Una fuerza maligna de 1000 años en el futuro comienza a destruir un paraíso idílico, donde los ciudadanos están en perfecta armonía con la naturaleza.Una fuerza maligna de 1000 años en el futuro comienza a destruir un paraíso idílico, donde los ciudadanos están en perfecta armonía con la naturaleza.Una fuerza maligna de 1000 años en el futuro comienza a destruir un paraíso idílico, donde los ciudadanos están en perfecta armonía con la naturaleza.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Glenn Close
- Ambisextra
- (English version)
- (voz)
Christopher Plummer
- Metamorphis
- (English version)
- (voz)
Dominique Maurin
- Transformés
- (voz)
- (as Dominique Maurin-Collignon)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Even though the story was not originally from Asimov, for those who have read most of Asimov's classic science fiction (as a friend says, Asimov's Science fiction written in the 40's will always be science fiction even in 2006), the world 'Gandahar' represents an Asimov' Utopia-not in our galaxy- just like in the books, "The Gods Themselves", and "Foundation's Edge" (Gaia). The movie is very surreal and artistic but compared to other contemporary science fiction animations, it is not that technically sound. Some of the ideas I liked in the movie are: Before the beginning credits, one sees a fisherwoman using music to catch flying fish, the illustration of banished deformed people, and the use of genetically modified creatures in transportation, war and reconnaissance (one- eyed "mirror birds"). I also really liked the idea of a society leaded by a matriarchal system. This movie receives a rating of 8 out of 10 from me.
GANDAHAR is an imaginative little science fiction feature from Rene Laloux, who directed the acclaimed FANTASTIC PLANET. I haven't seen that one but I did enjoy this one; I saw the version showing on Prime which had been dubbed into English with the voices of Christopher Plummer, Glenn Close et al. Intriguingly, the animation (which I like a lot) was handled by a North Korean studio. The story gathers together many familiar themes from 20th century science fiction including time travel, eugenics and technology, weaving them into a satisfying story involving rebel characters battling against a merciless robot army. Put it this way, it has far more heart, soul and insight than any film in the STAR WARS franchise made since the original trilogy.
'Light Years' is a work of sci-fi animation that really stands apart from the pack. In order to enjoy this film, one must have an appreciation of science fiction altogether. For those individuals such as Leonard Maltin, whom dismissed this movie as a pretentious 'talky' cartoon, you must understand that 'Light Years' tells a very human story about irresponsible inventions and ignorance in a completely ALIEN setting; this is the true magic of the film! I thought the dialogue was creative and the story was fascinating. The creatures and characters are beyond description, and the ending will blow you away. True sci-fi fans I think should dismiss Leonard Maltin's review and rent this one!
This film was one of the first science fiction cartoons I had seen. Perhaps that is the reason for my high praise of the film. I was engrossed from the very beginning. The dialouge was masterful. What the animation lacked, the combination of the writing and my imagination more than made up for. This film has a PG rating for brief nudity, but I think that children ages 10 on will be very pleased. It treats the audience not as a child or an adult. If you are a fan of hardcore science fiction then this film is for you. If you have never seen a single sci-fi film before, then this is the perfect blend of action and thought provoking images to introduce you to the genre. I will not get into details about the story. You can read the synopsis. In short, I highly recommend this film.
French animator Rene Laloux of "Fantastic Planet" renown, attempted to make another surreal sci-fi adventure with the 80's "Ghandar" or as Isac Asimov and Harvey Wienstien decided to call it for those of us in the states "Light Years", which since no... space travel takes place, and since the movie is about a fictional country called "Gandahar" is probably a bad title. "Light Years" I guess sounds more sci-fi-ish, and if this film was to succeed in the states(it didn't) it was gonna need every bit of conventionality it could muster.
The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.
Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.
Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.
That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.
So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.
The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.
Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.
Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.
That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.
So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.
¿Sabías que…?
- TriviaThe film is based on the 1969 novel "Les Hommes-machines contre Gandahar" (The Machine-Men versus Gandahar) by Jean-Pierre Andrevon.
- Versiones alternativasThe Miramax Dubbed version is edited from the original French release. Most of the editing is from the first 36 minutes from the film. In the Miramax cut there is a new introduction of a quote by Issac Asimov, and an extended ending using footage from earlier in the film. The French cut ends with the head floating through the air. The French version contains roughly 6 minutes and 37 seconds more footage than the Miramax version(not including the Opening Titles and Credits). A lot of this is dialogue and more intimate scenes between Sylvain and Airelle in the nest and on the ship to Métamorphe. There is also a sequence cut of the black robots which is also shown in a montage inside Métamorphe later in the film.
- ConexionesEdited into The History of the Hands (2016)
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- How long is Gandahar?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 370,698
- Fin de semana de estreno en EE. UU. y Canadá
- USD 48,665
- 31 ene 1988
- Total a nivel mundial
- USD 370,698
- Tiempo de ejecución1 hora 18 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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