Red Dwarf

Let's get one thing straight here: I don't watch much TV. A lot of the shows nowadays really get on my nerves. But RED DWARF is different. DWARF is shown on Saturday nights on my local PBS station, and the week just isn't the same if I can't see my favorite bunch of marooned space bums. The story is a bit of a long one: Dave Lister, a technician aboard the mining ship RED DWARF, is punished for having an unquarantined cat on the ship. His punishment involves going into stasis for 18 months, forfeiting all pay (which he wants to save up so he can move to Fiji with his cat and the love of his life, Kristine Kochanski). But while he is in stasis, his supremely anal-retentive superior officer and bunkmate Arnold Rimmer fails to fix a restraining plate properly on a warp drive, and the whole ship undergoes an internal nuclear explosion. When awakened by Holly, the ship's slightly loopy computer, Lister finds out he has been in stasis for over 3 million years. Rimmer, resurrected by Holly as a hologram, is back to keep Lister sane yet seems more probable to do the opposite. Lister's cat, who was pregnant, was safely sealed away in the cargo hold of the ship. There the cats have bred for 3 million years, and the last survivor of their race pops out of an air vent, a Felis Sapiens, or commonly known as just Cat. Together, they try to find a way back home to Earth...even if it takes 3 million years!

I would recommend this to anyone who likes a good laugh. :o)

One Britain's great science fiction comedies, "Red Dwarf" is one of the United Kingdom's finest television exports. This is due to the fact that alot of the comedy, through the characters, satirizes British stereotypes (slobs, snobs, neurotics) and makes its own commentary on the bleakness and absurdity that is human life.

The format, which has become considerably more flexible in recent years, started thus. Set in space, some two or hundred years or so in the future, on an enormous mining ship called Red Dwarf, working class slob Dave Lister (Craig Charles) finds himself placed "in stasis"(frozen in time) as punishment for illegally hoarding a cat on board the ship. Awakened by the ship's senile computer Holly (Norman Lovett), Lister is shocked to discover he's been in stasis for three million years and the rest of the crew have been killed by a freak accident.

Asides from the now-senile computer, Lister's only company is a vain, narcissistic lifeform who evolved from his cat (Danny John-Jules) and a hologram of Arnold Rimmer (Chris Barrie), his bossy and officious superior.

This was the set up for the first two series of Red Dwarf. The format changed in series three when Holly swapped sexes and became Hattie Hayridge, and the crew recruited Kryten (Robert Llewllyn), an eager-to-please mechanoid with an overactive guilt chip. In series six, Red Dwarf and its computer were abandoned, and the crew were forced to survive in modified shuttlecraft Starbug.

Chris Barrie left as Rimmer in series seven and was replaced, courtesy of an alternate universe storyline, by Kochanski (Chloe Annett), the love of Lister's life. The ship, complete with resurrected crew, returned for series eight and saw the adventurers, along with a back-from-the-dead Rimmer, thrown in the ship's brig for their adventures in the previous series.

In the first two series with a minimum main cast, the much-despised grey sets lent an appropriately barren, lonely backdrop to the very character based comedy. Most of this consisted of intimate comic banter between Lister and Rimmer, occasionally livened up by the Cat's hilariously self-obsessed prescence or an off-the-cuff joke from the laconic Holly.

Seasons three to five broadened the scope of the series, making it more experimental with different science fiction concepts. The added prescence of Kryten helped this, his 'groinal socket', susceptibility to the whims of a sometimes deranged Rimmer and increased attempts to break his restrictive programming brought new comic dimensions to the series.

Series six and seven reverse the comedy-science fiction ratio of the series in that the former now takes a back seat to the latter. In other words the comedy of the series accentuates the main science fiction based plots. The comedy emphasis was restored for series eight, although, much like series seven, this element was alot weaker than before.

The series benefitted from alot of strong characterisation. Craig Charles embodies carefree slob Lister, while Chris Barrie turns in a wonderfully uptight performance as the hopelessly neurotic Rimmer. Dancer Danny John Jules brings alot of colourful charm to the Cat, while Norman Lovett is wonderfully sardonic as Holly, whose almost apathetic stupidity allows for alot of comic misunderstandings. After being replaced by Hattie Hayridge for a few seasons, Lovett returned in series seven.

Robert Llewellyn, his entire head covered in a prosthetic mask, has some fine moments in a character that is very much a comic take on the android "Data" from "Star Trek:TNG". Chloe Annett is wonderfully superficial as Kochanski, but is attractive enough to make plausible Lister's attraction to her.

Series eight was helped considerably by the return of Mac MacDonald as Red Dwarf's hapless Captain. During the two-part episode "Pete" he is subjected to a series of increasingly hilarious indignations, prompting a wonderfully humiliated performance from MacDonald.

Time will tell whether or not the series will return, but the series remains one of the definitive comic staples of British television.

Red Dwarf is probably one of the most entertaining TV shows ever made. It's a hybrid of sci-fi and comedy that, when it works, works perfectly. The four core characters - Lister, the last human in the universe, Rimmer, a hologram of his worst enemy, Kryten, a cross between C3P0 and Data, and The Cat, a super-evolved humanoid feline - are very strongly written and played by a great cast. The show is not perfect, as the small budget often shows and The Cat, and Rimmer in some cases, are often given lines that they simply wouldn't come out with just so they have something to say. Apart from this, though, the show is of a very high quality and very unique.

Series I and II were very cheap - everything was cotton or plastic - and focussed on the sitcom aspects and character development. It was with Season III, and the introduction of Kryten as a regular, that Red Dwarf began to achieve it's potential. Suddenly there was more sci-fi and adventure in the episodes, with spaceships, bazookoids (mini-bazookas), shape-shifting, emotion-stealing aliens, and a cool guitar version of the theme tune.

Series IV was even better, and Series V even better than that. The show became just as much sci-fi as it was comedy, very cool indeed and tackled some imaginative premises with more skill than Star Trek: TNG in many cases. Finally, Season VI was absolutely superb, with the best production values the show had ever seen, and the funniest, most exciting storylines. Plus the fact that Red Dwarf itself, the spaceship, wasn't even in Season VI, which made it exceptionally cool. Every single episode was excellent, with the highlight proberbaly being 'Gunmen of the Apocalypse' wherein the crew entered a virtual reality version of the wild west. Series VI ended with five minutes of pure drama and a stunning cliffhanger- you'd be hard pressed to find a more exciting climax on TV. With Series VII, except for the great first episode 'Tikka to Ride', the show faltered. Rimmer left along with one of the two script-writers, which half-crippled the show. Whereas there used to be constant laughs throughout previously, with Season VII there were a few laughs an episode. Rimmer returned with Series VIII, but then Red Dwarf became a total farce with no real sci-fi and everything played for cheap laughs. It became a plotless string of lame sketches and was simply not funny. The characters became caracatures. The show became a complete mockery of the blend of sci-fi/comedy it had achieved previously. Let's hope the forthcoming feature film, with both writers at the helm, can bring back some of the old magic the show had.

Where to start? The writing, the cast, the effects . . . superb.

Firstly, the writing. The situation is so unbelievable it works. Three million years out into deep space, with the unlikeliest crew you could find. And bizarre and funny things just keep happening. The secret? You might ask the same question of previous comedy greats. It just is.

The effects - especially since remastering - are breathtaking. I don't know how "true to life" it is, but it doesn't need to be. Seeing Starbug come crashing through the cargo bay doors is a joy to behold.

And the cast. Sensational. Chris Barrie (Rimmer) is the outstanding comedy actor of his generation. With the possible exception of Rowan Atkinson, I don't think there's a single man alive who could play the smeghead so well.

Equally, Craig Charles as Lister - a complete slob who is in fact the most decent person among the crew. A beautiful irony, and Charles focuses on the slob part so well that we tend to forget the character's decent side. This is not a bad thing - quite the reverse. When the decent side does appear, it is all the more prominent for it.

Norman Lovett (1-2, 8) and Hattie Hayridge (3-5) as Holly, the computer. I prefer Lovett's take, and don't fully understand why he was replaced. Hayridge did a fine job (indeed there's some moments that Lovett couldn't have done), but Lovett is the definitive Holly. He has the comic face for it.

Not forgetting Robert Llewellyn as the guilt-happy mechanoid Kryten, who overacts beautifully, as does Danny John-Jules as the vainest life form ever to have existed. Brilliant.

These ingredients made Red Dwarf amazing. Rob Grant and Doug Naylor's writing collaboration was a thing of beauty. As a team, they function superbly.

Unfortunately, the opposite is also true. Something's missing when they're not together. Series 7 had its moments, but was distinctly lacking - not least because Chris Barrie was in less than half the episodes. Series 8, it dropped even further. Barrie was back, but that was the only plus. Bringing the entire crew back was a very big mistake.

Overall? I'd say 8/10 for originality and sheer zaniness!

Red Dwarf is for anyone who enjoys a good laugh, and doesn't mind taking their science fiction with a grain of salt. Yet I think it's necessary to break the show up into three distinct parts.

Part One encompasses seasons one and two, which revolves primarily around the relationship of Rimmer and Lister. The first two seasons have a great low-budget appeal (most of the scenes take place on a couple of sets)and really mixes sharp wit and satire with a sense of loneliness.

Part Two is seasons three to six, and a new character, Kryten, is added to the list (this is not bad at all: Kryten gets a lot of the best lines). With the show's growing popularity and increased budget, the characters venture more and more outside their giant spaceship and explore "strange new worlds". Action and physical comedy take more and more precedence during these seasons. This is the high point of the show's run.

Part Three includes seasons seven and eight, and in all honesty, are best avoided. Several years elapsed between seasons and six and seven, and it shows. The show's creators made several mistakes in plot, story, and character, and the actors appear to be going through the motions, and much of their character traits, which made the show so great in the first place, are missing or warped in very disappointing ways.

Still, I highly recommend the first six years of this program. They're just the motley crew I'd want to be lost in space with.