Madame Sousatzka

John Schlesinger became famous as a polemic and very socially oriented director, but this is his Masterpiece of all times. It is not a monumental movie and it is not a box-office smashing hit.

No. This is a far superior work of artistry, worked and reworked from the guts and above all, from the heart.

The story is very skillfully developed and has plot twists and turns as the classical masterpieces interpreted in this movie.

Yes, because it is a tale of two cultures: the Western and the Eastern. The western side is taken by a (Russian?) piano teacher, living in London (masterfully played by a magnificent Shirley MacLaine) and the Eastern is represented by a would-be and reticent Hindi piano student.

Not only does Schlesinger tell us the story of the two and their passions and strives in life, but also gives us a whole palette of undertones in quite different social worlds.

Despite its length (slightly over two hours) the movie has never a dull moment or a static conversation. Emotions are fully and honestly expressed by all involved and never for a moment, one can feel he is watching a movie here.

Quite the contrary. All the characters play their parts so much to the hilt, that it "sucks" us in and doesn't let loose until the end credits roll.

I am not an emotional person generally, and many "tearjerkers" only make me crack up, so academic they are, but when I watched this movie for the first time in New York City at the Carnegie Odeon Movie Theater, I must admit I came out in tears and had to make an effort not to be noticed for that.

Not that it is particularly sad, quite the contrary. Despite some very dramatic moments, it is truly a wonderful comedy. No the sadness comes out from the realism contained in the lives of the characters, in which we all could find similarities.

The dreams, the passions, the disappointments, the crime and punishment and finally, the absolute redemption are all very important factors in this excellent movie.

The music world is only a mask to show us a much deeper view on society as such. But the film is conducted by Schlesinger (the old fox) as an orchestra conductor, directing a symphony by Beethoven.

His baton is light but never loses out on a note. His conducting is comparable to the mastery of Herbert von Karajan. The only difference is that he waltzes with a camera.

If you want to discover a different movie from the same-o, same-o, then this is an absolute must see.

I personally laughed, cried, got concerned and was worried, was uncomfortable, then immediately relieved by pleasant surprises throughout the entire movie, but above all, it made me think about the similarities with my own world and this is probably why I learned to love this tiny masterpiece.

I just own the VHS version, but would like to plea the producers of the movie (Universal was the distributor, but the movie was a Cineplex/Odeon production) and all those who are involved in DVD production to finally decide to release a pristine copy, with a decent digital sound and a crisp image.

Of all the movies around, this one surely would merit an extra effort to digitalize it and therefore preserve it for posterity.

I can only recommend it. This movie is for all, although some scenes may be a bit difficult to understand by younger audiences, without an adult presence. But in reality, this is a naive suggestion, since it has to be watched by the entire family on a quiet movie evening around the living room.

You need some concentration though, to watch it. It is not a popcorn and beer movie. This is a movie for those who love to think.

Madame Sousatzka is overall a well-made and enjoyable film which gives the audience an interesting glimpse into the world of piano music. The film is mainly about music, and as expected, the music is an integral part of it, and it is beautiful. Just like a film of this sort would require, Madame Sousatzka has a very good score which contributes to its musical and dramatic tone, and also a serene, subtle narrative style which complements the story, the characters and the overall atmosphere. The biggest triumph of the writers, however, is the main character of piano teacher Madame Sousatzka, which is memorable. The film tells her story by mainly focusing on the lessons she gives to the young son of an Indian immigrant, and there we see who she is. She is strict, demanding, uncompromising, but she is also loving, caring and kind.

All of it is handled perfectly by one of my favourite actresses, Shirley MacLaine. This is her show all the way, and she is excellent in a heartbreaking and unforgettable performance. She skillfully creates a tough yet vulnerable persona and plays Sousatzka's strength, inner pain, and her struggle with her lonely present and her twisted past with great conviction. We know everything about this faded but assertive lady, one that we can meet everyday in our neighbourhood, just because of this portrayal. Her facial expressions are amazing, and throughout the film they really enhance the impact she makes here. This colourful character lets her be imperious, motherly, humorous, funny, unlikable, moving and sympathetic throughout it, and in some instances, she can be all of the above at the same time. A great, great performance.

MacLaine is supported by several good actors giving good support. Another favourite of mine, Shabana Azmi, is very good in a much smaller part as the loving but greedy Bengali mom. Her Bengali accent and mannerisms (which most non-Indians would never really take notice of) are spot on, and she comes across as a lively and vivacious character. Navin Chowdhry is pretty good as the student. The film is quiet and even though it is a bit slow in pace, it is entertaining and makes for an interesting watch. Obviously for me, it is MacLaine's performance which makes it so recommendable. Madame Sousatzka is not the greatest movie you will see, it is definitely not a film that would be enjoyed by everyone, and even though I personally had bigger expectations from it, it is overall a fine, artistic and well-made picture.

Too bad there wasn't made a Madame Sousatzka II and a Madame Sousatzka III with successive students. This film does more for any plausible immortality than her laughable, daffy & wild reincarnation baubles. Sousatzka is one hell of a story, and an A+ piece of direction by John Schlesinger. They should have made it at least twice. MacLaine and the director were absolutely the very best. Doubtless her best film maybe incl the Apt.

Madame Sousatzka is one of those coming of age to win the big competition films; albeit, the kid doesn't come of age (that will be his next step) and there is no competition. And the lovable, eccentric coach is the maddening, overbearing piano teacher, Madame Sousatzka.

Sushila and Manek Sen, an immigrant Indian family, moves to London. Sushila, the mother, supports her son, Manek, by cooking pastries for an upscale department store out of her cramped kitchen. Manek is a raw child prodigy of the piano. For years, Sushila has been funding Manek's studies by selling off her family heirlooms.

They hook up with Madame Sousatzka, one of the top piano teachers in London. She has issues, however. She smothers her students. She has an "art for art's sake" philosophy, and she doesn't believe that her students should seek commerce for their skills. And she tries to hide her students from the world. Through flashbacks, she relives her failed career through her students.

I just finished watching this film for the second time--the first since 1988. It holds up really well. Shirley MacLaine, who plays the title role, gives one of her best performances. She is neither showy nor mannered, in a role that was too easy to devolve into both. Navin Chowdhry (Manek) seems like a natural at the piano. His part calls for him to be cocky and nervous, all at the same time. And he does it quite well. And the supporting roles from Twiggey to Peggy Ashcroft seem to hit the right chords.

There is a lot of great music in it. And the direction and the pace of the film are swift. I think if the film would have spent too much time talking about music, I would've been bored. As it is directed, I was captured by all the pieces played.

Finally, I couldn't help but notice that Ruth Praweer Jhabvala adapted this piece. (I, in fact, researched this film to find out who wrote it.) It's the work between A Room with a View and Howard's End. It really shows off her style of writing. There is this great sense of time and space of modern day London here, as there was in early twentieth century London in Howard's End. And dangerous intimacies seem to be a subject she likes tackling in all three films.

Overall, Madame Sousatzka is well worth the two hours.

I see that Shirley MacLaine complained that no one got to see Madame Sousatzka in its first run. Well I can say that back in 1988 I did get to see this film with the late Daniel Strausbaugh in its initial run. Seeing it again 31 years later it is as fresh and original as it was on first viewing.

Playing the title role of a strict and demanding piano teacher recently settled in London MacLaine is far from some of the characters she did in her salad days. She's a good teacher, but she intrudes a bit too much into the lives of her students. She's not one to just take the money from parents who want their untalented kids. She's like a jockey who wants only to ride stake horse races.

Such a thoroughbred is Indian kid Navin Chowdhry whose mom Shabana Amzi is a single mom with a catering business who has sacrificed all for her talented kid.

The thing is Navin is a regular kid who likes to kid things such as rollerskating. A habit MacLaine cures him of. She nurtures his talent and him. But he does grow away from her because teenage boys do have hormones even if they're piano prodigies.

The cast is uniformly fine and this film should be better known. MacLaine's scenes with Chowdhry are special. You really do think this is a demanding teacher and pupil not just actors playing them.

If you like Shirley MacLaine this is a must.