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5.3/10
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Agrega una trama en tu idiomaA modern-day deputy tracks an abducted girl to a ghost town, and the spirits of the past who took her.A modern-day deputy tracks an abducted girl to a ghost town, and the spirits of the past who took her.A modern-day deputy tracks an abducted girl to a ghost town, and the spirits of the past who took her.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Henry Kendrick
- Weasel
- (as Henry Max Kendrick)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I don't have a lot to say about this movie other than it was a damn fine little horror film. I found it to be in the style of The Evil Dead series. The main character of Langly goes from being a seeming 3rd rate heavy metal addicted stumpwater deputy into being a hero fighting evil. The difference here is that rather than an old spooky woods or a medieval keep, the he is tossed into a western ghost town. I highly recommend this movie to anyone who appreciates a little camp and a lot of fun tossed together with their living dead.
GHOST TOWN is a Charles Band production, but don't let that turn you away. It's not as cheapo-looking as some of his others. It reminded me a bit of ARMY OF DARKNESS, in that a modern day man is suddenly thrust back in time to a world he's unfamiliar with, and must protect the citizens of that time against evil. It's about a small town sheriff (Franc Luz) who tracks a missing girl (Catherine Hickland) to an old western town out in the desert. The town is haunted by the ghosts of both the townspeople and the villainous gunslinger and his men who used to terrorize them back in the Old West. The only way out is for the sheriff to find a way to kill the gunslinger, freeing the townspeoples' ghosts from his control and allowing the town "to die." The film blends elements of the horror and western genre nicely (scares on moment, high noon shootouts the next), and the sets are approriately spooky. There's also very little gore (one man gets impaled), all the deaths are nearly bloodless, and there's even hardly any swearing. The make-up for the villain isn't anything incredible, but is effective, and, surprisingly for a low-budget late-80s movie, the acting is pretty good. Luz is an appealing hero. My only complaint is that, after the film wraps up, the very end is a too short and leaves you wondering if the final scene was originally longer and was cut down considerably. I would have also liked to known why Devlin (the bad guy) kidnapped the girl in the first place, though it's sort of hinted that she resembles the saloon singer he was in love with back in the 1800s. But those are just minor complaints. If you haven't seen this film, I suggest giving it a look if you can find it. It doesn't appear to be available on-line anyway, so I'm afraid it's only available as a rental, if the video stores even carry it. It's not the greatest horror film ever made (though I don't know if I'd really call it that, but that's the section you'll find it in), but it makes for good entertainment on a rainy night. Check it out. You may be surprised at how enjoyable it is.
"Ghost Town" follows Langley, a policeman who arrives in a remote ghost town in search of a missing woman (Catherine Hickland). The town seems to still have some residents lurking about, however—ones from its nineteenth-century past.
This offbeat horror-Western pastiche seems to have flown under the radar of genre fans for nearly three decades now, having been relegated to home video in the late eighties after an extremely small theatrical run. While it's not a masterpiece, "Ghost Town" is a weirdly charming and memorable collision of supernatural horror with the gritty Western; the result is an almost otherworldly atmosphere that is as dreamlike as it is dreary.
Written by David Schmoeller ("Tourist Trap"), the film plays on the Western angle considerably, and the tension between the two genres is a source of both humor and horror. The film is visually striking and atmospheric, drenched in dust and boasting some eerie Western set pieces and a dreary, ominous desert backdrop. The film is surprisingly gore-free for the most part, though it does supply some creative special effects with the gang of outlaws. Pacing-wise, the film does lull in spots, but for the most part keeps its wheels turning. Franc Luz and Catherine Hickland turn in memorable performances, as does Jimmie Skaggs as the zombified antagonist.
Overall, "Ghost Town" is a marginally impressive late-eighties effort that stands out for its unique blend of genres. Its off-kilter atmosphere is a major strength, but there are some memorable scenes throughout, as well as playful and sinister performances from the cast. Definitely not a genre masterwork, but when taken in the context of its peers, it's one of the more unique late-eighties horror films. 7/10.
This offbeat horror-Western pastiche seems to have flown under the radar of genre fans for nearly three decades now, having been relegated to home video in the late eighties after an extremely small theatrical run. While it's not a masterpiece, "Ghost Town" is a weirdly charming and memorable collision of supernatural horror with the gritty Western; the result is an almost otherworldly atmosphere that is as dreamlike as it is dreary.
Written by David Schmoeller ("Tourist Trap"), the film plays on the Western angle considerably, and the tension between the two genres is a source of both humor and horror. The film is visually striking and atmospheric, drenched in dust and boasting some eerie Western set pieces and a dreary, ominous desert backdrop. The film is surprisingly gore-free for the most part, though it does supply some creative special effects with the gang of outlaws. Pacing-wise, the film does lull in spots, but for the most part keeps its wheels turning. Franc Luz and Catherine Hickland turn in memorable performances, as does Jimmie Skaggs as the zombified antagonist.
Overall, "Ghost Town" is a marginally impressive late-eighties effort that stands out for its unique blend of genres. Its off-kilter atmosphere is a major strength, but there are some memorable scenes throughout, as well as playful and sinister performances from the cast. Definitely not a genre masterwork, but when taken in the context of its peers, it's one of the more unique late-eighties horror films. 7/10.
i saw this movie when i was a kid, and it is way cool. it kinda reminds me of movies made in that time like the gate, and the pit. cool late 80s movies ruled. this movie had some cool special effects for the time too. it seems like now, its just forgotten. i wonder if anyone else has seen it who remembers it for being cool. i think it would totally rule to get this out on DVD. it wasn't until recently that garbage pail kids came out officially. we need the monster squad too. does anyone else have any ideas for cool movies that are similar that need to come out on DVD? all of those movies rule. it brings me back to a time when movies were good, these days movies just seem to suck.
Possibly the most overlooked and under-rated horror movie of all time. An original idea, well put together, should deserve more respect than the 'getting dusty on a video store shelf' this film received. Good movie. 8/10.
¿Sabías que…?
- TriviaThe final released version of the film is actually a workprint version of the film and not a complete version of the film.
- ErroresTowards the beginning of the film, when Langley kneels down and picks up a handful of sand, you can clearly see the reflection of camera equipment in his sunglasses.
- Versiones alternativasGerman VHS release was cut by 25 seconds in order to reduce violence. Only in 2018 the uncut version was released.
- ConexionesFeatured in Crystal Lake Memories: The Complete History of Friday the 13th (2013)
- Bandas sonorasI am The Hunted
Written by Paul Sabu, Neil Citron & Bryant Markovitch
Performed by Swift Kick
Published by Jungle Boy Music, BMI.
Surrounded by Italians, BMI.
Markovitch Entertainment Group, BMI.
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- How long is Ghost Town?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 75,000
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,478
- 13 nov 1988
- Total a nivel mundial
- USD 75,000
- Tiempo de ejecución1 hora 25 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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