John McClane, agente del departamento de policía de Nueva York, intenta salvar a su mujer, Holly Gennaro, y a otras personas del terrorista alemán, Hans Gruber.John McClane, agente del departamento de policía de Nueva York, intenta salvar a su mujer, Holly Gennaro, y a otras personas del terrorista alemán, Hans Gruber.John McClane, agente del departamento de policía de Nueva York, intenta salvar a su mujer, Holly Gennaro, y a otras personas del terrorista alemán, Hans Gruber.
- Dirección
- Guionistas
- Elenco
- Nominado a 4 premios Óscar
- 8 premios ganados y 8 nominaciones en total
Joseph Plewa
- Alexander
- (as Joey Plewa)
Gérard Bonn
- Kristoff
- (as Gerard Bonn)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Die Hard' is acclaimed for its impact on action films, with standout performances by Bruce Willis and Alan Rickman. The film blends humor, suspense, and relentless action, exploring themes of the everyman hero and corporate greed. Its innovative cinematography, memorable lines, and intense scenes are often lauded. Despite some critiques on clichés and pacing, it remains a timeless classic.
Opiniones destacadas
Even if the non-action parts are a tad slow in comparison, that is more than compensated by so many things that makes Die Hard so brilliant.
For one thing the action is explosive and consistently exciting, and the cinematography is astounding being very inventive and colourful. John McTiernon(The Hunt for Red October, Last Action Hero) directs briskly and efficiently, and the pacing a vast majority of the time is exhilarating.
Then there is a terrific score by Michael Kamen, some intelligent and witty scripting and a plot that doesn't feel forced or convoluted. Not to mention some excellent acting. As good as Bruce Willis is, yes his character is somewhat two-dimensional, but he is also resourceful and world-weary and Willis handles this really well, it is Alan Rickman who steals the acting honours as Hans Gruber. Gruber is cold, calculating, suave and menacing, in my opinion only Rickman could do justice to such a character. Overall, a superb movie, not only the best of the Die Hard franchise but one of the best of the action genre. 10/10 Bethany Cox
For one thing the action is explosive and consistently exciting, and the cinematography is astounding being very inventive and colourful. John McTiernon(The Hunt for Red October, Last Action Hero) directs briskly and efficiently, and the pacing a vast majority of the time is exhilarating.
Then there is a terrific score by Michael Kamen, some intelligent and witty scripting and a plot that doesn't feel forced or convoluted. Not to mention some excellent acting. As good as Bruce Willis is, yes his character is somewhat two-dimensional, but he is also resourceful and world-weary and Willis handles this really well, it is Alan Rickman who steals the acting honours as Hans Gruber. Gruber is cold, calculating, suave and menacing, in my opinion only Rickman could do justice to such a character. Overall, a superb movie, not only the best of the Die Hard franchise but one of the best of the action genre. 10/10 Bethany Cox
This original action classic has been hugely influential over the years - and it's no surprise, as it's one of the best action thrillers ever made. New meaning is brought to the word "action" as here it is exhilarating, furious and nothing less than exciting. The premise is simple: one location, one good guy and twelve bad guys. Cue lots of explosions, fist fights, blood, violence, and plenty of shooting too. The thrills come from the suspense of Willis using his wits as well as his brawn to fight the bad guys and save the hostages.
When watching this film what becomes immediately apparent is how fresh it is. This hasn't been filmed with some cheap cameras for a quick buck, it looks professional and couldn't be less polished. The photography is clear and brings out the best of the surroundings, while the music has obviously been carefully chosen to convey the right mood. And, strangely enough for an action film, the acting is actually very good. Unheard of, as remember this was back in the days where Schwarzenegger and Stallone were the top stars of the action genre. Bruce Willis excels as the wisecracking, sardonic cop, and you can't fail to like him. He's consistently witty and provides a powerful presence when needed - it comes as no surprise as he lived off this image for the next six or seven years.
The supporting cast aren't half bad, either. The reliable Bonnie Bedelia takes a break from her usual highbrow, "moral dilemma", television movie fare as Willis' tough wife, while Reginald Veljohnson is also great as a sympathetic cop - you just want to hug him. But most memorable of all is Alan Rickman for his excellent turn as the cool, calculating terrorist with a carefully-crafted German accent and a fine line in natty suits. Rickman is THE bad guy of modern cinema, watch any subsequent action film with terrorists and you'll see people trying to be him. He's that good. The rest of the cast of terrorists have all been picked for their imposing looks, and they're not bad either. Keep your eyes peeled for fearsome Bond baddie Robert Davi in a minor role as an FBI man.
As well as the tense running around in corridors and stand-offs between Willis and the various creeps, this film really delivers in the action stakes. The guys here really do look like they are trying their hardest to kill each other, and we get people flying down stairs, getting chains wrapped around their necks, getting shot all over the place. Every kill that Willis makes is original and exciting. There are also plenty of ace stunts, like when Willis jumps off an exploding roof with only a fire hose tied around his waist. The gore level is high, graphic in fact, with people being shot apart wherever you look, and it's definitely a film for all cinema fans to enjoy. Consistently entertaining and strong enough to withstand repeated viewings, this is the first and final word on the "one guy versus lots of bad guys" sub-genre of the action flick.
When watching this film what becomes immediately apparent is how fresh it is. This hasn't been filmed with some cheap cameras for a quick buck, it looks professional and couldn't be less polished. The photography is clear and brings out the best of the surroundings, while the music has obviously been carefully chosen to convey the right mood. And, strangely enough for an action film, the acting is actually very good. Unheard of, as remember this was back in the days where Schwarzenegger and Stallone were the top stars of the action genre. Bruce Willis excels as the wisecracking, sardonic cop, and you can't fail to like him. He's consistently witty and provides a powerful presence when needed - it comes as no surprise as he lived off this image for the next six or seven years.
The supporting cast aren't half bad, either. The reliable Bonnie Bedelia takes a break from her usual highbrow, "moral dilemma", television movie fare as Willis' tough wife, while Reginald Veljohnson is also great as a sympathetic cop - you just want to hug him. But most memorable of all is Alan Rickman for his excellent turn as the cool, calculating terrorist with a carefully-crafted German accent and a fine line in natty suits. Rickman is THE bad guy of modern cinema, watch any subsequent action film with terrorists and you'll see people trying to be him. He's that good. The rest of the cast of terrorists have all been picked for their imposing looks, and they're not bad either. Keep your eyes peeled for fearsome Bond baddie Robert Davi in a minor role as an FBI man.
As well as the tense running around in corridors and stand-offs between Willis and the various creeps, this film really delivers in the action stakes. The guys here really do look like they are trying their hardest to kill each other, and we get people flying down stairs, getting chains wrapped around their necks, getting shot all over the place. Every kill that Willis makes is original and exciting. There are also plenty of ace stunts, like when Willis jumps off an exploding roof with only a fire hose tied around his waist. The gore level is high, graphic in fact, with people being shot apart wherever you look, and it's definitely a film for all cinema fans to enjoy. Consistently entertaining and strong enough to withstand repeated viewings, this is the first and final word on the "one guy versus lots of bad guys" sub-genre of the action flick.
"Die Hard" is the prototype type for the modern action film. Since it's also one of the best action films ever made, that happens to be a very good thing. "Die Hard" is lean, mean, and doesn't contain a single second of wasted screen time. The direction, the action, the story, the acting . . . every aspect of this film comes close to big-budget action movie perfection. Since "Die Hard" was first released in 1988, it's difficult to think of a blockbuster action film that doesn't follow the basic structure and format of "Die Hard" . . . or, for that matter, is better than "Die Hard".
"Die Hard" is about John McClane (Bruce Willis, in one of his all-time best film performances), a basically good, honest New York cop with a penchant for annoying authority figures. Traveling to Los Angeles in a last ditch attempt to patch things up with his estranged wife Holly (Bonnie Bedelia), John McClane suddenly finds himself involved in a hostage situation. Terrorists, led by the enigmatic Hans Gruber (Alan Rickman), have taken over the office building in which Holly is working, and with Gruber holding the upper hand over the LAPD and FBI forces in Los Angeles, it's up to John McClane to save the day . . . .
Kudos should be given to both director John McTiernan and screenwriters Jeb Stuart and Steven DeSouza -- the film is tight, electrifying, and clever, which is something few action films can ever claim. The story isn't completely believable, but it's believable enough, and it manages to move along at a quick enough pace to where the most glaring plotholes can easily be glossed over. There's also enough twists and wrinkles thrown into the story to keep the audience guessing as to what's going to happen next . . . and the surprises don't come out of left field, but are actually clever and well thought-out. (The fact that McClane often relies on his brains instead of his bullets to get out of his predicaments is also a big plus.) Simply put, "Die Hard" is one of the smartest and savviest action screenplays ever written. McTiernan holds up his end of the film admirably as well -- he uses the claustrophobic nature of the office building to great effect (particularly in any scene involving an elevator shaft), and he keeps the film rolling at a rollercoaster pace, building up the anticipation of the audience before unleashing the action. A lot of recent action films just fly along at a mindless, breakneck pace, without ever allowing the story to breathe or the suspense to build . . . unlike those films, "Die Hard" knows how to maximize the impact of each and every scene, and that's why it stands out so clearly from them all. With "Die Hard", John McTiernan puts on a perfect clinic as to how to pace an action movie.
As for the acting, it's darn near close to perfect. Bruce Willis is awesome as John McClane. As played by Willis, McClane's a smartass with a distinct disdain for being given orders . . . but McClane's also clever, and knows how to keep cool under pressure. There's more to McClane than the stereotypical tough guy hero. Fortunately, the role was given to Bruce Willis, who infuses McClane with the perfect mix of cocky arrogance and stone-cold heroism. The fact that Willis plays McClane as a man often in disbelief of his own situation, and who struggles in his fight against bad guys instead of just killing bad guys with ease, like most stereotypical action heroes -- well, not only does it make the character much more believable, it's darn brilliant. (The fact that Willis also knows how to deliver a deadpan one-liner better than anybody else in Hollywood makes the character all the better.) There's only a handful of movies where both character and actor are a completely perfect match; Bruce Willis as John McClane is one such perfect match.
Also worthy of mention is Alan Rickman's performance as the villain Hans Gruber. The Machiavellian Gruber would've been an easy villain to turn into little more than a scenery-chewing Bond villain . . . fortunately, Rickman doesn't travel the easy route. Gruber, as played by Rickman, is cold and calculating, and actually acts smart, instead of merely claiming to be smart and then being thoroughly outwitted by the hero. He always appears to have an ace hidden up his sleeve, and is so convincing at giving this impression, it's hard to tell throughout the film whether he or McClane truly have the upper hand. Other actors probably could've played Gruber fairly well, but Rickman makes Gruber one of the all-time great villains. As for the rest of the cast, they're all pretty good. Bonnie Bedelia does a nice job as John's soon-to-be-ex-wife Holly -- she plays her with enough smarts and feistiness to break the usual "damsel in distress" mold. It's also worth mentioning that Paul Gleason, who plays the obstinate police chief Robinson, pretty much sets up the modern action movie stereotype of the authority figure who refuses to heed the advice of the maverick hero. The character is stupid to a fault, and he's wonderful because of it.
"Die Hard" is a terrific example of what happens when all the pieces of a film fall together perfectly. There simply are no weak spots or dull moments in the film. Is "Die Hard" one of the best overall movies ever made? Probably not. But it's undeniably one of the best action movies ever made, and it just might well be the perfect modern action film. Grade: A
"Die Hard" is about John McClane (Bruce Willis, in one of his all-time best film performances), a basically good, honest New York cop with a penchant for annoying authority figures. Traveling to Los Angeles in a last ditch attempt to patch things up with his estranged wife Holly (Bonnie Bedelia), John McClane suddenly finds himself involved in a hostage situation. Terrorists, led by the enigmatic Hans Gruber (Alan Rickman), have taken over the office building in which Holly is working, and with Gruber holding the upper hand over the LAPD and FBI forces in Los Angeles, it's up to John McClane to save the day . . . .
Kudos should be given to both director John McTiernan and screenwriters Jeb Stuart and Steven DeSouza -- the film is tight, electrifying, and clever, which is something few action films can ever claim. The story isn't completely believable, but it's believable enough, and it manages to move along at a quick enough pace to where the most glaring plotholes can easily be glossed over. There's also enough twists and wrinkles thrown into the story to keep the audience guessing as to what's going to happen next . . . and the surprises don't come out of left field, but are actually clever and well thought-out. (The fact that McClane often relies on his brains instead of his bullets to get out of his predicaments is also a big plus.) Simply put, "Die Hard" is one of the smartest and savviest action screenplays ever written. McTiernan holds up his end of the film admirably as well -- he uses the claustrophobic nature of the office building to great effect (particularly in any scene involving an elevator shaft), and he keeps the film rolling at a rollercoaster pace, building up the anticipation of the audience before unleashing the action. A lot of recent action films just fly along at a mindless, breakneck pace, without ever allowing the story to breathe or the suspense to build . . . unlike those films, "Die Hard" knows how to maximize the impact of each and every scene, and that's why it stands out so clearly from them all. With "Die Hard", John McTiernan puts on a perfect clinic as to how to pace an action movie.
As for the acting, it's darn near close to perfect. Bruce Willis is awesome as John McClane. As played by Willis, McClane's a smartass with a distinct disdain for being given orders . . . but McClane's also clever, and knows how to keep cool under pressure. There's more to McClane than the stereotypical tough guy hero. Fortunately, the role was given to Bruce Willis, who infuses McClane with the perfect mix of cocky arrogance and stone-cold heroism. The fact that Willis plays McClane as a man often in disbelief of his own situation, and who struggles in his fight against bad guys instead of just killing bad guys with ease, like most stereotypical action heroes -- well, not only does it make the character much more believable, it's darn brilliant. (The fact that Willis also knows how to deliver a deadpan one-liner better than anybody else in Hollywood makes the character all the better.) There's only a handful of movies where both character and actor are a completely perfect match; Bruce Willis as John McClane is one such perfect match.
Also worthy of mention is Alan Rickman's performance as the villain Hans Gruber. The Machiavellian Gruber would've been an easy villain to turn into little more than a scenery-chewing Bond villain . . . fortunately, Rickman doesn't travel the easy route. Gruber, as played by Rickman, is cold and calculating, and actually acts smart, instead of merely claiming to be smart and then being thoroughly outwitted by the hero. He always appears to have an ace hidden up his sleeve, and is so convincing at giving this impression, it's hard to tell throughout the film whether he or McClane truly have the upper hand. Other actors probably could've played Gruber fairly well, but Rickman makes Gruber one of the all-time great villains. As for the rest of the cast, they're all pretty good. Bonnie Bedelia does a nice job as John's soon-to-be-ex-wife Holly -- she plays her with enough smarts and feistiness to break the usual "damsel in distress" mold. It's also worth mentioning that Paul Gleason, who plays the obstinate police chief Robinson, pretty much sets up the modern action movie stereotype of the authority figure who refuses to heed the advice of the maverick hero. The character is stupid to a fault, and he's wonderful because of it.
"Die Hard" is a terrific example of what happens when all the pieces of a film fall together perfectly. There simply are no weak spots or dull moments in the film. Is "Die Hard" one of the best overall movies ever made? Probably not. But it's undeniably one of the best action movies ever made, and it just might well be the perfect modern action film. Grade: A
In the late 1980s, Director John McTiernan refined the action film genre with this action- packed thriller that not only stars Bruce Willis is the role that defined his career, but also brought impressed audiences everywhere with ecstatic action sequences complete with amazing practical effects, inspiring characters, and one of the most original scripts for an action movie written for its time. This movie stars Bruce Willis as John McClane, a New York cop who heads on vacation to Los Angeles for the holidays, to spend Christmas with his wife Holly Genero (played by Bonnie Bedelia) and kids. Upon arriving at the Nakatomi Plaza building where she works, he and his wife ended having an argument dealing with family matters. Their dispute is eventually interrupted when the building becomes under attack by a dozen German terrorists lead by the ruthless Hans Gruber (played by Alan Rickman) who's intent on robbing the company of its money. Pitted against overwhelming odds and Gruber's diabolical mind, John McClane must take matters into his own hands and fight off the terrorists who have his wife, along with hundreds of innocent civilians held hostage, with no aid from the Los Angeles Police Department who are helpless against the terrorists' overwhelming power.
My family and I catch this fi on cable almost every year during the Christmas season and this never gets old. Unlike other action films from the 80s that spit cheesy little one-liners and mindless gun shootouts, this film presents viewers with a very likable protagonist who is self aware with his flaws and has feels very human, a Villain who is near equally likable and incredibly smart, and the dialogue between these two characters (which are spoken via walkie-talkies for the majority of the time) is very witty and clever that keep viewers' attention. The main character John McClane spends most of the time fighting off the terrorists who are lead by Hans Gruber, and the scenes are exciting to watch. Glossing with intense gunfights, explosions, stellar camera-work and fight choreography, the scenes keep viewers strapped to their seats. In the scenes when the action lightens up, there are some interesting conversations between characters like McClane, who at one point, shares a tender moment with a cop by admitting his flaws as a husband and a man as a whole. These moments are make you feel for the character and are presented in a realistic way and not sappy way. Bruce Willis does an excellent job as the main character and his performances him as the action hero he is today, along with his famous line "Yippie Kay Yay, motherf***er". The same can be said about Alan Rickman is gives off a performances as the one of the most charismatic antagonists ever put on screen. What really impresses me about this film is the action set pieces. The Nakatomi Plaza that serves as the film's main setting (at least during the beginning) is shot nowhere other than Twentieth Century Fox headquarters. Quite interesting!
Die Hard is one of the most influential action films ever made and shines with nearly every aspect an action film needs. It is a good movie for viewers to pop a bag of popcorn, sit on the couch, and watch. Director John McTiernan did a fantastic job with this film as well as the cast. This film is a textbook example of what action films need to be and a movie that every action fan should not miss.
My family and I catch this fi on cable almost every year during the Christmas season and this never gets old. Unlike other action films from the 80s that spit cheesy little one-liners and mindless gun shootouts, this film presents viewers with a very likable protagonist who is self aware with his flaws and has feels very human, a Villain who is near equally likable and incredibly smart, and the dialogue between these two characters (which are spoken via walkie-talkies for the majority of the time) is very witty and clever that keep viewers' attention. The main character John McClane spends most of the time fighting off the terrorists who are lead by Hans Gruber, and the scenes are exciting to watch. Glossing with intense gunfights, explosions, stellar camera-work and fight choreography, the scenes keep viewers strapped to their seats. In the scenes when the action lightens up, there are some interesting conversations between characters like McClane, who at one point, shares a tender moment with a cop by admitting his flaws as a husband and a man as a whole. These moments are make you feel for the character and are presented in a realistic way and not sappy way. Bruce Willis does an excellent job as the main character and his performances him as the action hero he is today, along with his famous line "Yippie Kay Yay, motherf***er". The same can be said about Alan Rickman is gives off a performances as the one of the most charismatic antagonists ever put on screen. What really impresses me about this film is the action set pieces. The Nakatomi Plaza that serves as the film's main setting (at least during the beginning) is shot nowhere other than Twentieth Century Fox headquarters. Quite interesting!
Die Hard is one of the most influential action films ever made and shines with nearly every aspect an action film needs. It is a good movie for viewers to pop a bag of popcorn, sit on the couch, and watch. Director John McTiernan did a fantastic job with this film as well as the cast. This film is a textbook example of what action films need to be and a movie that every action fan should not miss.
Die Hard tells the story of a New York City detective named John McClane who is separated from his wife. She invites him to a Christmas party at her office building in Los Angeles, and he decides to go to work things out. Once there, a group of German terrorists come in and take hostages with the intent of stealing millions of dollars in bonds. McClane manages to escape and begins to fight the terrorists one by one to save the people in the building.
Die Hard is a classic film because it completely revolutionized action films. The 80s were a time of unrealistic action sequences, predictable characters, and rudimentary plots. Die Hard changed all that. Die Hard takes place in a real world setting, or at least about as real as you can get with an action movie, so the action sequences, while insane, are slightly believable. The plot of the movie is simple, yet it's so brilliant at the same time. And the characters in this movie are engaging and a lot of fun to watch. John McClane is a really likable everyman kind of guy, we can all relate to him. Hans Gruber is an awesome villain, both cold and ruthless, yet very human. The supporting characters on the outside of the building are all great as well. Another great thing about Die Hard is that even though it's a hardcore action movie, it manages to be extremely funny at some parts, almost to a point of being able to call it a comedy. This makes the movie really easy to watch over and over again. There's really nothing wrong with this movie whatsoever in any department.
The acting is great. Bruce Willis is hilarious and hardcore as John McClane, and he portrays the adrenaline and the frustration of the situation very well. Alan Rickman is awesome in one of his earlier roles as the main villain Hans Gruber. Reginald VelJohnson is enjoyable as McClane's outside contact Officer Al Powell, and Paul Gleason is funny as a hardheaded and incompetent deputy chief of police.
Overall, Die Hard is the ultimate action film because it's fast, funny, and hardcore. It also gave us one of the most famous action movie one liners of all time...You know the one.
8/10
Die Hard is a classic film because it completely revolutionized action films. The 80s were a time of unrealistic action sequences, predictable characters, and rudimentary plots. Die Hard changed all that. Die Hard takes place in a real world setting, or at least about as real as you can get with an action movie, so the action sequences, while insane, are slightly believable. The plot of the movie is simple, yet it's so brilliant at the same time. And the characters in this movie are engaging and a lot of fun to watch. John McClane is a really likable everyman kind of guy, we can all relate to him. Hans Gruber is an awesome villain, both cold and ruthless, yet very human. The supporting characters on the outside of the building are all great as well. Another great thing about Die Hard is that even though it's a hardcore action movie, it manages to be extremely funny at some parts, almost to a point of being able to call it a comedy. This makes the movie really easy to watch over and over again. There's really nothing wrong with this movie whatsoever in any department.
The acting is great. Bruce Willis is hilarious and hardcore as John McClane, and he portrays the adrenaline and the frustration of the situation very well. Alan Rickman is awesome in one of his earlier roles as the main villain Hans Gruber. Reginald VelJohnson is enjoyable as McClane's outside contact Officer Al Powell, and Paul Gleason is funny as a hardheaded and incompetent deputy chief of police.
Overall, Die Hard is the ultimate action film because it's fast, funny, and hardcore. It also gave us one of the most famous action movie one liners of all time...You know the one.
8/10
¿Sabías que…?
- TriviaThe fictional Nakatomi Plaza is the headquarters of 20th Century Studios, so the studio could use one of its own buildings and didn't have to hold back on stunts and action sequences. While Jeb Stuart was writing the screenplay, he did a tour of the building, and immediately incorporated some of the locations and objects he found there into his script as set pieces (such as the cart that McClane and Karl end up riding during their fight). The company charged itself rent for the use of the then-unfinished building. Some of the middle floors were occupied by legal and administrative departments, so only empty floors were used for filming. Still, the filming of scenes that involved gunfire had to be postponed until after hours because some of the employees from the active floors started to complain about the noise.
- ErroresSeveral times during transmissions with the two-way radios, characters interrupt each other, which would be impossible given the type of radios they were using.
- Citas
John McClane: [huddled in an air vent, recalls his wife's invitation] "Come out to the coast, we'll get together, have a few laughs..."
- Créditos curiososIn the widescreen version, the 20th Century Fox logo is stretched.
- Versiones alternativasThe Ultimate edition DVD contains the following deleted/extended scenes:
- Extended power shutdown sequence.
- Extended opening flight scene.
- Brief dialogue in the first Hans/McClane confrontation.
- Extended scene where Robinson/Powell brief the FBI on the tower situation.
- Brief dialogue when Hans interrogates Takagi.
- Brief dialogue after Theo says "You didn't bring me along for my charming personality".
- Extended/alternate dialogue in McClane/Powell conversation after McClane uses the plastic explosives.
- Brief scene of FBI agents getting stuck in thorn bushes as they make their way towards the building.
- At the end, McClane says "You got a warranty for this (Holly's watch, a gift from Nakatomi Corporation)?" to which Holly laughs.
- Argyle's dialogue as Powell's police cruiser flies by in the background.
- Brief Ellis dialogue reacting to the terrorist intrusion.
- City engineer briefly coughs before pulling out the power cord.
- Brief dialogue in Hans/Karl argument about "neutralizing" McClane.
- Additional Holly dialogue after seeing Karl's reaction to McClane's escape.
- ConexionesEdited into Duro de Matar 3: La Venganza (1995)
- Bandas sonorasSingin' in the Rain
Written by Arthur Freed and Nacio Herb Brown
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Die Hard
- Locaciones de filmación
- Fox Plaza - 2121 Avenue of the Stars, Century City, Los Ángeles, California, Estados Unidos(Nakatomi building, interiors filmed on the 29th and 35th floors)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 28,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 85,892,546
- Fin de semana de estreno en EE. UU. y Canadá
- USD 601,851
- 17 jul 1988
- Total a nivel mundial
- USD 143,651,650
- Tiempo de ejecución2 horas 12 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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