Marusa no onna 2

I found this movie confusing in that I couldn't uniquely identify the characters. Also, the movie seems to switch gears (first it seems to be comical, then it is serious, then it is comical) and it can't seem to make up its mind about what it wants to be.

I did like some of the characters, but the movie was confusing and FAR to long.

I enjoyed Tampopo immensly but this film was dissapointing considering it was made by the same director.

Rating 4 out of 10

This is my favorite of Itami's films. Some of his fans may not like it because it has much less humor than his more well-known works. It has a remarkable soundtrack, and a completely different tone than A TAXING WOMAN. It has an intricate and unconventional screenplay, and has the great technical qualities you expect from Itami.

"A Taxing Woman's Return" seems like a strange title for a movie, but somehow Juzo Itami makes Japanese tax investigation quite entertaining and interesting. The film has a carefully constructed, intricate plot and well-written screenplay; good acting and a *wonderfully* caustic sense of humor make this movie hilariously entertaining. Some of the best moments, though, come from showing how the fraudulent religious cult works (in evicting stubborn tenants, for example), and from Itami's gradual peeling away of plot layers to give us a peek at the never ending corruption in the system. This movie sits comfortably in my favorite 20 films.

I am a big fan of Nobuko Miyamoto and her work with her husband, Juzo Itami, in such films as "Minbo" and the first "Taxing Woman" but this film dissappoints. It starts out with a great setup, a religious cult is involved with yakuza real estate dealings, but the payoff is unsatisfying. The money is difficult to keep straight, ie. who payed what to whom, and in the end I wasn't sure if the bad guys had been punished or not. Some fine moments with Miyamoto but in the end it was very forgettable.

This sequel to the Taxing Woman takes on the corruption of politician, religious organization, and yakuza.

Ryoko (Nobuko Miyamoto) is on to a case concerning religious organization, and gangs concerning Jiageya ( A group of gangs who buys homes by using violent means so that real estate can be rebuilt and sold for a profit ). The case eventually leads to corrupt politicians. Ryoko enters the religious organization in question as its member, and finds out that its headquarter has a hidden room containing evidence of corruption.

The movie takes into account many topics that was suspected of being the case in society back in the '80s Japan. Itami connected the dots taking artistic license and turned it into a movie.

This movie is more entertaining than the first Marusa No Onna. The corruption is on a bigger scale, and investigation is more sophisticated.

This is one of the most entertaining movie by director Itami, and is recommended for viewing.