Cobra Verde

'Cobra Verde' is at times a confusing and awkward story about a bandit who finds himself trapped within the slave trade business. What begins as a story of a feared outlaw turns out to be a story examining African cultures and the issue of slavery itself. What makes this movie more interesting than other American films slavery is that the viewer gets to see the other side of the story; the story told from an African viewpoint. International star Klaus Kinski stars a Cobra Verde. He is a feared bandit whom many people fear. When he appears in a small town, all the people runs inside their houses because they are scared to death of him. Many things are missing from Cobra Verde's past. How did he become such a feared bandit? The movie does not answer that question. Through a series of odd circumstances, he is eventually put into the slavery trade business by a group of rich aristocrats. He is sent to Africa, where it is hoped he will be killed because of the slave trade conflicts going on there. What happens is th exact opposite. He gains the trust of the African villagers and eventually trains an army to kill and enemy foe. All the while the viewers are treated to an inside look at some African customs, religions, superstitions, and society. A beautifully made film that is a little marred by changes in the sequences of the story and many things missing from the plot. Nonetheless, this film has one of the most memorable and touching death scenes I have ever seen. Bravo to Klaus Kinski.

In principle, I would feel tempted to give it only a six. Except that then there are "buts"... But there is Werner Herzog. But there is the sociopathically brilliant Klaus Kinski. But there is that unforgettable final scene. But there is the historic memory behind the story. But there are silent scenes of sheer contemplation. But there is the image of the fortress of Elmina (originally Ajudá, or Ouidah), that lingers long after you have seen the movie. But there is the amazing sensuality of all those female-warriors in beautiful war outfits. But there is that young girl singing near the end, the lavish, teasing, provocative, self-assured look on her face, the expression in her eyes, the crystalline/aggressive sound of her voice. And 'but' there is the music. If you have read Bruce Chatwin's novel, you will be able to add up some details to the story line. The horror of the Kingdom of Daomé, for instance, is far from what BC described himself - and actually far from what history books tell us. In fact, you could build endless stories inside this movie. That's what makes it so good: all the things missing. It could have been a better achievement, but for all it's worth, it's really not the kind of movie you're likely to forget after a few weeks!

Sarcastic humor for fans of the darkside: Surprise surprise. Herzog makes a film about a man consumed by his dreams and destroyed by the conspiracies of world he lives in. And in a complete reversal from his usual light hearted comedy roles, Klaus Kinski protrays a madman getting madder.

If you liked Agirre or Fitzcaraldo, and would have liked a larger cast including Amazon warrior girls from Africa and National Geo graphic dancing then by all means see this. Warning: no light hearted romance, cute chimps or talking to the animals here. Surreal, dark, morality story with great acting and the best one liner in Herzog's repertoire while watching amazonian spear dancing (are you listening Joe Bob Briggs?)

Who are these women? They are our future murderesses.

'Cobra Verde' is a really great movie!!I was surprised because i never hear this film praised by critics.I've been an avid Herzog fan for years and even after all these years his films still have the power to shock me. there are many bizarre and stunning images in this film.It's really a fascinating movie,and would be good to use in a world history class.Klaus kinski is really great in the title role ,and Herzog's trademark visuals have never been better.Some of the visuals I found to be very disturbing,One scene in particular that is straight out of a jodorowsky film. The film has a very powerful ending that will have great impact on anyone who likes films.See it even if your not into herzog's movies.

From famous German director Werner Herzog - a man who's cinematic penchants usually include documentary-style visuals (stark but not shaky!), stories centering on man's loss of sanity, destructive ambition (or lack thereof) and outsiders, and larger than life characters - comes his last "big" film. To put it more aptly, his last film with famously bonkers actor Klaus Kinski. Both men had a famously sadomasochistic relationship and in this last effort, Kinski was reputedly totally out of control.

"Cobra Verde" marks the breaking point between these two great man. the point where Herzog and Kinski moved too far apart to ever consider working together again, the director evolving into too much of a control adept, and the leading man moving way beyond the safe boundaries of sanity. Yet the film is an extreme as a result and will divide audiences. But in truth how can this be a negative aspect: a film you either love or hate is at least interesting in most cases.

The story of bandit Cobra Verde, sent to Africa - by his former employer as a punishment for impregnating most of his daughters - to reestablish slave trade and battle an opposing bloodthirsty African tribal king, is in itself interesting and unusual enough to arouse interest, but barely suffices to convey the numerous delicacies within the film. Kinski's possessed turn may not be an adequate incarnation of the character, yet it is a powerhouse performance if only for the sheer energy deployed. And for once, Kinski is not the only raving lunatic and Herzog peppers the screenplay with often creepy and dark but hysterical lines and memorable situations and characters.

What may disturb many beyond the chaos on show is the casual cruelty on display at times. It is adequate for once. The black man is treated with as much political correctness as must have been the case in real life at the time (perhaps even somewhat less). On the other front, watching this you actually feel the suffocating heat that slowly burns away the dignity of these characters and makes them animals, sometimes far less than that. The film's mood is perfectly rendered and Herzog's visuals are surprisingly artistic and classy at times, for a film-maker preferring a more "cinéma-vérité" approach.

In the end, "Cobra Verde" is a cinematic oddity because of its taste for extremes (though they never hurt the film's own coherence and internal logic) in every sense. Nonetheless, neither Kinski nor Herzog ever displayed such artistic courage (or sheer lunacy) at any other point of their respective careers, and that's saying something!