Agrega una trama en tu idiomaRyoko Itakura returns as the government tax agent willing to tackle the toughest cases. This time she takes on a fanatical but lucrative religious cult run by a vile lecher.Ryoko Itakura returns as the government tax agent willing to tackle the toughest cases. This time she takes on a fanatical but lucrative religious cult run by a vile lecher.Ryoko Itakura returns as the government tax agent willing to tackle the toughest cases. This time she takes on a fanatical but lucrative religious cult run by a vile lecher.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados y 4 nominaciones en total
Tarô Ishida
- Kiyohara
- (as Gentarô Ishida)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I am a big fan of Nobuko Miyamoto and her work with her husband, Juzo Itami, in such films as "Minbo" and the first "Taxing Woman" but this film dissappoints. It starts out with a great setup, a religious cult is involved with yakuza real estate dealings, but the payoff is unsatisfying. The money is difficult to keep straight, ie. who payed what to whom, and in the end I wasn't sure if the bad guys had been punished or not. Some fine moments with Miyamoto but in the end it was very forgettable.
This is my favorite of Itami's films. Some of his fans may not like it because it has much less humor than his more well-known works. It has a remarkable soundtrack, and a completely different tone than A TAXING WOMAN. It has an intricate and unconventional screenplay, and has the great technical qualities you expect from Itami.
This sequel to the Taxing Woman takes on the corruption of politician, religious organization, and yakuza.
Ryoko (Nobuko Miyamoto) is on to a case concerning religious organization, and gangs concerning Jiageya ( A group of gangs who buys homes by using violent means so that real estate can be rebuilt and sold for a profit ). The case eventually leads to corrupt politicians. Ryoko enters the religious organization in question as its member, and finds out that its headquarter has a hidden room containing evidence of corruption.
The movie takes into account many topics that was suspected of being the case in society back in the '80s Japan. Itami connected the dots taking artistic license and turned it into a movie.
This movie is more entertaining than the first Marusa No Onna. The corruption is on a bigger scale, and investigation is more sophisticated.
This is one of the most entertaining movie by director Itami, and is recommended for viewing.
Ryoko (Nobuko Miyamoto) is on to a case concerning religious organization, and gangs concerning Jiageya ( A group of gangs who buys homes by using violent means so that real estate can be rebuilt and sold for a profit ). The case eventually leads to corrupt politicians. Ryoko enters the religious organization in question as its member, and finds out that its headquarter has a hidden room containing evidence of corruption.
The movie takes into account many topics that was suspected of being the case in society back in the '80s Japan. Itami connected the dots taking artistic license and turned it into a movie.
This movie is more entertaining than the first Marusa No Onna. The corruption is on a bigger scale, and investigation is more sophisticated.
This is one of the most entertaining movie by director Itami, and is recommended for viewing.
"A Taxing Woman's Return" seems like a strange title for a movie, but somehow Juzo Itami makes Japanese tax investigation quite entertaining and interesting. The film has a carefully constructed, intricate plot and well-written screenplay; good acting and a *wonderfully* caustic sense of humor make this movie hilariously entertaining. Some of the best moments, though, come from showing how the fraudulent religious cult works (in evicting stubborn tenants, for example), and from Itami's gradual peeling away of plot layers to give us a peek at the never ending corruption in the system. This movie sits comfortably in my favorite 20 films.
This sequel to the original is about the tax inspectors in Tokyo trying to find hidden money amongst a religious group, which at the time, in the age of Jim Bakker and Jimmy Swaggert, was a very topical subject. Nobuko Miyamoto is back as Ryoko, but she is more just one in an ensemble piece rather than a big star of the film. Still, she is a great character and great fun to watch. This film has more action than the first, but it is also a little confusing. You get a major peek inside what seems like a religious cult and you see the world of greed at your doorstep. If you saw the original, which was better since it had more Ryoko, you'll want to see this also. Its a worthy follow up and its a shame there weren't more films on the subject. I saw the two films within a few days of each other and I enjoyed them. I think you will too.
¿Sabías que…?
- ConexionesFeatured in Marusa no onnna 2 wo marusa suru (1988)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- A Taxing Woman's Return
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 333,584
- Tiempo de ejecución
- 2h 7min(127 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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