Promised Land

Two principles are anxious to get out of a small burg in the mid west and one refuses to leave the only place where he ever had any recognition (as a star high school athlete) and becomes a local cop. The wild card here is a drifter and borderline sociopath who nonetheless also needs something like "home", but has no idea what that is.

Played by Meg Ryan as you've never seen her. Although if you rent "Hurlyburly" you'll see what she can do with a well written part not seemingly made for her; this woman can act, but apparently would rather have Nora Ephron help her be a star and get fat deals playing variations on the same person. Rant aside, Ryan's character hooks up somewhere in the west with the most disaffected of the small-towners, played as a not very bright but enigmatic loser by Kiefer Sutherland. The pull of "home", both real and imagined, leads Kiefer and Meg back to small-burg with tragic consequences. There is a real 80's feel to this. Ennui and fear and neediness combine as America ostensibly does big things, a few people get really rich, and people like these characters instinctively know that most people, especially ones like them, have fewer prospects than their parents. Unlike me, the movie is not at all didactic, so check it out as one of the more outstanding "feel-bad" movies I've ever seen.

Dave Hancock is a small town athletic star who goes away to college as a basketball player on scholarship. When he washes out of the team he drops out of college and comes home to find a job on the local Police department where he's comfortable among the folks he's always known and able to relax in his former glory.

Mary his head cheerleader girl friend goes away to school to study art but also longs for the small-town life and the boy she's left behind. She's got big dreams but is afraid to leave the comfort of the small town and afraid to tell her family she wants to stay.

Danny Rivers, tagged `the Senator' was a nobody in high school and can't wait to leave for the world outside the town he's grown up in and the bleak undemonstrative family that raised him.

When Danny meets and marries a crazy do-as-she-pleases girl he decides to return home and all of their lives are changed forever...

I found this movie to be evocative of a period and had better than average character development but this film will not appeal to all. It is a sketch of a time and a place and the people there. They are not archtypes, they are not universal but they are realistic and you can care about them and as with many sketches the viewer is left with the desire for more, a more complete picture, a better sense of what comes next and even a few more details about the present.

No matter what the critics contend I loved this movie - I like the actors - all of them, not just the top 4. I thought the top 4 should have gotten Oscars. The film is depressing but it is supposed to be that way. The scenery and music just add to the awesomeness. References to President Regan made it more relevant. The despair and frustration of growing up in this movie are not equalled anywhere else. Two thumbs up.

When I was growing up my folks had a saying for whenever I wasn't able to finish some mouth-watering dessert that I had insisted on getting: my eyes were too big for my stomach. That's how I felt about this ambitious but under-inflated would-be epic. It very much wants to be a sort of quintessential 80's picture, a final say on the tragic consequences of so-called Reagan-era greed and consumerism, but it keeps pulling up lame. Like a novice trial lawyer it falters nearly every time it tries to make its case.

Occasionally it gets things right and briefly wanders into "A Simple Plan" or "The Last Picture Show" territory, in its double-edged depiction of small town security and frustration. There's a terrific, understated scene between Jason Gedrick and Tracy Pollan as they swim in a hot spring and lazily recall some of their glory days. Kiefer Sutherland and Meg Ryan have some nice fragile moments in the desert when these two lost souls discover the joy of actually connecting, however briefly, with another human being. There are glimmers of something substantial going on here, which is what makes the whole so disappointing.

The biggest flaw is the amount of time elapsed from Gedrick's game-winning buzzer beater that kicks the story off, to a mere TWO years later, when the 4 principles are at their big "crossroads" in life. Two years is simply not long enough. The film is making the specious argument that somehow Reagan's cold-hearted policies (he appears a couple times on television making supposedly "empty", out of touch speeches) are to blame for Gedrick dropping out of school and settling for becoming a local cop, or Sutherland hitting the road because he can't live up to his nickname ("Senator") by the ripe old age of 19! Yeah, fate and that trickle down economy are really conspiring against those two, aren't they? In order for an audience to really FEEL their desperation, they need to be older with their directions in life more set in concrete. That's why "A Simple Plan" worked so well, where here it's much harder to sympathize with the lead characters. Hell, chalk it up as a bad year or two. They all still have plenty of time to right the ship.

The acting is generally okay. I thought Meg Ryan over-did the hell-raising a bit, but at least she gives the film some real jolts of energy. Gedrick pulls a classic, 4 star nutty in a kitchen at one point that would make Mickey Rourke proud. Unfortunately the writing too often lets them down. There's such a fine line between having inarticulate characters groping for words to express themselves, and the screenwriter groping to give them something meaningful and revealing to say. In this case, it sure felt like the screenwriter was doing the most groping. There's just too many "It's not you. It's me!" and "You just ... don't understand!" type lines. Many of the arguments are forced and unconvincing.

I really liked the film's collision course structure, many of its visuals (the spinning camera around the little car in the desert casts an undeniable spell) and even its bombastic score full of "end of the world" chants and that sort of thing. It was setting me up for a conclusion that I was expecting to have so much more of an impact than it ultimately did. It didn't dig deep enough, didn't flesh out its people or their world (the town is never given a personality other than generically small and sleepy) sufficiently for me to care as much as I wanted to. But I did WANT to, and perhaps that's a small accomplishment. It's certainly better than the not entirely dissimilar "Inventing The Abbotts". But if you really want to see a more successful though equally forgotten riff on these very themes check out an early Bridget Fonda flick called "Out Of The Rain".

I do believe these characters: A cheerleader/good girl, a jock who is less of a jerk than most jocks, a totally ineffectual loser, and a trashy drifter floozy. But I still need to hear a little more in depth dialog about why they are who they are, or what they want out of life.

Other reviewers have mentioned a couple Reagan speeches in the background or some kind of political message about disappointment in the Reagan years. I see that the "lefty" Robert Redford produced this film, but I did not pick up on the whole Reagan-bashing vibe. There is one scene where the jock throws a tantrum and says, "you lied to me," but I'm not sure to whom he was talking or referring.

I was a lost soul in the 80's, but it never occurred to me to blame Reagan. My problems were entirely a combination of genes and my own decisions. The same goes for these characters.

I couldn't stand the Meg Ryan character, and I couldn't see anything to respect or like about the Sutherland character, so during their sequences, it was more like a documentary about losers. I felt no sympathy. Those two are so off-putting and ugly,they ruin the whole film.

What I did like was the gorgeous scenery and the accurate portrayal of the angst of small town youth. Growing up is scary and there's no place like home. The characters conveyed this well.

Why make it in Utah? I know that Redford lives there, but wouldn't you have to include some references to Mormonism? There was a steelmaker union sign on the main street. Were there steel mills in Utah back in the day? It was supposed to represent a generic working class small town, but nothing in Utah is generic. It's a unique place.

Tracy Pollan is five years older than Jason Gedrick and Meg Ryan is several years older than Keifer Sutherland. But I can't say that I really noticed that. I do think they were weird casting choices. A Jewish girl from Long Island as a small town Utah cheerleader? A Connecticut beauty queen type as a thief and a whore? I have faith that the jock and cheerleader will make a nice couple. She clearly has no direction in college and will find something worthwhile to do back home. He will continue as a cop. They will have a double income and produce a nice middle class life amongst their friends and family. What else is there anyways?

One thing though: Another reviewer mentioned that they should have made more than two years pass by. I agree,because two years is nothing. 20 years old is not the time to panic about your future. You can always go back to school or work for a while. Nothing at 20 needs to be forever.

The film may have made much better sense if they were all 25.