American Gothic

When you have the talents of an Academy Award winning Actor (Rod Steiger) and a classic, beloved sitcom star (YVonne DeCarlo), and an Academy Award nominated star of Bonnie and Clyde, (Michael J. Pollard) you have to expect a good movie, as one would think that established actors such as these would be wise in their script choices. While American Gothic certainly isn't Bonnie & Clyde or In The Heat of the Night, for an 80's horror film it isn't bad. In fact, it sticks out among the countless teeny slasher flicks that dominated the decade for several reasons, least of which is the plot, which has been used in some shape or form in countless slasher flicks released before and after American Gothic.

A group of six vacationing friends, including, Cynthia (Sarah Torgov), a woman who has been traumatized by the accidental drowning of her baby , land their small plane on a seemingly deserted island after some engine problems with the craft. After some exploring, they find an old house occupied by an odd, extremely religious family who seem to be stuck living in the 1890's, headed by Ma DeCarlo and Pa Steiger. Their "children" are in their thirties and forties, yet still act like they are little kids. The daughter plays with her dolly and the two sons entertain themselves by playing on a swing and playing hide and go seek. This would be enough to make me find ANYWAY I could off the island, but the group sticks around to eventually tick the family off by going against the strict "morals." Well not a lot of guess work to what transcends, but there is a twist at the end of the film that is refreshing to see and to mention anymore would spoil the plot. But let's just say things get bloody and characters are disposed of in variety of creative and disturbing ways. Along the way, the film does provide a few memorable, downright creepy scenes, including the "swing" and Fannie's (one of the "children") baby, as well as things that are not blatantly stated, but hinted at (infantcide, incest, necrophilia) What sets this film apart from other slasher flicks of the time period is that it does make an attempt at some character development., particularly for the character of Cynthia, whose troubled past explains her behavior toward the end of the film. There is also the sense that this filmed was geared toward a more mature horror audience, as many of the clichés that are steeped in most 80's slashers are not utilized here, which is refreshing. The characters themselves are not teens, and for the most part, behave realistically. The theme of isolation and uncertainty also works extremely well here, as the island presents a challenge not often found in horror films. It offers opportunity for crisp cinematography Still, not all is perfect, as the performance are a mixed bag, ranging from typical slasher film cheese to Steiger's over the top performance (did he think he was going to win a second Oscar for this??) to the very reserved and pitch-perfect De Carlo, who really outshines the rest of the cast. And while most of the deaths are creative and effectively done, one involving a jump rope was somewhat cheesy and had me cringing for all the wrong reasons.

Overall, this is one of the better entries into the genre to come out of the late 80's and really is a must see for horror fans. Younger viewers may be turned off at how dated the films looks (even though it was released in 1988), but there is enough creepiness and disturbing things here to feast upon.

My Grade: B

American Gothic is a horror movie that is truly horrible and scary: Because what it portrays is a completely psychotic and homicidal family living on an isolated island in the Pacific Northwest who become the only beacon of help for several young people who become temporarily stranded on the island. The lighting in the film is almost nonexistent; it seems as though it were filmed in a basement, which adds to the creepiness. Even though there are some extremely cheezy elements in the film, there's a constant suspicion that something not just bad, but terrible and downright terrifying is going to happen. Rod Steiger and Yvonne de Carlo are absolutely brilliant in this film as "Pa" and "Ma" and are so extreme in their character portrayals that they almost become parodies of themselves and are therefore on the threshold of being humorous. But the 'kids' (who are actually 3 deranged siblings in their 40's and seemingly quite comfortable in their maritime never never land) are so creepy that they make not only your skin but lining of your bones crawl. On a scale of 1--10, I'd give this an 8.5.

Good campy horror movie that has 3 couples going for a little vacation and getting stuck on an island. They take shelter at an old couple's house whose "kids" are at least in their fifties. Soon one by one the couples get killed except for one lucky one who has a few little surprises of her own. Surprisingly good, with good campy acting by all. "Give me my baby Fanny!" Recommended

When a group of friends land their plane on a presumably deserted island they stay with couple Ma and Pa and their over grown children until; they can get their plane fixed. Just too bad the while family is insane and our victims start dying off one by one. A lock of gore allows the viewers to concentrate on more important things like atmosphere and character developement. Although all the performances in this often chilling and sometimes amusing chiller are sound it is Rod Steiger who gives an goulishy creepy performace as Pa. Although it is often predictable and a lot of what happenes goes unexplained you'll be to entertained to care.

A group of twentysomethings are stranded on an island off the coast of Washington and find refuge with an odd couple named Ma and Pa (Yvonne De Carlo and Rod Steiger). Things get odd quickly as the family introduces a trio of infantile adult offspring (Janet Wright, Michael J. Pollard and William Hootkins) that like to play and kill. With a cover riffing on the famous Grant Wood painting, you can pretty much expect this one to be tongue-in-cheek. And while the story isn't anything beyond cliché, it is worth seeing for the performances of Steiger and his demented family. I mean, how can you not appreciate a film that casts Michael J. Pollard and William Hootkins as retarded brothers? Or features Steiger whipping Hootkins with a switch; not because he killed a girl but because he killed her and then had sex with her. Wright is the stand out as the creepy Fanny, who is in her forties but thinks she is Shirley Temple and dresses accordingly. Gross. Director John Hough gets good use out of the forest (British Columbia) location. Like I said, worth seeing for all of the actors as the villains.