CALIFICACIÓN DE IMDb
5.8/10
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TU CALIFICACIÓN
Un asesino en serie en Los Ángeles celebra el centenario de Jack el Destripador cometiendo asesinatos similares y solo una persona tiene la posibilidad de detenerlo.Un asesino en serie en Los Ángeles celebra el centenario de Jack el Destripador cometiendo asesinatos similares y solo una persona tiene la posibilidad de detenerlo.Un asesino en serie en Los Ángeles celebra el centenario de Jack el Destripador cometiendo asesinatos similares y solo una persona tiene la posibilidad de detenerlo.
- Dirección
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- Premios
- 1 nominación en total
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Rating: *** out of ****
Despite having one of the worst titles I've ever heard, Jack's Back is actually a nifty little thriller, a true hidden gem if I ever saw one. I happened to come across the film at a used video store (like the title, the cover box is pretty awful, too) (makes you wonder if the trailers and TV promos were also just as lame), and being a James Spader fan, decided to give it a look. Nice to see this turned out to be one of the better impulse buys I've made in a while.
The title refers to Jack the Ripper, or more specifically, a copycat who's committing similar murders in Los Angeles on the same days on the hundredth anniversary of when the original killings occurred. Without giving anything away, I'll simply say that James Spader and Cynthia Gibb are the protagonists who are searching for the killer, even though Spader himself might be the one.
Despite a plot that plays somewhat like a routine thriller, the story is still fairly enjoyable for what it is. There are a few plot twists and turns, some unpredictable, some which are fairly obvious. Fans of whodunnits (and let's face it, I think everyone enjoys a good whodunnit every once in a while) will find just enough intriguing detail to make this at least an average viewing.
But what sets this apart from many thrillers, particularly those of the late 80's, is the emphasis on characters. Writer/director Rowdy Herrington probably spends even more time developing the lead protagonists than he does fueling the main plot (I can actually see how this might somewhat disappoint whodunnit fans hoping for a very convoluted plot, or slasher fans expecting more, well, slashing). Consequently, the suspense is ratcheted up a few notches and we find ourselves caring about the outcome.
Most of the credit for this should go to Spader, who delivers a terrifically charismatic and extremely likable performance. He plays a man who's hardly a saint, but realistic in that he's flawed, and simultaneously more than capable of showing a genuine conscience. Cynthia Gibb (who's very cute) works well with Spader, she's charmingly convincing and adorable. The rest of the cast isn't really worth mentioning except for maybe Robert Picardo as a thoughtful police psychologist (who happens to live in a mansion, no less). Everybody else is mostly present to act as suspects or people who are simply in Spader's way.
Herrington's direction is quite good, setting up a creepy atmosphere, nicely accompanied with an equally creepy score. It's Herrington's storytelling that could use more work. While many details are set up well, the finale stumbles due to a rather large leap in logic. To some, the film's conclusion might also seem rather abrupt, without quite enough explanation for all that transpired. If Herrington had tightened up his story, he might have had a great thriller on his hands. As it is, this is merely a good movie that rates well above average. But I shouldn't be complaining. Jack's Back is a pleasant surprise, even moreso for a movie with such an awful title.
Despite having one of the worst titles I've ever heard, Jack's Back is actually a nifty little thriller, a true hidden gem if I ever saw one. I happened to come across the film at a used video store (like the title, the cover box is pretty awful, too) (makes you wonder if the trailers and TV promos were also just as lame), and being a James Spader fan, decided to give it a look. Nice to see this turned out to be one of the better impulse buys I've made in a while.
The title refers to Jack the Ripper, or more specifically, a copycat who's committing similar murders in Los Angeles on the same days on the hundredth anniversary of when the original killings occurred. Without giving anything away, I'll simply say that James Spader and Cynthia Gibb are the protagonists who are searching for the killer, even though Spader himself might be the one.
Despite a plot that plays somewhat like a routine thriller, the story is still fairly enjoyable for what it is. There are a few plot twists and turns, some unpredictable, some which are fairly obvious. Fans of whodunnits (and let's face it, I think everyone enjoys a good whodunnit every once in a while) will find just enough intriguing detail to make this at least an average viewing.
But what sets this apart from many thrillers, particularly those of the late 80's, is the emphasis on characters. Writer/director Rowdy Herrington probably spends even more time developing the lead protagonists than he does fueling the main plot (I can actually see how this might somewhat disappoint whodunnit fans hoping for a very convoluted plot, or slasher fans expecting more, well, slashing). Consequently, the suspense is ratcheted up a few notches and we find ourselves caring about the outcome.
Most of the credit for this should go to Spader, who delivers a terrifically charismatic and extremely likable performance. He plays a man who's hardly a saint, but realistic in that he's flawed, and simultaneously more than capable of showing a genuine conscience. Cynthia Gibb (who's very cute) works well with Spader, she's charmingly convincing and adorable. The rest of the cast isn't really worth mentioning except for maybe Robert Picardo as a thoughtful police psychologist (who happens to live in a mansion, no less). Everybody else is mostly present to act as suspects or people who are simply in Spader's way.
Herrington's direction is quite good, setting up a creepy atmosphere, nicely accompanied with an equally creepy score. It's Herrington's storytelling that could use more work. While many details are set up well, the finale stumbles due to a rather large leap in logic. To some, the film's conclusion might also seem rather abrupt, without quite enough explanation for all that transpired. If Herrington had tightened up his story, he might have had a great thriller on his hands. As it is, this is merely a good movie that rates well above average. But I shouldn't be complaining. Jack's Back is a pleasant surprise, even moreso for a movie with such an awful title.
This was recommended on my Amazon prime. It looked like a hokey, made for TV movie. I decided to throw it on and it definitely was a hokey, made for TV movie but I really enjoyed it. Most roles I've seen Spader play have been arrogant and not all that likeable. I really enjoyed seeing him play the good guy(s) and for whatever reason, found him to be really attractive in this movie. The copy cat murders don't really have much to do with the movie, it mostly focuses on Spaders character. I enjoyed it and would watch it again.
It's been a long time since I've seen this but I enjoyed the movie and thought that James Spader gave a great performance. My best friend had it taped off TV and was mentioning the movie one day and hunted it out for us to watch after I had said that I had never seen it or even heard of it, which was odd because I was a fan of James Spader.
The movie has a lot of twists and turns and the excitement builds up and you really get engrossed in the film. James and Cynthia had great chemistry and I agree with others that their romance was not done in a typical, over-done fashion.
The title of the movie is bad and makes you think automatically that it will just be some stupid B movie but it's actually one of the best thrillers I've seen and definitely the best thriller out of the "B" section. I think if the film had more publicity and a better cover/title more people would know of it and want to rent it.
I would recommend it to anyone that likes a good thriller, especially ones that they've never heard of and want to be surprised.
The movie has a lot of twists and turns and the excitement builds up and you really get engrossed in the film. James and Cynthia had great chemistry and I agree with others that their romance was not done in a typical, over-done fashion.
The title of the movie is bad and makes you think automatically that it will just be some stupid B movie but it's actually one of the best thrillers I've seen and definitely the best thriller out of the "B" section. I think if the film had more publicity and a better cover/title more people would know of it and want to rent it.
I would recommend it to anyone that likes a good thriller, especially ones that they've never heard of and want to be surprised.
I am at a loss to explain why James Spader is not a major star. He got a good start with 80s teen flicks and didn't burn out too fast. This movie shows off his acting as well as his on-screen charisma. His everyman is better than Harrison Ford's, usually, because you know there's some intelligence and humanity behind the intensity.
There's some nice moments in the movie, and it has a quirky feel that makes it endearing despite the violent content. Unfortunately, it doesn't quite hold together and the quirkiness doesn't stop it from been a familiar story. Incidentally, despite the direct description of its plot, it's a terrible title.
There's some nice moments in the movie, and it has a quirky feel that makes it endearing despite the violent content. Unfortunately, it doesn't quite hold together and the quirkiness doesn't stop it from been a familiar story. Incidentally, despite the direct description of its plot, it's a terrible title.
Because DTV (Direct-To-Video) thrillers have a reputation for being the "bastard stepchildren" of larger budgeted cable, TV and big screen fare, some great little movies that hold dynamite performances have a tendency to become underrated and overlooked. This was definitely one of them.
James Spader gives a performance every bit as remarkable as that of Jeremy Irons in DEAD RINGERS, playing twins who become embroiled in a murder mystery involving a serial killer, who is copycatting the infamous Jack the Ripper's horrendous legacy of bloody terror, down to the most minute details.
B-movie pro Herrington knows how to keep the action, cinematography and editing going at maximum warp, so that the glaring inconsistencies and gaping plot holes are apparent only on repeated viewings. But if you can get past that, you will be rewarded by Spader's performance, (which gives one all the more reason to wonder why this man is not a major star right now), as well as some fine turns by Cynthia Gibb (TV's FAME), Jim Haynie, TWIN PEAKS' Chris Mulkey (another criminally overlooked actor), and a wickedly enjoyable portrayal by Rod Loomis, as a local doctor who knows a lot more about the murders than he lets on.
A nice little surprise that's worth seeking out on the shelves of your local video palace when all the "good" stuff is gone for the weekend.
James Spader gives a performance every bit as remarkable as that of Jeremy Irons in DEAD RINGERS, playing twins who become embroiled in a murder mystery involving a serial killer, who is copycatting the infamous Jack the Ripper's horrendous legacy of bloody terror, down to the most minute details.
B-movie pro Herrington knows how to keep the action, cinematography and editing going at maximum warp, so that the glaring inconsistencies and gaping plot holes are apparent only on repeated viewings. But if you can get past that, you will be rewarded by Spader's performance, (which gives one all the more reason to wonder why this man is not a major star right now), as well as some fine turns by Cynthia Gibb (TV's FAME), Jim Haynie, TWIN PEAKS' Chris Mulkey (another criminally overlooked actor), and a wickedly enjoyable portrayal by Rod Loomis, as a local doctor who knows a lot more about the murders than he lets on.
A nice little surprise that's worth seeking out on the shelves of your local video palace when all the "good" stuff is gone for the weekend.
¿Sabías que…?
- TriviaDirector Rowdy Harrington originally wanted the movie to be titled "Red Rain" and Peter Gabriel's song of the same name was meant to play at the opening credits. Since this was a low budget film, he couldn't get the rights to the song, so he hired Paul Saax to compose the song "Red Harvest" instead. Shortly before the movie release, the studio felt that the title "Red Rain" had no relation to the plot so they decided to change to a more appealing title, "Jack's Back".
- ErroresIdentical twins do not have the same fingerprints.
- Citas
Sam Hilliard: This is an emergency. May we come in?
Chris Moscari: I'm not really dressed.
Scott Morofsky: It's okay, we're police officers.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Jack's Back
- Locaciones de filmación
- 901 E. Edgeware Road, Los Angeles, CA 90026, Estados Unidos(Interior and exterior. John Wesford's apartment.)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
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