Una viuda y su manipulador ex amante hacen una apuesta sobre una mujer recién casada.Una viuda y su manipulador ex amante hacen una apuesta sobre una mujer recién casada.Una viuda y su manipulador ex amante hacen una apuesta sobre una mujer recién casada.
- Dirección
- Guionistas
- Elenco
- Ganó 3 premios Óscar
- 21 premios ganados y 23 nominaciones en total
Opiniones destacadas
I believe this is the best of the four adaptations of the play/novel Dangerous Liaisons.
Glenn Close plays Mertuil, who, with Malkovich's Valmont, manipulate and seduce others for entertainment. In comes Michelle Pfieffer's beautiful Madame de Tourvel, whose husband is off at a trial (or something to that extent). Valmont realizes what a capture it would be if he were to succeed in seducing her, and making her forget all her vows of fidelity. Uma Thurman also has a smaller part, one of those who was seduced by Valmont.
Uma Thurman is great, Michelle Pfieffer is exquisite, but it's Close and Malkovich who dominate the screen. Close's mercilessly cunning character has most of the great lines. When asked if betrayal is her favourite word, she replies, "No. Cruelty is. It's much more nobler, don't you think". Malkovich plays a Machiavellian character you lies and cheats to get what he wants
The climax is thrilling, and the finale is incredible. Glenn Close's performance was certainly worthy of the Oscar nomination, and maybe the award. It is her best performance.
Glenn Close plays Mertuil, who, with Malkovich's Valmont, manipulate and seduce others for entertainment. In comes Michelle Pfieffer's beautiful Madame de Tourvel, whose husband is off at a trial (or something to that extent). Valmont realizes what a capture it would be if he were to succeed in seducing her, and making her forget all her vows of fidelity. Uma Thurman also has a smaller part, one of those who was seduced by Valmont.
Uma Thurman is great, Michelle Pfieffer is exquisite, but it's Close and Malkovich who dominate the screen. Close's mercilessly cunning character has most of the great lines. When asked if betrayal is her favourite word, she replies, "No. Cruelty is. It's much more nobler, don't you think". Malkovich plays a Machiavellian character you lies and cheats to get what he wants
The climax is thrilling, and the finale is incredible. Glenn Close's performance was certainly worthy of the Oscar nomination, and maybe the award. It is her best performance.
I saw both "Dangerous Liaisons" and "Valmont" long before I read the original French novel, and now I understand why both movies left me feeling that something was missing, that the stories were lame, even though they were both good movies if one likes period pieces. It is necessary to read the chilling conclusion of the novel, in which both the lead characters are much more wicked than in the films, to appreciate Laclos' criticism of the prevailing morality, or lack of it, among the privileged aristocracy of his day. The other defect of the movie versions was the casting; granted that all the actors in both films were good actors, except of course Reeves, but they simply were not believable in their roles. Close and Malkovich were not beautiful enough, and Firth and Bening were not wicked enough, to make the plot believable. I wish someone, maybe a French director as has been suggested, would make the definitive version. (I did think Henry Thomas was perfect in the role of Danceny in Valmont, his sweet innocence combined with budding bravado was excellent--why haven't we seen more of him lately?)
I loved this movie. Glenn Close was wonderful as usual, John Malkovich (wonderful as the bad guy we all love to hate in every movie) and Michelle were great, and the ending was great although sad. Glenn Close should have won the Oscar, as well as Michelle. Costumes and sets are beautiful. Watch this one if you are in the mood for betrayal, deception and characters that you want to slap.
Easily, the best adaptation of book to film. Witty, daring, opulent and compelling. Visually stunning; and shining performances. Read the book, for sure. But film-going doesn't get much better,
In pre-Revolutionary France, the Marquise de Merteuil (Glenn Close) plots revenge against Bastide who aims to wed young virgin Cécile de Volanges (Uma Thurman). Merteuil tries to convince the Vicomte de Valmont (John Malkovich) to seduce Cécile but Valmont is busy seducing the married Madame de Tourvel (Michelle Pfeiffer) famous for her virtue. Merteuil offers a night with her as reward for Cécile's seduction.
It is a period piece alive with sexual tension. It is deliciously seductive. It is not old and dusty. Rather it is energetic and modern. The sexual manipulations and deceptive games give a greater edge to any modern romantic melodrama. Close and Malkovich are terrifically corrupt. Pfeiffer is excellent in the less showy virtuous role. Thurman plays the innocent ingénue. The acting is all top notch. The production is first rate directed by Stephen Frears.
It is a period piece alive with sexual tension. It is deliciously seductive. It is not old and dusty. Rather it is energetic and modern. The sexual manipulations and deceptive games give a greater edge to any modern romantic melodrama. Close and Malkovich are terrifically corrupt. Pfeiffer is excellent in the less showy virtuous role. Thurman plays the innocent ingénue. The acting is all top notch. The production is first rate directed by Stephen Frears.
¿Sabías que…?
- TriviaMichelle Pfeiffer was offered the role of the Marquise de Merteuil in Valmont. Relaciones peligrosas (1989), but she chose to play Mme. de Tourvel in this film instead.
- ErroresWhen Madame de Tourvel is about to surrender to Valmont, a tear comes out of her right eye; in the next shot, her eye is still dry.
- Citas
Marquise de Merteuil: One does not applaud the tenor for clearing his throat.
- Bandas sonorasLa Cetra Op. 9, Concerto No. 9
Composed by Antonio Vivaldi
Selecciones populares
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Dangerous Liaisons
- Locaciones de filmación
- Château de Champs-sur-Marne, 31 rue de Paris, Champs-sur-Marne, Seine-et-Marne, Francia(Madame de Rosemonde's palace: interiors and park, Merteuil's interiors, staircase, Hall of mirrors)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 14,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 34,670,720
- Fin de semana de estreno en EE. UU. y Canadá
- USD 84,451
- 26 dic 1988
- Total a nivel mundial
- USD 34,670,720
- Tiempo de ejecución1 hora 59 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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