, and you'll have a great time. Do the same with "Pulse" and you'll enjoy it to the max. I sure did. I always liked how the movie never explained the source of the evil electricity. It makes things scarier. Once I'll find out, it's like spoiling a movie's ending. As the tag line for "Amityville", one is wondered why the occupants of the house do not leave yet. Well, the answer's simple, and Cliff DeYoung's character clearly showed it in the movie. It's because there's a rational explanation behind all of this. And the house is not entirely paid, they have to sleep there, eat there, and... just a place to sit down and relax. Because if they leave, they will look like crazy people. That's all the movie is about. What makes sense? What is best to do? I keep myself on the edge of my seat seeing for myself as what will be coming up next. "Pulse" is indeed an undiscovered gem. What a shame.

Good, above average sci-fi / horror / thriller makes the most out of a fairly unique premise. Ever likable Cliff De Young plays divorced father Bill, whose son David (Joey Lawrence of future 'Blossom' fame) comes to stay with Bill and his new wife Ellen (Roxanne Hart) for a while. Unfortunately, this happens while a pulse of electricity - which seems to have become some sort of sentient being - is out to terrorize and destroy home owners in the neighborhood.

"Pulse" offers a fresh change of pace from the slasher films that often took predominance in the 1980s. It's written and directed by a man named Paul Golding, who does a pretty good job. Some viewers can take issue with the concept, or the fact that it's never sufficiently "explained", while others will appreciate the ambiguity of the plot. Assisted by a top notch crew, Golding is successful at combining a number of genuine jolts with some traditional suspense. There is some gore but not enough for more squeamish viewers to truly get upset about. Spooky music by Jay Ferguson and excellent special effects by Richard O. Helmer are heavy assets.

The cast is believable and engaging. De Young is good, but his character is going to frustrate viewers for being one of those standard Stubborn Dummy characters common to film; it takes him a long time to wise up. The lovely Hart, and young Lawrence, are similarly appealing. Solid support is provided by Lawrences' kid brother Matthew (as a neighborhood child) and top character actor Charles Tyner (as a creepy old man who seems to know the score). Other familiar faces in smaller roles are Robert Romanus of "Fast Times at Ridgemont High" fame (as a TV repairman), and Myron Healey ("The Incredible Melting Man") as a helpful old neighbor. Look for Tim Russ ('Star Trek: Voyager') in a bit as a cop.

Overall, a solid shocker, that appears to offer a comment that we take our modern conveniences for granted, and that they can strike back and kick us in the ass.

Eight out of 10.