CALIFICACIÓN DE IMDb
7.7/10
20 k
TU CALIFICACIÓN
Un cachorro de oso huérfano se une a un macho adulto mientras intentan esquivar a los cazadores humanos.Un cachorro de oso huérfano se une a un macho adulto mientras intentan esquivar a los cazadores humanos.Un cachorro de oso huérfano se une a un macho adulto mientras intentan esquivar a los cazadores humanos.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 5 premios ganados y 11 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I hate Grizzly Bears. I hate them because I'm terrified of them. Nothing in the woods is gonna set you free like confronting a bear (well, maybe the Zodiac killer). Whenever you're out there, away from it all, there is the looming threat of The Bear. He is nature raw; he's a wake-up call, saying, "it's time to prove who you are and where you belong, now!"
Imagine loving a film from the point of view of your worst enemy. Think about feeling empathy and compassion for your most horrible nightmare. That's this film for me.
Sure it helps that the narrator is an innocent child, abandoned in the woods. Sure, he has dreams just like you do. He even chews mushrooms and trips around like you did as a teenager. He learns, he grows up, he faces trials, he is loved and protected.
The Indians say that when you kill an animal, you must respect his living soul. His rights are the same as yours. Maybe you had the edge this time, maybe you live a little longer. But, in the end, you are one in the same. Only the arrogance of man makes you think you're more important. The hunter supplicates because he's out-brawned. It's only later that he realizes that he is The Bear. Maybe not now, or before, but sometime. What would happen if everyone thought of themselves as an integral part of it all? That the trees, the rocks, the animals, the clouds, hell, everything of the earth was impossible to separate from humanity's own lifeforce?
It is rare when a work or art can change a perspective that's been locked in for a lifetime or re-enforced by centuries of civilization. But, for one magical moment, I was The Bear.
Imagine loving a film from the point of view of your worst enemy. Think about feeling empathy and compassion for your most horrible nightmare. That's this film for me.
Sure it helps that the narrator is an innocent child, abandoned in the woods. Sure, he has dreams just like you do. He even chews mushrooms and trips around like you did as a teenager. He learns, he grows up, he faces trials, he is loved and protected.
The Indians say that when you kill an animal, you must respect his living soul. His rights are the same as yours. Maybe you had the edge this time, maybe you live a little longer. But, in the end, you are one in the same. Only the arrogance of man makes you think you're more important. The hunter supplicates because he's out-brawned. It's only later that he realizes that he is The Bear. Maybe not now, or before, but sometime. What would happen if everyone thought of themselves as an integral part of it all? That the trees, the rocks, the animals, the clouds, hell, everything of the earth was impossible to separate from humanity's own lifeforce?
It is rare when a work or art can change a perspective that's been locked in for a lifetime or re-enforced by centuries of civilization. But, for one magical moment, I was The Bear.
Almost 20 years later, this remains the best of "animal" movies I've ever seen - where there is little dialog and animals dominate the screen. The amazing photography with the bears, the stunning cinematography overall and the great landscape (British Columbia) all make this a visual treat. Even better, it's an interesting story and has remained that with each of the viewings I've had of this film since discovering it in the mid '90s.
It's a solid adventure story, and the little bear in here is lovable. The "bad guys" (the hunters) aren't really all that bad, either. The bears' performances are fascinating, simply amazing. It must have taken incredible patience to film this movie.
Outside of a couple of "damns," there is no profanity and, I would think, is a great film for any age person to see. Highly recommended.
It's a solid adventure story, and the little bear in here is lovable. The "bad guys" (the hunters) aren't really all that bad, either. The bears' performances are fascinating, simply amazing. It must have taken incredible patience to film this movie.
Outside of a couple of "damns," there is no profanity and, I would think, is a great film for any age person to see. Highly recommended.
The Bear was an art film veiled in the guise of a nature film. I never looked at the roving vistas and sharp cinematography, because when I first watched this, I was more concerned with the bear cub. This is certainly a minimalist film, but the execution was so well done, the power of the images speaks more than the occasional piece of dialogue that is spoken throughout the movie. While it can never be described as kids movie, I think kids might be interested in it due to the very National Geographic-like quality of the film (only without the voice overs). While it has been a long time since I last watched this film (about four years ago), the interesting imagery and the simple, yet meaningful story of survival will always stick with me.
10trams98
I saw only a small part of this movie on TV recently but found it compelling enough to spend an hour on the Internet trying to find out its title and then rented it as 'The Bear'.
It was worth the effort. What a refreshing change from the parade of Hollywood block busters. An orphaned bear cub is the star along with an adult Kodiak bear. They are being hunted by two men with guns and dogs in a breathtaking never ending landscape where no dialogue is needed. Appropriately, one of the few lines of dialogue has one of the hunters refer to himself as a "stupid human".
I wondered how on earth some of the shots were achieved but not too much, the story is too compelling. "The Bear" is an enchanting glimpse into a world few people ever witness and a cautionary tale for hunters everywhere.
It was worth the effort. What a refreshing change from the parade of Hollywood block busters. An orphaned bear cub is the star along with an adult Kodiak bear. They are being hunted by two men with guns and dogs in a breathtaking never ending landscape where no dialogue is needed. Appropriately, one of the few lines of dialogue has one of the hunters refer to himself as a "stupid human".
I wondered how on earth some of the shots were achieved but not too much, the story is too compelling. "The Bear" is an enchanting glimpse into a world few people ever witness and a cautionary tale for hunters everywhere.
From the first moment when you see the little bear and his mom digging for honey I was entranced with this film. The whole aura of life in the wild- the mountain lions that prey on other animals and the bear is certainly an omnivore! I don't know how the filmmakers got all that great footage but I enjoyed seeing life through the eyes of the orphaned cub. The scenery is breathtaking. The hunters were almost an intrusion in the film, but in the end they helped to bring the story full circle. This film was recommened to me by a man who never reads, he waxed so about this film I had to see it and I agree it is both a nature film and an allegory on life.
¿Sabías que…?
- TriviaBecause in the wild, male bears usually eat bear cubs if they can, the filmmakers prepared the adult Bart the Bear for the cub by having him play with a teddy bear the size and fur color of the cub. When the trainers felt he was ready, he was introduced to the cub and he greeted the cub affectionately.
- ErroresAfter the bear attacks the hunters' horses, and one of the hunters has tracked down his hurt horse and has it cornered in a small rock enclosure, rocks are visible being thrown from the left side of the shot to stir the horse up.
- ConexionesFeatured in Motormouth: Episode #2.3 (1989)
- Bandas sonorasEnd Title Theme
Music adapted from "June: Barcarolle"
by Pyotr Ilyich Tchaikovsky (uncredited), from "The Seasons"
Played by Orchestra
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 31,753,898
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,676,530
- 29 oct 1989
- Total a nivel mundial
- USD 31,753,898
- Tiempo de ejecución1 hora 36 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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