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IMDbPro

Voces distantes

Título original: Distant Voices, Still Lives
  • 1988
  • PG-13
  • 1h 24min
CALIFICACIÓN DE IMDb
7.4/10
5.5 k
TU CALIFICACIÓN
Lorraine Ashbourne, Angela Walsh, and Dean Williams in Voces distantes (1988)
Ver Trailer
Reproducir trailer1:34
1 video
74 fotos
DramaMúsica

Agrega una trama en tu idiomaThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part... Leer todoThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.

  • Dirección
    • Terence Davies
  • Guionista
    • Terence Davies
  • Elenco
    • Pete Postlethwaite
    • Freda Dowie
    • Angela Walsh
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    5.5 k
    TU CALIFICACIÓN
    • Dirección
      • Terence Davies
    • Guionista
      • Terence Davies
    • Elenco
      • Pete Postlethwaite
      • Freda Dowie
      • Angela Walsh
    • 38Opiniones de los usuarios
    • 32Opiniones de los críticos
    • 86Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 11 premios ganados y 7 nominaciones en total

    Videos1

    Trailer
    Trailer 1:34
    Trailer

    Fotos74

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    Elenco principal35

    Editar
    Pete Postlethwaite
    Pete Postlethwaite
    • Father
    Freda Dowie
    Freda Dowie
    • Mother
    Angela Walsh
    • Eileen
    Dean Williams
    • Tony
    Lorraine Ashbourne
    Lorraine Ashbourne
    • Maisie
    Sally Davies
    • Eileen as a Child
    Nathan Walsh
    • Tony as a Child
    Susan Flanagan
    Susan Flanagan
    • Maisie as a Child
    Michael Starke
    • Dave
    Vincent Maguire
    • George
    Antonia Mallen
    • Rose
    Debi Jones
    • Micky
    Chris Darwin
    • Red
    Marie Jelliman
    • Jingles
    Andrew Schofield
    Andrew Schofield
    • Les
    Anne Dyson
    Anne Dyson
    • Granny
    Jean Boht
    • Aunty Nell
    Alan Bird
    • Baptism Priest
    • Dirección
      • Terence Davies
    • Guionista
      • Terence Davies
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios38

    7.45.5K
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    Opiniones destacadas

    10Moviespot

    Amazing

    This film caught me 14 years ago when I first saw it.. and yesterday I was really touched by it again. A registration of 'forgotten' times somewhere during....the first half of the 20th century in Britain...a Totally Overwhelming sense of melancholy filmed in an extraordinary way by Terence Davies.A true work of art. The excellent idea of calling up emotions by letting the characters sing the sing-along songs of the era.... Then there is the photography of this film...seldom have i seen a modern day movie that brings up past times as this piece of wonder.... very , very tastefully done...the coloring and costume designs , the decorations...everything works to give you the idea that you'r staring into a timemaschine...wow.. amazing ! Heartbraking story of 'normal lives , by normal people , who are all gone and 'forgotten'... Still one of the most amazing pieces of cinema around !
    dominic-9

    One of the best British films of the last twenty years

    Terence Davis moving, harrowing and elegantly artistic masterpiece is one of the few Britsh films of recent years to embody a distinctly British identity. The plot involves a family wedding in working class Liverpool just after the second world war and the various episodes in the family's past dealing with their sometimes brutal and disturbed father. The beauty of the film lies in the deeply artistic composition of various shots, coupled with Davis' enduring compassion and understanding for the chararcters, especially the father played brilliantly by Pete Postlethwaite. It is an incredible evocation of family life and even though at times it makes for hard viewing, this is a film that must be seen.
    sbamp49

    not a false note

    Pete posthlewaite hits a performance that is so unique it is frightening. so true was the passion there where times in the movie when I wished he would die! The episodic and random nature of the flashbacks made it seem like memories from one's own childhood which reinforced the naturalistic acting and indeed made it almost voyeuristic! The true beauty of the film lies in the realism of the scenes and in the accurate depiction of life as it really is in all it's ugliness! Above all the movie said to me that out of "brutallity" can come "compassion and humanity". One scene really hits home is the Christmas scene where the camera pans up an idyllic British street where the Christmas lights are shining and by nature our faces are starting to smile and then dissolves into the living room where the family are sitting in expectation. You can feel the tension as you see the first shot and when he pulls the tablecloth off the table and shouts "CLEAN THIS UP",I remember jumping up!!! MASTERPIECE In my eyes yes! 10 OUT OF 10
    isnogud-der-grosswesir

    Stunning 60´s piece

    This film grows on you - the first time I saw it, it was rather bleak and just a bit boring.

    However, the more you think about it and if you were lucky enough to record it and watch it again, it slowly but surely turns into a masterpiece.

    The characters, the setting, the atmosphere is true England - England which has all but disappeared. This film is so unique it deserves a place up there with the likes of Citizen Kane, Pelle The Conqueror etc. etc.

    Don´t miss it!!!
    7mjneu59

    easier to appreciate than enjoy

    Terrance Davies' two-part nostalgia exercise is, depending on your tolerance for unembellished honesty, either a sentimental trip down memory lane or a cold-eyed wallow in drab English monotony. The British writer director went to great lengths to re-create a facsimile of working class family life circa 1940-1950, and his meticulous attention to detail sets an almost too perfect mood: the film is both painfully realistic and totally depressing. Using a fragmented, hopscotch style approximating the actual process of memory itself, Davies mixes bits and pieces of autobiographical detail to show how cultural traditions have a way of repeating themselves for a typical Liverpool family, held together by stifling blue collar conditions and a good deal of recreational singing (38 period songs are featured on the soundtrack). The snapshot style doesn't allow for any dramatic momentum, but the film is constructed more as a sampling of brief, transient moments, and is extremely well crafted and emotional despite the often oppressive melancholy.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      The film was a 'labour of love' for director, cast and crew. Due to the very low budget, it had to be shot intermittently over a period of two years, often at weekends when equipment was cheaper to hire or free.
    • Errores
      The names of art-director Jocelyn James and first assistant director Andy Powell are listed twice at the end credits.
    • Citas

      Micky: When they're not using their big stick, they're farting. Aren't men horrible?

    • Conexiones
      Featured in Century of Cinema: A Personal History of British Cinema by Stephen Frears (1995)
    • Bandas sonoras
      There's a Man Goin' Round
      (uncredited)

      Traditional

      Performed by Jessye Norman

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    Preguntas Frecuentes

    • How long is Distant Voices, Still Lives?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • octubre de 1988 (Reino Unido)
    • Países de origen
      • Reino Unido
      • Alemania Occidental
    • Idioma
      • Inglés
    • También se conoce como
      • Distant Voices, Still Lives
    • Locaciones de filmación
      • Liverpool, Merseyside, Inglaterra, Reino Unido
    • Productoras
      • British Film Institute (BFI)
      • Channel Four Films
      • Zweites Deutsches Fernsehen (ZDF)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 693,563
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 10,021
      • 30 jul 1989
    • Total a nivel mundial
      • USD 771,745
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 24 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby
    • Relación de aspecto
      • 1.78 : 1

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