In the Heat of the Night

It's extremely rare these days to find a film-to-tv spin-off that actually works (anybody remember 'Working Girl'?) but this 'Heat' is a worthy exception. It also has a strong, original slant of it's own -- the quirky (and, since this is the fictional South, sometimes downright eccentric) ways that ordinary people behave in extraordinary situations. Of course, in lazier moments this can sometimes mean genre cliches. And as the years go on it becomes increasingly difficult -- due to a series of well-publicized internal troubles -- to find ALL the stars together in the same episode. But at its best, the show has some powerful things to say about the human condition...and at its worst, it's still a beautifully produced hour spent with some very likable characters.

Though most will forever remember O'Conner for his Emmy-winning turn as "Archie Bunker" in the classic "All in the Family," his last television role on the long-running "In the Heat of the Night" was still equally as memorable. Inspired by the Oscar-winning film, starring Rod Steiger and Sidney Poitier, the show dealt with the police force of the mythical town of Sparta, Missisippi, headed by Chief Bill Gillespie with transplanted Philedelphian Virgil Tibbs, new and black to a force that was unprepared for such a high-ranking black. Though the first couple of episodes dealt with the adjustments that had to made with the new man on the force, the racial tension in the department was soon eliminated as both The Chief and Tibbs, along with other policemen (the superb Alan Artry as "Bubba," David Hart as the down-home, tea-drinking "Parker," Geoffrey Horne" and Hugh O'Conner as the young cops, "Sweet" and "Lonnie Jameson," respectively) came to respect and trust each other.

Many of the shows dealt with timely topics as A.I.D.S., spousal abuse, rape, and corrupt politicians. One of the series' most powerful episodes is "A Trip Upstate," wherein Chief Gillespie is asked to attend the execution of a criminal (guest star Paul Benjamin) that he caught years before. The riveting execution is quite detailed and the dialog-less performances by O'Conner and Benjamin are Emmy-worthy. The eye contact between the two actors is unbelievably intense. Whether one is pro or con on the topic of capital punishment, this particular installment should have some effect, one way or the other.

21 years after Rod Steiger won an Academy Award as gum chewing police chief Bill Gillespie of Sparta Mississippi and Sidney Poitier told the world that in his city, THEY CALL ME MISTER TIBBS, the film was adapted into a successful television series about the new American South.

If you remember in the film Rod Steiger has the murder of a rich northern industrialist on his hands and reluctantly uses the expertise of visiting homicide detective Sidney Poitier to solve the murder. Now years later, Virgil Tibbs formerly of the Philadelphia PD Homicide Squad and now played by Howard E. Rollins, Jr. has responded to an offer from Chief Gillespie. Gillespie is now Carroll O'Connor and has made a place for Tibbs on the Sparta, PD as a newly made detective. Rollins IS the Detective Division of the Sparta, PD.

Because this show clicked so well these characters were fully developed over the seven year run of the series. We got to know everybody in the small town of Sparta, Mississippi and even the most minute characters were three dimensional, the writing on this show was so good. O'Connor alluded to his racist past and we saw a man in Chief Gillespie who was a work in progress. In the end he fell in love with black city council member Denise Nicholas.

Rollins had to adjust too, things don't quite work the same way in Sparta, Mississippi as they do in Philadelphia. And I'm not speaking necessarily of racial attitudes. Alan Autry played Bubba Skinner and he was something of a protégé of O'Connor's and he thought he ought to have been the detective. He was not a stupid guy either by any means. He and Rollins gradually developed a working relationship over the course of the show.

Gunsmoke was the first show to put the main characters within the context of the town they lived in. Beyond James Arness and the other principal cast members, Dodge City had a nice group of recurring regular citizens. That was nothing though like Sparta, Mississippi. Watching In The Heat Of The Night was like taking residence in that town for an hour each week.

In The Heat Of The Night was television series at its best, sad that it came to an end because of the health and other problems of its two lead cast members. It could still be running today.

This show will always be one of my favorites. It takes a look at the so-called New South and shows the many ways it has gotten better and how in some ways it is still the same. In fact, I still prefer the television series over the movie any time. The late Howard Rollins was superb as Virgil Tibbs and the late Caroll O'Connor made the perfect Bill Gillespie. However, the real standout was Alan Autry as Seargent (and later Captain) Bubba Skinner. He is the perfect example of the tough guy with the heart of gold and he was what made the show special.

I found that the series was very realistic, and in some cases very funny. The characters seem real, and the plots are interesting. The cast that was chosen could not have been better. That acting was done well, and it was very sincere. Especially, when the show got into the heart of difficult issues. This might sound a bit silly, but the show meant a lot to me, because it was one of the last shows that was true to what it was, and one of the best series that has ever been produced in my mind.The one thing that I would really like to know, if someone somewhere is trying to come up with a DVD collection of the series. I know that I would probably be first in line. It is a show that I enjoyed, and miss watching a great deal.