Después de querer hacerse grande, un chico se despierta a la mañana siguiente y se encuentra misteriosamente en el cuerpo de un adulto.Después de querer hacerse grande, un chico se despierta a la mañana siguiente y se encuentra misteriosamente en el cuerpo de un adulto.Después de querer hacerse grande, un chico se despierta a la mañana siguiente y se encuentra misteriosamente en el cuerpo de un adulto.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 11 premios ganados y 14 nominaciones en total
- Ticket Taker
- (as Gary Klar)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This movie is amazing because I saw it when it came out, when I was 13 years old, the same age as josh baskins in the movie, and I loved it then. It speaks to you as a child because it's completely realistic, everything is just the way a kid would see it. Most of the time when adults try to simulate what it's like to be a child, they fail miserably (see all the 80's anti-drug propaganda ads as an example). It takes an immense amount of creativity and sensitivity to be able to write something like this. But then when I see this movie as an adult, it speaks to me on a completely different level. This film is a lesson to adults as well as children. Don't miss out on the fun and spirit of life! Don't get to wrapped up in your petty concerns of status and materialism, just try to enjoy every moment the most that you can, because you'll never get another chance to relive each moment of your life.
Any of these fools that didn't like this movie are just that, they've probably missed out completely on the message because they can't remember what it was like to be a kid, to see the world as one big optimistic toy you're lucky to be able to play with. Think about that and see this movie again if you don't remember how amazing it is...
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I think this is one of Hanks' finest hours and see it as the pinnacle of his early pre-90's career. His later performance in Philadelphia would eclipse this role, although this was obviously more serious in its message.
It takes real talent to act the young boy in the body of a thirty something and Hanks' copes admirably, from the comical leaping around the bedroom when he is trying to put on the jeans of the child on discovering his transformation to the child-like reaction displayed on Perkins' advances toward him. He captures the essence of youthful innocence both in the company of his younger peers and older 'work' colleagues.
Elizabeth Perkins complements the performance of Hanks' and it seems a shame that on searching the database that her career perhaps hasn't mirrored the success of Hanks' since making 'Big'.
I don't know why, but I always shed a tear at the end of the film. Perhaps it is the longing in all of us to want to return to the days of our youth and that we cannot turn back the clock as one can in the imaginary world of film.
As I grow older, and watch my children grow-up it makes me realise that time is a precious commodity and that life is a gift that should be cherished and nurtured carefully. This film somehow reinforces these feelings.
The interesting trick of what makes the story appealing is not so much the magic that the boy gets his wish to be "big." It's that once he is in an adult, he has to navigate the adult world with the mind of a child -- and ultimately realizes that he is missing something if he makes the leap from boy to man without going through all the fun and the struggle in between. There are several other films that have the boy-to-man switch, but none of them have the depth of understanding about human nature that this film portrays.
The story is wonderfully written and directed, and Tom Hanks is a star. The film made me laugh, and it made me cry. What more can you ask of one movie?
¿Sabías que…?
- TriviaAccording to Robert Loggia, on the day they filmed the famous Walking Piano scene at FAO Schwarz, he and Tom Hanks noticed that doubles dressed like them were on hand just in case they could not do the dance moves correctly. It became their goal to do the entire number without the aid of the doubles. They succeeded.
- ErroresBefore Josh and MacMillan play the Walking Piano at FAO Schwarz, Josh throws a bag down on the ground. When they leave he leaves it there and doesn't take it with him.
- Citas
Josh: Will you please leave? I got a deadline to meet. Gosh.
Billy: Who the fuck do you think you are ?
Josh: *Hey*!
Billy: You're Josh Baskin, remember? You broke your arm on my roof! You hid in *my* basement when Robert Dyson was about to rip your head off!
Josh: You don't get it, do you? This is important!
Billy: I'm your best friend. What's more important than that, huh?
[Turns to leave]
Billy: And I'm three months older than you are, *asshole*!
- Versiones alternativasThe Extended Edition is 130 minutes. It was released in 2007, and contains 26 minutes of previously deleted scenes, including Frances Fisher's role as Mrs. Kopecki.
- ConexionesEdited into 5 Second Movies: Big (2008)
- Bandas sonorasThe Way We Were
Written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Big
- Locaciones de filmación
- Rye Playland, Rye, Nueva York, Estados Unidos(where Josh finds Zoltar at the end of the film)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 18,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 115,227,281
- Fin de semana de estreno en EE. UU. y Canadá
- USD 8,216,190
- 5 jun 1988
- Total a nivel mundial
- USD 151,927,281
- Tiempo de ejecución1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1