The Accidental Tourist

William Hurt gives one of the most intensely interior performances on record. He is indescribable moving. His emotional paralysis becomes the palpitating centre of this gorgeous Lawrence Kasdan film. I saw the film, when it first come out, on a big huge screen that allowed me the strangely unique privilege of entering a man's soul. In the surface, nothing. Less than nothing, William Hurt floats through his daily existence, surrounded by his quirky family, his wounded, distant ex wife but first and foremost, his impenetrable loneliness. The character never utters a word who could confirm that, and yet is there, ever present, if you look deep, deep into his eyes. The scene in which he almost lets himself go in Geena Davis's arms is as cathartic as anything I've ever seen in any modern American movie. A couple of days ago I saw it again on a normal TV screen and all of the above wasn't there. Still a gorgeous film, a funny, melancholic romantic comedy but what about the interior masterpiece of William Hurt's performance? Gone. Did I imagine the whole emotional ride? Possible but unlikely. I took my VHS copy to a friend's house with a phenomenal home entertainment centre and a massive screen. William Hurt's performance was back. His is a performance conceived and designed for the big screen. One hundred per cent cinematic. The TV screen is far too small to allow us into a man's soul. If you haven't seen it I urge you to see it but in a big screen, the biggest you can find. Now let me leave you with this little tip. Look into William Hurt's eyes when he is in the taxi in Paris and sees the boy, who reminds him of his own son, walking down the street. It is the best performances by an actor in one of my favourite film moments of all time.

Probably the best performances I have ever seen out of Geena Davis AND William Hurt. AND !BIG SURPRISE! Kathleen Turner does not overact in this one--I think it was not long after this film that Turner started going over the top.

This is a sad, introspective film so if you don't like to watch movies which portray life's real problems, skip this one. And, yes, even though Geena Davis is supposed to be a Baltimore city woman and does not have one HINT of our beloved accent, I let it go. I cared so much about her and her son in this film and wanted so much for Macon and his family to love them as I did.

In this film, Muriel (Geena) meets Macon (Hurt), who is deeply mourning the accidental death of his young son which has apparently caused Macon and his wife Sarah (Turner) to separate. Geena's smile can light up a room. In some scenes, you just want to hug her! Her films today have been few and far between. She needs to rehire the agent who put her in this film, "The Fly" and "Thelma & Louise" because they are, by far, her best.

For those of you who have never experienced agonizing grief in your own lives, you may not understand Hurt's feelings. For me, I cried deeply watching him battle his pain and internal chaos--should he stay with Turner, should he start a new life with Davis? His choices may seem simple to you, but believe me, having been in his shoes, I know that something simple like picking out what clothes to wear to work each day is a monumental task. I can't remember ever liking Hurt in anything he has done, but he nailed this part. I am sure he dug up this pain from some godforsaken part of his life, and he surely deserved an award for this role. I was rooting for him to "let go" of the past the entire film--it took me a whole year to do so in my own life.

Ladies, this is definitely a "whole box of tissue" movie.

This is a faithful adaption of a brilliant novel. I have seen this movie a dozen times and it gets better with each viewing. It is subtle, yes, and that probably means it is not for everyone. Subtle, however, is not synonymous with boring, as unfortunately many people accustomed to a non-stop barrage of sense-dulling special effects and violence have come to believe. This film is as far from boring as it gets.

What I walked away from this story with is a reaffirmation of a force bigger than ourselves that takes our lives in a new direction -- one that we often consciously choose to reject. Macon Leary, as superbly played by William Hurt, has been sleepwalking through life for years. His profession says it all: he writes books for business travelers who have to visit exotic places but want to feel as if they never left home. Thus, the title, "The Accidental Tourist".

He is separated from his beloved wife, Sarah, played very well by Kathleen Turner. She could no longer live in with the waking death their life had become since the senseless murder of their young son years before. But he still wants nothing more than for her to return and resume that life. Even after a quirky dog-trainer played by Geena Davis (in her well-deserved Oscar-winning performance) enters his life and his heart he believes his future can only be with Sarah.

I don't want to give away the entire story, but I will say that the entire supporting cast, Macon's family (Ed Begley, Jr., Amy Wright, David Ogden Stiers) his editor (Bill Pullman), and a scene-stealing Welsh Corgi contribute richly and completely to the overall power of this story.

Some of the best dialogue I've ever heard on relationships, why they work, and why what we want so dearly to work just doesn't work anymore, is in this film. "Don't be lulled by a false sense of security". This powerful line, is what this film is all about, and it is placed perfectly, as all the memorable lines are. Give it a chance and an open mind because this film is the real deal. In my estimation, "The Accidental Tourist" is American cinema at it's best.

the Accidental Tourist is among the best movies ever made in the world.Maybe it is not absolutely the best, but as to me it is the most well understood one. that probably is the reason why i love it so much. When i watched it, i can even felt what Macon Leary was feeling inside---i could feel the complicated mood when he called Sarah in his hotel in Paris, i can understand that his heart has already belonged to Muriel when he said it's OK to Sarah, who asked for his opinion on the newly bought sofa. he was a captious guy!and i can also read his heart when he close the door to Muriel, not willing to take her on his trip the next morning. Also i can read the deep love for Muriel on his smiling face when he met Muriel at the gate of the hotel at the end of the movie. I can't agree with some people who think this movie lacks energy. it might appear to lack, but u could have felt the passion in their hearts if u can understand them. this remind me of another movie--Once Upon A Time In America, which is also said to lack energy, but i can feel the great passion in Noodles and Deborah's heart when they "quietly" meet in the bar after Noodle was released from the jail. only a few words from Deborah can make me feel that! Just as sometimes the clothes do not make the man, sometimes the movie is not what it appears! there is seldom any good movies from which we can not feel the passion!

as he writes his travel column. His column is a metaphor for being the "passive observer" who travels and critiques places, but never truly appreciates them...not until Geena Davis comes along, at any rate.

Hurt plays Macon Leary, a man who has existed, but not truly experienced life. Kathleen Turner is the estranged wife, due to the accidental death of their young son, a tragedy which causes Hurt to withdraw. As another reviewer mentioned, one should watch this excellent film several times, as there is much innuendo and insight into human behavior. Bill Pullman portrays Hurt's publisher, who is amused and intrigued by his eccentric family.

What a cast! Ed Begley Jr., Amy Wright, Hurt and David Ogden Stiers are all siblings (over age 40), who still live in their grandmother's house, complete with 1930's wallpaper, a pantry that is alphabetically organized by the sister, and a phone that is never answered because they "don't need it". Pullman is priceless as he visits Hurt for dinner, and falls in love with Rose (Amy Wright) for her old-fashioned persona.

Macon's dog is comic relief, but also the liaison with Geena Davis, an offbeat dog-trainer. She is quite good, and insinuates her way into Macon's ordered world. She is a single mother struggling, and Robert Hy Gorman is excellent as her young son, Alexander. Macon finds himself growing attached to Davis, her son, and her wayward life. He helps the son with schoolwork, and realizes he can still be open to new relationships. Even after all the tragedy.

Kathleen Turner attempts reconciliation,and offers Macon a stable ordered life of commonality. Davis offers instability, excitement and unpredictability. Which will he choose? This is not just a romantic drama, it is a serious character study about control, relationships, and difficult choices. It is one of the few films in which the difficulties of marriage are sensitively addressed, and the acting is superb.