Heart of Midnight

Jennifer Jason Leigh plays a psychologically devastated young woman who has inherited an adult club from her recently deceased uncle. She initially remembers only his kindness to her, and wants nothing to do with his past business life. Her goal is to transform the closed building into a dance club and to try to make it on her own. She sets up housekeeping in her uncle's former living quarters, and pays a contractor to oversee the renovation. The film contains some graphic sexual content, but it adds to the horror rather than plays a purely exploitive role. The story is about the irreparable harm caused by abuse and it is a powerful celluloid indictment of sexual predators who leave few obvious physical scars on their victims.

The movie died a quick box office death. It was not designed for the fans of X-rated fun & games, and it was too dark and unsettling for most regular viewers looking for a pleasant night out. Leigh's character is the only role fully developed. Most of the other acting is B-movie quality at best and the dialogue is often wooden. Nonetheless, her performance and the story are good enough to carry the picture.

The story functions best as a psychological horror story and the cinematography contains some truly frightening visual images of things she sees or thinks she sees. These elements work well to underline her insecurity and instability. They also highlight her courage in trying to make it on her own in a world ready to accept that she is merely weak-minded and unable to cope. The script is not at the same level as that of "Spoorlos" or "Sixth Sense," but it is as good as many quality thrillers. There are very few pictures that deal with this subject area in more than an oblique way and rarely from the perspective of the abused. Give this movie a chance to work. Realism in cinema is hard to find, and this is an imperfect but realistic exploration of a difficult topic.

From the opening scene of Matthew Chapman's Heart of Midnight, we know we are in for a visual tour-de-force. Jennifer Jason Leigh begins a new life in a bizarre, sinister, Lynchesque apartment complex, formerly occupied by her weird uncle, a pervert of sorts, whom Leigh slowly begins to remember.

Writer/director Chapman breathes sinister life into this creepy abode of a building. It seems to take on a life of its own in between the shadows, macabre lighting and ethereal noises that emanate from nowhere.

The film instantly draws us into a dark world where we are never sure what is exactly real and what is a figment of Leigh's imagination. Like any good psychological thriller, circumstances and events are revealed to us slowly, as we need to know them, and always advancing the plot.

More than anything else, the film sustains a brooding, macabre feel that always keeps us feeling uneasy, which seems to mirror Leigh's character. She is excellent here as a woman trying to comes to grips with both her mental illness and a sordid past. The musical score is both eerie, yet powerful, further drawing us into the film's creepiness.

Those who are fans of David Lynch and of movies that create a convincing, yet creepy world of their own, should enjoy Heart of Midnight.

I have seen this movie many times over the years. It's just the right genre of creepy for me, interesting old place the girl inherits full of old clothes, etc., it has that grandma's attic feeling about it. A little Psycho, a little sixties scary-movie feel. Then the psychological twist gets folded in, along with a nice little romance and good acting. This movie is not formulaic overall, when you consider that it's almost impossible to make a scary movie of any kind that hasn't been done before. Sure, familiar elements are there, but even though the setting is modern for the period, it has a bit of a Gothic feel to it. If you like suspense and a creepy plot without the gore, this is for you.

I was surprised to discover this was really a horror film. I don't know if it's labeled that, but that's what it should be called. It's spooky and creepy and just plain weird. With Jennifer Jason Leigh in the lead, I'm not surprised. She is pretty good at playing disturbed people as she showed later in "Single White Female."

For me, however, the best part of this film was the color. This film had a color palette that was fascinating at times. and the audio was good, too, with creepy sounds to go with the colorfully-painted nightclub/house interiors.

Some of the story left a bad taste in my mouth, just a bit too sordid in spots. With the exception of the social worker, there are no likable, trusting characters in this film. The one who is hardest to figure out is the one played by Peter Coyote.

Yet, despite this not being a particularly attractive story, the haunting audio and visuals keep sucking me back every 5-8 years into this bizarre tale.

From the opening scene of Matthew Chapman's Heart of Midnight, we know we are in for a visual tour-de-force. Jennifer Jason Leigh begins a new life in a bizarre, sinister, Lynchesque apartment complex, formerly occupied by her weird uncle, a pervert of sorts, whom Leigh slowly begins to remember.

Writer/director Chapman breathes sinister life into this creepy abode of a building. It seems to take on a life of its own in between the shadows, macabre lighting and ethereal noises that emanate from nowhere.

The film instantly draws us into a dark world where we are never sure what is exactly real and what is a figment of Leigh's imagination. Like any good psychological thriller, circumstances and events are revealed to us slowly, as we need to know them, and always advancing the plot.

More than anything else, the film sustains a brooding, macabre feel that always keeps us feeling uneasy, which seems to mirror Leigh's character. She is excellent here as a woman trying to come to grips with both her mental illness and a sordid past. The musical score is both eerie, yet powerful, further luring us into the film's creepiness.

The only flaw in the film is the villain, a victim of Leigh's Uncle's sexual perversions. Where the character makes sense from a psychological standpoint, the writing here is definitely over the top, a circumstance which takes away some of the film's credibility. Yet, it is a movie not to be taken so seriously so that this character does any major damage. The overall effect is left intact.

Those who are fans of David Lynch and of movies that create a convincing, yet creepy world of their own, should enjoy Heart of Midnight.