36 Fillette

36 Fillette or "Virgin" which is the English title, is a film set in France which portrays a couple of days in the life of a 14 year old girl who trying to explore her sexuality for the first time. She meets a play boy who at first she teases and does not want to make love to which enfuriates him but as the film goes on the guy starts to have second thoughts and the tables are turned. While this film is engrossing , and maybe only for voyeuristic reasons ,it does have the problem that most French films do, which is far to much diologue. The acting is a plus point. 6 out of 10.

36 Fillette is an aimless journey of coming of age by a 14 year old girl played extremely well by Delphine Zentout. She talks her brother into taking her to a disco where she is eventually taken advantage of by a much older man played by Etienne Chicot. She is an angry girl whose home life leaves a lot to be desired. This film really has no point other than to continually think of ways for an older man to have sex with a 14 year old girl. Pass on this meaningless story. Too bad as the acting was very good.

I should of known this was a Catherine Brelliat film, some of this one, feeling much like that messy Fat girl. This isn't a badly made film and does have some very hot moments. A young 14 year old girl, holidaying, wants to experience sexual pleasure with older guys and lose her virginity. She meets a playboy, twice her age, plus. Instant attraction. Over the span of the night, while engaging in boozing, dancing, and sexual encounters with this the stranger, comes that special moment, where she is to lose it, but has second thoughts. This very much frustrates the mid thirties guy, who really should be in prison. Comes another night where the two become more intimate. The movie really rides on this scenario, which it tells the views of both these characters and takes it's time, in what is a very realistic scenario, which is what I really liked about this movie. Although it's not Brielliat's best, this earlier effort from this controversial director, is definitely worth it's view, where I will re iterate, the film does feel a lot like Fat Girl, even the familiar settings. True to life, these sexual encounters happen, where choices to continue, or cross the line have resulted in arrests, due to girls below the age of consent. A quite beautifully flowing film. The young actress gives a really mature and professional performance.

First off, I've got to say that the DVD of this had quite possibly the worst transfer quality I've ever seen, so undoubtedly this had some kind of effect on my viewing of the film in the long run. But, that said, I thought it was pretty good. I must say though, that Catherine Breillat seems to have a very narrow vision. This really felt in many ways like a warm-up for "Fat Girl!", although I didn't think this was quite as good as that was. It somewhat lacked the extreme dynamics and tension that made that film more riveting. This was actually a bit boring at times, especially toward the beginning. Also, the cinematography was completely unremarkable (again, unlike "Fat Girl!", which used long, uncomfortable single-takes to great effect). And there was really too much pointless talking at times. Still, I wouldn't say that it is a bad film at all, really. It definitely gets better as it goes on. It even began to remind me a little of "Palindromes" at times, especially toward the end. I'd say that Breillat is definitely a good filmmaker, but probably not a great one.

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This is a love story off the beaten track clearly in the tradition of Louis Malle and Francois Truffaut, told without prudishness or gratuitous violence.

The title refers to a children's dress size that the 14-year-old lead, Lili, played with snap by Delphine Zentout, is bursting out of. Billed as a "French Lolita," Zentout is not all that fetching at first glance. She's a chubbette with light skin and thick black hair and not exactly pretty. But she has intriguing eyes and a saucy way about her.

Lili is "discovering" her sexuality, but won't let herself be impregnated. The playboy, played with grace and economy by Jean-Pierre Leaud, falls in love with her in spite of himself and "tolerates" her reluctance while being partially satisfied in other ways, one of which we used to call a "cold f..." They are a believable match because sexually they are equal: she precocious, he experienced.

Catherine Beillat directs without sentimentality while guiding Zentout to an interpretation that transcends the American brat style and leads us to a thoughtful view of feminine sexuality.