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The first 10 minutes of Brain Damage are awful and hard to watch, as an elderly couple are trashing their apartment looking for Alymer and then we get an overlong hallucination from our main character Brian. Then we are introduced to the Zacherle voiced parasitic Alymer, with a show stopping "hi" and the film just goes bonkers and never stops. There's nothing quite like Brain Damage, a tale of a young man who gets addicted to the intoxicant that a parasitic creature injects into his brain and while running about hallucinating, Alymer feeds on unsuspecting victims brains. It's hilariously gory and thanks to the uncut version finally on the market, the brain removing fellatio sequence is intact in its full ridiculous glory. Henenlotter was firing on all cylinders while making this classic B masterpiece.

Brian (Rick Herbst) a young, handsome 22 year old is "possessed" by a talking, independent parasite (named Aylmer--NOT Elmer) which lives in his clothes and injects him with a mind-inducing drugs in exchange for brains! Brian tries to get rid of it, but realizes he's hooked on the drugs. What will he do?

Very strange, very gory horror film with obvious drug overtones (although writer/director Frank Henelotter says Aylmer represents a penis). In terms of dialogue and characterization, this is amateur night (you know next to nothing about the characters), but the film does work.

Herbst (now Herst) is very good-looking and pretty good as Brian. Also Gordon MacDonald as his brother/roommate is also very handsome and gives a very good, sympathetic performance. Also, each has scenes with their clothes off--not that I'm complaining! However, Jennifer Lowry as Brian's girlfriend is pretty lame.

This was heavily cut for an R rating back in 1987--the complete version is available on DVD. It looks great, sounds great and some incredibly sick scenes are in it--all played for laughs. It's a great low-budget horror film. Worth catching.

From the director of BASKET CASE comes his second feature, and this one's his best. And we also get a Collector's Edition DVD from Synapse with a couple of extra goodies.

There's a parasite loose in an apartment building named 'Elmer' who infects a guy named Brian (Rick Herbst) and addicts him to his blue 'juice'. In order to get more juice, Brian has to bring Elmer some more brains to eat. Elmer even smiles and sings in the bathroom sink. What a cute little turd. (laughs) He's so detestably obnoxious that I can't help but like the little b***ard.

It's kinda neat that when Brian brings Elmer out, he attacks people by latching onto their foreheads and burrowing into his victims skulls and eating out their brains with what looks like a long straw. Most of the jerks Elmer does this to, deserve it anyway.

This collector's edition DVD restores the long censored fellatio scene where Elmer pops out of Brian's pants and goes down the prostitute's mouth. And when Elmer's done eating, big hunks of gray matter come popping out of the hooker's mouth. It's a riot!

And there's also the scene where Brian hallucinates during his withdrawal from Elmer's blue 'juice' and imagines pulling a string of tissue out his ear until his ear pops out and the side of his head gushes blood. Cool gore scene.

The Synapse DVD uses an excellent wide-screen print with a great 80s synth soundtrack that includes the song, "Corruption" by The Swimming Pool Qs. Not at all like the crummy, muddy-looking censored VHS tape from a few years back. The only drawback is that there aren't many extras beyond a very interesting separate audio track commentary by director Henenlotter, and a movie trailer for the film.

It's an all out classic in my book. Watch it! Get it!

8 out of 10

Frank Henenlotter's 'Brain Damage' (1987) is easily the director's best film, esp. when considering the solid performances, technical proficiency and fascinating storyline. Aylmer, a rather large, penis-shaped parasite, gives unsuspecting Brian brain damage by getting him hooked on an hallucinogenic, blue fluid that Aylmer himself produces. Oh, the colors! But the thousand-year-old worm-like parasite demands something in return for the buzz - human brains! Aylmer and his actions seem to be a metaphor for drug use and addiction and convey very graphically how substances foreign to our bodies can alter our own thoughts and actions.

Henenlotter adds context and meaning to the proceedings by creating a history for Aylmer. The parasite was sold and stolen over the centuries, until it finally ended up in the possession of Brian's neighbors. But the neighbors deprived Aylmer of his needs in order to keep him weak, and that's where the story begins. Henenlotter's films are never without heavy doses of sick humor, and the perverse highlight here is a sequence depicting a disco-whore getting her brains screwed out - literally - through her mouth. If that's not enough, the special effects in the restaurant scene, complete with spaghetti and brainballs, are particularly polished and satisfying. Ultimately, the director outplays his hand and is left with nowhere to go. Despite this weak ending, 'Brain Damage' is an odd, effective story and film, a major step up from the director's debut, 'Basket Case', but every bit as twisted. >

Largely ignored on its original release but subsequently gathering a loyal cult following over the years, Brain Damage will no doubt appease fans of director Frank Henenlotter's other darkly humorous and outrageously gory works Basket Case (1982) and Frankenhooker (1990). Bringing his trademark sense of humour and mixing it up with lashings of tongue-in-cheek blood-letting, Brain Damage also strives to deliver a message, and is admirable for the anti-drug theme running throughout. With America in the midst of an AIDS and crack panic at the time, Henenlotter paints a very bleak picture of a New York City in crisis, as a parasitic killer searches for unwitting victims.

Average Joe Brian (Rick Hearst) wakes up one morning feeling disorientated, finding his bed sheets soaked through with blood. He doesn't seem to be cut, but when he looks in the mirror he finds a strange parasitic creature on his person. Looking like a turd with eyes and big teeth, it also has a name, Aylmer, and speaks in a dignified foreign accent (voiced by John Zacherle). Injecting Brian through the back of the neck with a blue liquid that gives the unsuspecting goofball a drug-like sense of euphoria, Brian gets hooked on the stuff, and Aylmer exploits his addiction for food. Only Aylmer has a taste for human brains, and so Brian must spend his sober hours searching for human victims. Alienating himself from his girlfriend Barbara (Jennifer Lowry), Brian also faces the threat of the symbiote's former owners, who have been going cold turkey ever since it fled.

Cut to pieces on its original home video release but later restored, it isn't difficult to see why the ratings board demanded the removal of certain scenes. A wonderfully wince-inducing scene in which Brian pulls his own brain out of his ear for what seems like an eternity found itself on the cutting-room floor, as did the uncomfortable scene where a woman is eaten alive while appearing to be performing fellatio in an unnecessarily sexualised moment of pure exploitation that left me genuinely horrified, and not in a good way. The story and characters are engaging enough to keep the film interesting, while the obvious lack of budget means that the acting is sub-par and the special effects are often laughable, if not charming. The main strength is Brain Damage's depiction of a drug addict going to increasingly desperate measures in order to procure his fix, and Hearst is surprisingly good in the role. Fans of Henenlotter should keep their eyes peeled for the appearance of a certain man with a basket.

Are you tired of the sameness of Hollywood's over-priced commercialized dross? Check out Mr. Henenlotter's work today. This is a weird film, but in a good way. Elmer is a parasite who will get you high in exchange for brains. The problem was the old people was feeding him animals brain, so Elmer decide to find a new host. The young man was getting so high that he didn't know what Elmer was up to. Elmer didn't care just as he was getting human brains.

The film is also a moral warning about the effects of drugs - they make you feel great at first but before long you're addicted to them, you've screwed your life up and you'll do literally anything to get the fluids you're now dependent on. A very black form of comedy with a serious edge to it, and the inner-city locations provide an excellent atmosphere. Very original, with good writing, and neat visuals for such a low budget.

Overall rating: 7 out of 10.

you know, i just went to see House of Wax the other day, and ten years after scream came out why are the same boring plots with the same boring characters doing the same stupid mistakes our only option for horror these days.

i suggest going back 20 years to the 70's and 80's if you want to find some great horror. horror then was low budget but imaginative. the movies had interesting story lines and were not shy about blood and gore. a good stepping stone for this sub-genre is one of my current favorites, Brain Damage. It starts off on a very surreal note, but mixes its strangeness with an accurate portrayal of a young man hopelessly addicted to the mother of all drugs. his dealer is perhaps the most unique little monster in all of horror, Aylmer (pronounced "elmer").

Aylmer is a purple cucumber shaped alien with a tiny smiling face and a soft warm voice. he finds a host, and injects his host with a blue liquid that comes out of one of Aylmer's fangs. this "brain juice" jacks up its host into a hullucionary state. while the host is in la-la land, Aylmer makes a victim of whoever the host comes in contact with, eating the victims brains.

as vile as all that sounds, it is hard to see Aylmer as evil. he is just such a nice little guy. plus he is unique in his appearance, personality, and attacks, which all go a long way with me in a modern world of horror villains pushed off an assembly line.

this movie is not winning an Oscar. it is strange and campy and violent. but if that is what you desire in a film, this hidden gem may become one of your favorites!

I first saw this in the late 80s on a vhs. Revisited it recently. Since it is from the same director, Frank Henenlotter, who gave us Basket Case, this movie also looks like an aped version or deja vu feel. While Basket Case was scary n creepy at times, this one is boring. The effects r poor, there is absolutely no scare factor n the ending is one of the worst.

In the train sequence we get to see Kevin Van Hentenryck as Man with basket from Basket Case.

This is one of my alltime favorites of the horror genre! A great movie to watch.

What i like about this movie is the underlying drug related messages throughout. It's like watching requiem for a dream almost in that drug-related sense.

I don't need to tell much about the plot, since i'm sure many have already explained it.

I am a hardcore horror fan through and through, and i will just say that this movie rocks. It's got a great and interesting story, some awesome gore scenes and some hilarious comedy as well. It's not scary, but it is a gory, funny, bizarre, and original movie that isn't even close to being like anything else out there...you gotta see it to believe it.

10 out of 10 (based on a horror fan's review)

One morning a young man (Rick Hearst) wakes to find a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but in return demands human victims.

After "Basket Case", Frank Henenlotter wanted to do a project called "Insect City", but that fell through due to funding and other issues... so he instead went for a twist on 1950s science fiction. He posited the idea: what if someone had a parasite, but one they actually wanted? This is an interesting concept, and was fleshed out to the idea of an "aylmer", this creature that was passed down from great ruler to great ruler for centuries. The story was so well-written that you feel it must have been at least partially based on some legend. Nope, just Henenlotter's genius.

The film is now widely seen as a metaphor for drug addiction, or addiction in general. But interestingly, this seems to be an afterthought. Henenlotter said the idea came to him like this: first, he thought of a creature attached to someone who needs to kill. But then, going with the concept of a "welcome" parasite, he wondered why the host would allow this, so he came up with the drug aspect. So rather than this being a story about the side effects of drugs, it is actually quite the other way around...

And, of course, as a selling point we have Henenlotter gore. While this film ranks beneath "Basket Case" and "Frankenhooker" as far as overall quality, it has some of the best gore... with scenes that had to be cut (for both the MPAA and the distributor!) but have since resurfaced. For those who love extreme films, the alley scene can only be enjoyed uncut.

As a bonus for horror fans, we even have the voice of Zacherle. Interestingly, Zacherle worked uncredited because he was in SAG and could not be in a non-union film at the risk of getting fined or tossed out of the union. His voice being so recognizable, some saw his lack of credit as an insult, but just the opposite was true: to give him credit would have opened him up to great punishment!

The legacy of "Brain Damage" cannot be ignored. Like all other Henenlotter films, it has acquired a cult following. Not as much as "Basket Case", but more so than "Bad Biology". And lead actor Rick Hearst has done well for himself, going from this independent production to becoming the king of daytime television, becoming a regular on no fewer than five soap operas! Quite the change of pace from low budget gore.

But most interesting is probably editor James Kwei, whom most people have never heard of. Kewi had been in horror for a while with "Christmas Evil", "Maximum Overdrive" and others. But after this, he increasingly became associated with the films of Martin Scorsese, including "Goodfellas". While he had already been with Scorsese since "After Hours" (1985), it was at this point (1988) where he really switched gears.

The Arrow Video Blu-ray is crammed fuller than Mr. Creosote. There is a brand new audio commentary by Frank Henenlotter and several featurettes. We have "Listen to the Light: The Making of Brain Damage", a brand new documentary featuring interviews with actor Rick Herbst, producer Edgar Ievins, editor James Kwei, first assistant director Gregory Lamberson, visual effects supervisor Al Magliochetti and makeup artist Dan Frye. There is "The Effects of Brain Damage" with FX artist Gabe Bartalos, and "A Look Back" with assistant editor Karen Ogle.

And still more... "Elmer's Turf: The NYC Locations of Brain Damage", sort of a supplement to the tour Henenlotter gives on the "Basket Case" Blu-ray. The interesting "Tasty Memories: A Brain Damage Obsession" interview with superfan Adam Skinner. A "Brain Damage" Q&A with Henenlotter recorded at the 2016 Offscreen Film Festival. And certainly not least of all, "Bygone Behemoth" (2010), an animated short by Harry Chaskin, featuring a brief appearance by John Zacherle in his final on screen credit.

I dont undetstand the fanbase for this movie. This movie is not only pure trash, not the good trash like Troll2, but also utterly boring. Its a complete waste of life time.

My review was written in April 1988 after a screening at Cine 42 on Manhattan's 42nd St.

"Brain Damage" is an overly ambitious but nonetheless rewarding low-budget horror film using the monster genre as a timely metaphor for drug addiction and its ills.

Unfortunately, pic has been poorly promoted and instead of a careful launch it preemed at the sleziest theater on 42nd Street in Manhattan.

Filmmaker Frank Henenlotter showed promise with his 1982 pic (shot in 16 mm) "Basket Case", with many of his collaborators encoroing on this 35mm followup, which includes a funny camro (with basket) byh the first pic's lead Kevin Van Hentenryck.

Rick Herbst stars as Brian, a youngster who's bitten by Elmer the Parasite (film's working title), a centuries-old eel-like monstr being kept alive on animal brains by goofball neighbors Theo Barnes and Lucille Saint-Peter. As Brian quickly learns, Elmer gives his host a periodic jolt of "juice", blue fluid injectged into the brain which provides a psychedelic high.

Brian becomes addicted to this pleasure and carrying Elmer around under his shirt gives the monster access to human victims, whose brains Elmer dines upon. Pic climaxes when Elve4r goes after the heroine, Brian's pal Barbara (Jennifer Lowry).

At every step, Henenlotter makes clear the analogy between Brian's plight and drug addiction, including going cold turkey and radical behavior changes as a tipoff to family (Brian's brother Mike, played by Gordon MacDonald) and friends, etc. Horror format is useful in this regard, heavily leavened by outbreaks of black humor.

Elmer, created by Gabe Bartalos and David Kindlon, is an admirable achievementg, a mobile puppet-like monstr that pays homage to films ranging from "Fiend Withoutg a Face" to "The TIngle". With a wisecracking voice (uncredited, but sounding like tv horror movie host Zacherly) and cute eytes, Elmer is funny as well as scary in context.

Acting is over-the-top and film could have benefited from the casting of name talent in order to cross over to mainstream audiences with its timely thematics. As it is, Henenlotter, cinematograher Bruce Torbe and their team have maintained a harsh, cheap, underground look that fis the picture's cult ambitions. Overuse of blue filters is one drawback, however. Keyboards musical score by Gus Russo and Clutch Reiser is extremely effective.

I think this movie is really interesting and deserves its space in horror history. Okay, it's not a Cronenberg's film but it works anyway. And Rick Herbst's performance shows more closely than in other movies what is addiction. The plot is right, though the characters are not perfectly molded, but anyway it's a good job, considering the budget.

I caught Brain Damage on ScreamTV and was pleasantly surprised, yet not wowed enough to give this 1980's low budget horror/comedy more than a 6.

Brian (Rick Hearst) wakes up one day feeling awful. His girlfriend, Barbara (Jennifer Lowry) comes over to see where he's at. Well, he's too sick to go out so his roommate/brother Mike (Gordon MacDonald) fills in. Comes to pass, some worm-like alien life form that looks like a blue turd has escaped from the neighbors' apartment and has now taken Brian on as its host. The creature, Aylmer (pronounced Elmer), is able to gives Brian a hallucinogenic rush into his spinal cord. In return, it demands to be hooked up to living human brains. What ensues is Brian spiraling out of control under Aylmer's influence as he becomes a complete drug addict and unleashes Aylmer's killing spree in some creative ways. The film, while very gory, is also kind of funny, yet sort of in the middling range of this genre.

As an aside, I will say there are some awesome male twink shots just about halfway through, one of MacDonald in his tights whiteys and one of Hearst showing his bare butt.

Brain Damage is the greatest anti-drug horror/comedy. Well, probably the only one. This is Frank Henenlotter's crowning achievement. If you like his Basketcase trilogy, who cares? This is way better than those movies. This movie actually has a message: Don't trust little phallic-like aliens named Aylmer. Just kidding. The anti-drug theme is played heavily throughout the movie. If you're a genre buff or if your sense of humor is as perverted as mine, then do not miss this film. It should be a considered a classic low budget horror movie but it seems that it's rather unheard of. And that is a sad thing. Frank Henenlotter...where are you?

Note for genre buffs: Look out for the man with the wicker basket on the subway. That's Kevin Van Hentenryck from the Basket Case films.

A Movie that is so mind bogglingly bad it's actually good. Get this, a small slug like creature witch resembles a purple turd, I kid you not, controls a young man by secreting a blue juice into him. This has the effects of almost every drug, euphoria hallucinations and downright dependency. Aylmer (The turds name) then accompanies the man on his walkabouts while under the influence, and uses him to eat people's brains. This movie is almost on a par with any of Ed Woods's masterpieces of rubbish. Brain Damage suffers from very poor visuals, naff script and bad acting (wait till you get a load of the German guy). The version I saw was cut, so that didn't help. But you cant help liking this movie for its sheer badness, its actually a lot of fun, and does have a moral, The Drugs don't work.

While the special effects look dated in this computer dominant age of cinema that we live in, Frank Henenlotter's imaginative and unsettling Brain Damage has lost of it's fun after all these years, and that element is more important than any amount of special effects. Working from the same fundamental plot basic as the director's hit trash-film "Basket Case", Brain Damage portrays a relationship between a young man and a hideous creature unfolding. The stories are very different, but it's obvious that this idea interests the director and links between the two films are more than obvious (the ham-fisted tribute towards the earlier film being far too much so!). The plot sees a young man named Brian waking up in a pool of blood. It isn't long before he's tripping and before he knows it, he's hooked on the brain fluid that a mysterious thing known as 'Aylmer' has pumped into his head. Like all parasites, Aylmer doesn't give Brian the brain fluid because he's a nice guy - he wants something in return, namely the brains of Brian's fellow citizens. Cue lots of bloodletting as Brian and his 'friend' tear their way through the city!

The fact that budget was a big constraint to this film is always evident, but it hardly matters because the underrated director has taken his ideas and just made the best of them with what he's got, and the result is far better than any of these big budget but no idea films that people are often impressed by. A bit like that one with the 'great' twist where Bruce Willis plays a psychologist to a boy who can see dead people. My only real complaint with Henenlotter's handling is that he has a tendency to drag things out a little bit. We see Aylmer open up his mouth, stick the thing in Brian's neck and then the fluid going over the brain EVERY time, when once would have sufficed. Many things about the story aren't very well explained, or completely ignored; but there are little hints towards the history of Aylmer, and this gives Brain Damage a good dose of intrigue. Leaving it open is good, but maybe just a little more on how Aylmer came about wouldn't have gone amiss. There's plenty of blood on display, and despite the rather playful effects on the monster itself, Brain Damage still manages to be oddly frightening. And besides, you've got to love John Zacherle's voicing! In case you haven't guessed - this is highly recommended viewing!

Okay, so how would one describe this film? Weird definitely comes to mind. And brain damage. Yup, this film killed my brain cells!!

'Brain Damage' might be good for a laugh (at how bad it is). It probably also will appeal to anyone using drugs, smoking weed, or has done any substance that elevate their state of mind and being. As someone who has never used drugs - or even smoke - I can't relate to this load of crap.

So, this thing that attached itself to Brian (Rick Hearst) stimulate the host's brain like a drug, and then eats other people's brains. Note that I call it a thing and not a parasite or a creature, as it literally is just a thing. Very little thought went into the design of this thing. 'Brain Damage' is a cheaply made film and offers everything you'd expect from a cheap B-film: bad acting, bad script, idiotic characters, bad effects.... Let's just call it a very bad super low budget B-film... The only scene I found funny, was the scene mimicking a blow job. Okay, that seriously was funny!

'Brain Damage' might have worked as a short instead of a feature. This is one of the most annoying films I've had the displeasure of watching. Oh, please let me forget this! I want to forget! Eylmer...pfff!!!

Would I watch it again? No.