Dream Demon

It might be strongly argued that one of the more unique British Genre films produced in horror's heady 1980s heyday was imaginative writer/director Harley Cokeliss's demonically eccentric, visually inventive, playfully outlandish, generously practical Fx-laden, deliciously unpredictable 'Dream Demon' that proved to be a Big Box VHS knockout horror-hit upon its initial release, but, sadly, the grisly, gut-churning shocker slipped into relative obscurity, and the luminous, considerably more than welcome Arrow Video 2K restoration highlighting many of the nightmare-inducing film's eye-poppingly audacious, brain-fizzingly bonkers set-pieces, pleasingly exposing a wickedly warped wealth of devilish detail once lost in the frightful fug of fuzzy analogue video. Prim, beautiful, and upwardly docile Diana (Jemma Redgrave) is a sheltered, privileged, overly timorous young debutante anxiously awaiting her imminent marriage to no less picture perfect war hero partner Oliver (Mark Greenstreet) who, perhaps, hides a nefarious secret to rival that of the delightfully ominous abode Diana has been given by her wealthy socialite parents. The wonderfully torrid text by talented Hammer alumnus Christopher Wicking & Harley Cokeliss is a zesty, neo-Gothic delight, boldly eschewing most of the misogynistic stalk and slash tropes for a richly maniacal mine of mentally tormented maleficence! The giddy grand Guignol grandeur of 'Dream Demon' succeeds where all too many other low-budget Horror Films fail, being more imaginative, and forward-thinking, not merely utilizing talented actors Kathleen Wilhoite, and Jemma Redgrave as mere glamorous knife-fodder, but as spirited, 3-dimensional characters one can empathize with, their greatly imperilled, demon-infested journey of Diana & Jenny ( Kathleen Wilhoite) making for a deeper, more rewarding experience than e might initially expect. While 'Dream Demon' clearly gleans a smidgen of inspiration from 'Nightmare on Elm Street, and 'Bad Dreams' it has a searingly sinister singularity all of its own, in an increasingly monotonous era of enervating jump-scares, and tawdrily uninspired horror remakes, its majestically malign lustre shines ever brighter today!

Diana, engaged to military hero Lieutenant Oliver, is plagued by nightmares - mostly horrible visions of Oliver abusing her. With Oliver being a local hero, Diana is being harassed by reporters Russell and Paul, enquiring not just about their wedding plans, but also intimate details.

Jenny Hoffman, who just arrived in London, comes to Diana's rescue when she fights off the reporters. As the two women become acquainted, Jenny tells Diana she believes she once lived in Diana's apartment, but can't remember. She also only recently discovered she was adopted, with very little memory of her real parents.

Diana's dreams intensifies until they eventually turn life-threatening. Diana unintentionally pulls Jenny into her dreams, endangering her life also. Wait, is this premise starting to sound all too familiar? Let's just say, if the character of Russell was replaced with Freddy Krueger, this would have been a worthy installment in the 'Nightmare on Elm Street' franchise. 'A Nightmare on Elm Street 7: Dream Demon'. Yup, definitely has a ring to it!

Just like the Elm Street movies, 'Dream Demon' is atmospheric and the transition from real life to the nightmare world is equally effective, and spooky. The film boasts very good effects, and the lighting effects are also brilliantly well done. The film looks so good with such a modern feel to it that its hard to believe this movie was made nearly four decades ago!

'Dream Demon' felt like a combination of 'A Nightmare on Elm Street', 'Poltergeist', and 'Hellraiser 2: Hellbound', yet at the same time it felt original. I also rather enjoyed Jenny's back story, and how well her story compliments Diana's story, resulting in them finding themselves in very similar situations, with both fighting for answers. Very clever indeed.

An interesting but old idea for a film is unfortunately a mixed bag. The director didn't know how to stage the scenes and the acting. The two leading ladies are certainly capable of better performances. This needs a better director with more expertise and a better written script. There are many good and spooky scenes in the film but they are interspersed with poor scenes and reactions that are clearly uncertain. Half of the movie is suspenseful but the other half lollygags due to dark humor and poor direction. As it is, the film might be improved with more crisp editing. There are too many things seen that make no sense or are old tired cliches. You are left with many questions about what you have seen at the end.

Despite being saddled with one of those supremely irritating "dream vs. reality" type plots, DREAM DEMON is a surprisingly well-made British horror film which could be considered the British equivalent of A NIGHTMARE ON ELM STREET. The budget may have been low (especially considering the state of British cinema in the '80s) but the producers of this movie picked some fairly good actors and mixed them into a complicated plot involving a girl's dreams which become reality. This is a film which manages to be pretty suspenseful in places and even - wow! - scary on occasion. I wouldn't consider it a great movie but it passes the time nicely and has some over-the-top splatter for gore fans to enjoy, while displaying an imagination usually lacking in late '80s cinema.

Opening with a superbly crafted shock scene involving a decapitation at a wedding of all places, the film alternates between reality and dreamscapes repeatedly with the lines between the two becoming ever more blurred. Shots of heroines running down weirdly-lit netherworldly corridors deserve a nod to HELLRAISER, that other major late '80s British horror movie, but the script remains unpredictable at all times. The cast is an interesting one, with Jemma Redgrave giving a powerful performance in the leading role as the dreamer, with Kathleen Wilhoite as her imported American friend (shame about that dated haircut though). Surprisingly the heavies are played by Timothy Spall and Jimmy Nail, two well-known British comedy actors. The surprising thing is that they're actually very good as the two loathsome reporters, with Spall being particularly repulsive.

The splatter effects are kept to a minimum but tend to go over-the-top when they do appear. In all the film doesn't really make much sense (at least to this viewer), and with the flashback to the burning figure I wasn't really sure how that linked to all of the terror. Still, there is plenty to be entertained by for the horror fan including walls which crack and bleed and lots of shadowy menace. An intriguing effort.

This movie is an under-rated gem.

It's genuinely scary, without being filled with blood & gore like many low-budget horror movies are.

Its has its flaws, but if you can get past them, you will be rewarded with a genuinely original horror movie. I had to watch it at least twice, before the full implications of the story became apparent to me.

There are many scenes, where you don't know what is real & what is a dream and for me, this adds to its effectiveness.

The soundtrack is also interesting because it was composed by Bill Nelson (ex Bebop Deluxe) during his "ambient music" phase of the 1980's.

I don't wish to discuss the story in any detail, because this might spoil the movie for you.

Unfortunately, this is currently unavailable on DVD, long since out of print in any other format, and might not be available again for some time to come, because it would appear that the rights ownership have become confused by bankruptcy. The only way to see it is to get hold of an old 2nd-hand VHS copy.

Thoroughly recommended.