CALIFICACIÓN DE IMDb
6.1/10
532
TU CALIFICACIÓN
Durante la Segunda Guerra Mundial, Hanna Szenes, una judía húngara que vive en la Palestina británica, se ofrece voluntaria para ir tras las líneas enemigas y rescatar a judíos de la deporta... Leer todoDurante la Segunda Guerra Mundial, Hanna Szenes, una judía húngara que vive en la Palestina británica, se ofrece voluntaria para ir tras las líneas enemigas y rescatar a judíos de la deportación a campos de exterminio.Durante la Segunda Guerra Mundial, Hanna Szenes, una judía húngara que vive en la Palestina británica, se ofrece voluntaria para ir tras las líneas enemigas y rescatar a judíos de la deportación a campos de exterminio.
- Dirección
- Guionistas
- Elenco
Vincent Riotta
- Yoel
- (as Vincenzo Ricotta)
Robert Jacks
- Peretz
- (as Rob Jacks)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It sounds a bit awkward to call a film about war and holocaust shocking since many of us will know only too well of the horrors that war and violence brings. By using the adjective 'shocking' I do not intend to imply that I am surprised about the things told about in this film or that I was formerly unaware of them, it is just that I am very much impressed by the way in which this film shows how crazy and incomprehensibly horrific it is to kill each other off, either with or without a 'reason'.
The first part of the film focuses on Hanna's successful participation in the Hungarian resistance. Maruschka Detmers would never have won an Oscar for this performance, due to inconsistent directing, but still her acting is solid enough and she has enormous charisma. She is cast very well as Hanna and immediately has our sympathy. Her very beautiful looks help, of course, but that has nothing to do with her being simply a good actress, playing a good part.
Certain inconsistencies keep occurring in Hanna's War. I sometimes get the idea director Menahem Golan (often despised for The Gianni Versace Murder) was in a rush and should actually have allowed a few more takes per scene. On the other hand, I am very thankful he made this impressive and thought-provoking film and as I am very positive about it, I think he did a good job.
The second half of the film is the most interesting and tragic one. It focuses on Hanna's suffering (beware of Donald Pleasence's scary portrayal of the cruel and sardonic captain Rosza) and intensely shows the injustice and horror that comes with hate and violence and war. I receive Hanna's War, especially the second half, as a strong anti-war film and for that alone Golan deserves credit. It is also this second half in which Maruschka Detmer's talent comes out, creating a character which goes into film history as one of the most speaking, strong and tragic ever portrayed. It is also great to see Ellen Burstyn, whose appearance and acting style always remind me of Romy Schneider, who -had she been alive and cast- would have made a similar effective contribution to Hanna's War.
The tragic impact of the second half and the desperate tension which is sometimes replaced by hopeful prospects and good news lead to a number of final scenes which show something so unexpected, so moving and poetic in its tragedy that it hit me like a bomb and left me in tears. And when I realized once more it wasn't even fiction, it all actually happened, I found myself in even more tears. The image of Hanna portrayed by Maruschka Detmers will be in my mind forever.
The first part of the film focuses on Hanna's successful participation in the Hungarian resistance. Maruschka Detmers would never have won an Oscar for this performance, due to inconsistent directing, but still her acting is solid enough and she has enormous charisma. She is cast very well as Hanna and immediately has our sympathy. Her very beautiful looks help, of course, but that has nothing to do with her being simply a good actress, playing a good part.
Certain inconsistencies keep occurring in Hanna's War. I sometimes get the idea director Menahem Golan (often despised for The Gianni Versace Murder) was in a rush and should actually have allowed a few more takes per scene. On the other hand, I am very thankful he made this impressive and thought-provoking film and as I am very positive about it, I think he did a good job.
The second half of the film is the most interesting and tragic one. It focuses on Hanna's suffering (beware of Donald Pleasence's scary portrayal of the cruel and sardonic captain Rosza) and intensely shows the injustice and horror that comes with hate and violence and war. I receive Hanna's War, especially the second half, as a strong anti-war film and for that alone Golan deserves credit. It is also this second half in which Maruschka Detmer's talent comes out, creating a character which goes into film history as one of the most speaking, strong and tragic ever portrayed. It is also great to see Ellen Burstyn, whose appearance and acting style always remind me of Romy Schneider, who -had she been alive and cast- would have made a similar effective contribution to Hanna's War.
The tragic impact of the second half and the desperate tension which is sometimes replaced by hopeful prospects and good news lead to a number of final scenes which show something so unexpected, so moving and poetic in its tragedy that it hit me like a bomb and left me in tears. And when I realized once more it wasn't even fiction, it all actually happened, I found myself in even more tears. The image of Hanna portrayed by Maruschka Detmers will be in my mind forever.
Schlockmeister Menahem Golan must have been real passionate about this project, because he not only produced the movie, he directed and co-wrote the screenplay. However, I am pretty sure the movie would have been a lot better had he simply stuck to producing. Although the movie runs about 150 minutes, in all that time I never got a good idea why Golan felt the central character had a story worth telling. She's just shown in one guerrilla mission before getting captured and spending about half of the running time in jail. Plus, the movie never gets into the head of this character, revealing what she really feels and thinks. It doesn't help that the musical score is awful, an electronic score that at times sounds like it's ripping off the song "What A Feeling" from the movie FLASHDANCE! I guess the movie looks okay for a limited budget, but acceptable production values will only take you so far.
The cinematography is brilliant, some of it (the seashore scenes in Israel) visual poetry. Donald Pleasance is superb as the smiling villain, a character he has done so well in other films. But on the whole, this movie is overwrought, overly long and a bit over the top. I've seen operas where people don't take as long to die as they do here. Are these real people and is this a true story? The closing credits lead you to believe that. But I was a little suspicious. It wouldn't be the first time Hollywood has used phoney "what happened to them" capsules in the closing credits to enhance a fictional story. I'm also impressed how Hanna keeps her lipstick perfect right through basic training, a parachute jump into enemy territory, riding with the partisans and being tortured. But then thats Hollywood I guess. Overall it's quite a watchable film despite these criticisms.
This is a movie in my lifetime, that truly left a mark. For the passion of life, and the evil that works to prevent it.
One of the rare films that could show the brutality of the Nazi regieme
for a movie audience...outstanding cast ie Donald Pleasance makes
a great Nazi, also in Great Escape II the untold story and the original
great escape as a POW..
¿Sabías que…?
- TriviaPeter Medak was set to direct, but got upset about Menahem Golan's insistence on changes to the script and told Menahem to direct it himself.
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Detalles
Taquilla
- Presupuesto
- USD 20,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 139,796
- Fin de semana de estreno en EE. UU. y Canadá
- USD 60,986
- 27 nov 1988
- Total a nivel mundial
- USD 139,796
- Tiempo de ejecución
- 2h 28min(148 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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