Never on Tuesday

I am suprised not alot of people have seen this, it is a great movie. Peter Bergs earliest role, he is great in it, and it is a great funny movie. Some great moments that really stick in your memory. I saw this a few years ago. One of my favorite parts are the delusion parts.

Great cast - Claudia Christian at her sexiest, Peter Berg at his dumbest and Andrew Lauer at his most endearing. A handful of surprise guest stars add to the fun. The desert location is fine and the soundtrack cleverly intertwined with the action. A must see..

I came across this movie seeing that Nicolas Cage has made a cameo, I decided to watch it since it was on netflix. This movie is one of the most boring "movies" I have ever watched. The characters are all goofy and unrealistic including the police and tow truck drivers. And it isn't in a good goofy kind of way but just pathetic and bothersome to watch. The storyline is predictable, the characters are dull, bad acting, bad writing, and everything along with it. The low budget makes this even worse. Keep away from this movie unless you want to come for the cameo appearances (Nicolas Cage & Charlie Sheen). Generously give it a 2/10 because of the cameos.

My review was written in July 1989 after watching the film on Paramount video cassette.

The talent and beauty of Claudia Christian is showcased in "Never on Tuesday", an unreleased 1987 vanity production that should give Paramount Home Video sleeper possibilities due to the presence of several big-name guest stars.

As in his more recent pic, "Tale of Two Sisters", also toplining Christian, filmmaker Adam Rifkin shows great potential in his handling of varied film techniques. Unfortunately, his experimental approach has no extant audience; he might have done better to start with conventional features before plunging into uncharted waters.

Here he sets himself the insurmountable goal of making a static road movie. Andrew Lauer and Pete Berg are two Ohio youths driving to California to meet those fabled west coast beauties. Pic is barely underway when they recklessly crash into Christian's Volkswagen, stranding the three of them in the middle of nowhere.

Passersby refuse to give the hapless trio a lift and Christian announces in the second reel: "I'm a lesbian", thwarting the lecherous intent of our heroes. Rifkin manages to create some variety (and wish-fulfillment sexiness) with frequent fantasy sequences, but it is the periodic visits of quirky, uncredited cameo performers that keep the film going.

Standup comic Gilbert Gottfried pops up with his usual shouting routine to sell the folks something, but won't give them a ride. Charlie Sheen has the best guest spot as a violent ex-con who robs the trio at knifepoint -he plays it for real. Brother Emilio Estevez makes a brief appearance and his "Breakfast Club" co-star Judd Nelson is too hammy as a mustachioed cop to get any laughs.

Golden oldies on the soundtrack make the film easy to take, but Rifkin's bittersweet ending is unsatisfying.

The film was pretty good. It is nowhere near the potential the Adam Rifkin shows in his later works for instance Detroit rock city. Which was one of my favorite movies of all time. But this is One of Rifkin's first movies and he didn't really have much time to grow as a director or writer yet so all in all it was a funny and good film.