Haunted Summer

I have heard for year about HAUNTED SUMMER because of the title, because my dad is a huge fan of Lord Byron's poems and in his 20s even looked a bit like Byron and also because I am familiar with the subject. Last March I finally saw it and it excedded my expectations just a bit.

In 1816 Lord Byron, Percy Shelley (Eric Stoltz) and Mary Shelley get together In Geneva for some philosophical discussions but the situation soon deteriorates and they end up doing mind games, drugs and o****s. They devise a contest to write the best horror story for killing the dullness of summer, and then one of the best horror novels of all time will be written... Mary Shelley's FRANKENSTEIN.

The costumes and settings were good and it was nice seeing an historical movie so accurate costume-wise. Despite Philip Anglim never became an household name after this he played Byron nicely (same for Stoltz as Percy Shelley), and in some moments there was an incredibly magical atmosphere thanks to the mystical music (especially in the sexy scene at halfway).

Not to be missed especially for experts about these authors, and overall, a somewhat unique movie.

I have no idea what the other reviewer is talking about- this was a wonderful movie, and created a sense of the era that feels like time travel. The characters are truly young, Mary is a strong match for Byron, Claire is juvenile and a tad annoying, Polidori is a convincing beaten-down sycophant... all are beautiful, curious, and decadent... not the frightening wrecks they are in Gothic.

Gothic works as an independent piece of shock film, and I loved it for different reasons, but this works like a Merchant and Ivory film, and was from my readings the best capture of what the summer must have felt like. Romantic, yes, but completely rekindles my interest in the lives of Shelley and Byron every time I think about the film. One of my all-time favorites.

This movie which concerns the meeting of the two famous Romantic poets Shelley and Byron along with their entourages near the lake of Geneva, captures well the romantic and libertarian climate that our readings and imaginations lead us to associate with such an encounter. A true visionary company consisted by Byron and his personal physician Dr.Polidori as well as Shelley, his lover Mary Godwin, with whom she had eloped and who going latter to be his wife, and the latter's half-sister Claire are a fine team to spend something more than an hour and half with.

The characters are well developed and space and time is given to Dr.Polidori and Claire even if those were the ones that unlike the others posterity has not crowned with literary fame.Byron occupies center stage sometimes overacted by the otherwise very able Philip Anglim. He tries to keep up with his demonic image of the cursed poet as well as with that of a man who embraces the life-style of a 19nth century gentleman. Shelley is more ethereal more close to the image of Matthew Arnold of "A beautiful and ineffectual angel" although an angel occasionally prone to pranks in the expense of people that take themselves too seriously.Dr. Polidori is a sidekick to Byron, meant to suffer his ironic comments but also his lover. Claire is the sexy and liberated sister while Mary is thoughtful, commanding and introspective.

There is fine insertion of poetic extracts in the movie, very well crafted and not incongruous with the development of the plot. In the end the voice of Shelley is heard reading the conclusion of his poem "The Sensitive Plant" the meaning of which is very resonant with the content of the movie.

Costumes and scenery are charming and one thinks that he is in company with the 19nth century gentry. A very libertarian version of it actually with a tendency of long discussions over the table on the difficult topics of social justice and liberty while being served by servants in uniforms.

The personal relationships of the group are entangled to say the least but even if we allow for poetic license from the part of the director and the scenario, our sources of the real events tell us that was actually the case.

The element of the supernatural is both manifested and subverted as it is linked with nightmares and opium-produced hallucinations. But I think they fail to do justice to the moral and political problematics of Mary Shelley's Frankenstein novel, to the creation of which a text in the end of the movie refers along with the fates of the characters involved. If one watches the movie he may be left with the impression that Frankenstein is a horror story inspired by hallucinations and nightmares. It is not so, it is a story with horror elements but it is about hubris, justice, prejudice and lot of topics that where the staple of the Enlightenment along with the romantic fervor and touch that Mary Shelley added.

Inevitably the comparison with Ken Russell's film "Gothic" dealing with the same events and characters comes to mind. In my opinion and if different things can be graded this film is better or at least it is much nearer to the mental picture of the characters I have formed through the reading of their works and life-stories. The Romantics discussing and making verses by the lake is much more my piece of cake than the atmosphere of supernatural terror and licentious excess of Gothic. But this is a subjective opinion.

While "Gothic" (Ken Russell's surprisingly good psychotic drug trip fantasy) has attracted more of a following, this film simply took a different route to chronicle the intensely powerful relationships that existed among this group of artists and writers.

Phillip Anglim's performance dominates every other. He grips the part of Byron with an iron hand and draws the viewer into this story. While, Alice Kreige and Eric Stolz also offer good performances they sometimes become lost in Anglim's. Alex Winter's and Laura Dern's sometimes seem to disappear into the scenery.

While this film is not exactly a masterpiece, it is worthy of more attention than it has had. It makes the lives of these people more accessible than "Gothic" did. It breathes life into people that Americans tend to view simply as moth eaten old poets with scandalous and mythical reputations who's work they are forced to read in school.

Percy and Mary Shelley set off to the continent with Mary's stepsister, Claire. They meet and keep company with Lord Byron and his sycophantic doctor,Polidori. If you're either a Shelley or a Byron fan, many of the details of their lives are known to you, but I loved this film, its emphasis on Shelley's purity, its willingness to encompass the complexity and totality of those amazing times and the equally amazing people who gave us poetry, passion, courage and a desire to live life to the fullest. It is a lovely, lovely film.