Yee dam kwan ying

Just Heroes is far from John Woo's finest hour, but even then there's a lot to love about this minor classic, with Woo's trademarked heroic bloodshed coming out in full force during the finale. Commissioned by Tsui Hark to raise retirement money for a broke Chang Cheh, John Woo's main influence and tutor, Cheh then spent said money on making another film instead. Woo only directed about 60% of this and his style is plainly obvious when compared to the 40% helmed by Wu Ma. It's the kind of film that desperately needs another 20-30 minutes to let all its ideas flow, it feels rushed which doesn't surprise me given how quickly it was thrown together, the pedestrian script could have done with some tightening up. Despite this, Just Heroes boasts a funky musical score, some great performances from David Chiang, Danny Lee and a young Stephen Chow and is packed full of intrigue even in a routine-like mob world with elements that feel like they belong to a Takeshi Kitano yakuza thriller.

Yi Dan Qun Ying/Just Heroes(1987) is a very good action flick with tones of King Lear. Just Heroes(1987) was done between A Better Tomorrow 2(1987) and The Killer(1989). The film is really a parody of A Better Tomorrow 1&2. There is a character in the film who likes to recite lines by Mark of A Better Tomorrow(1986). John Woo even pokes fun at the famous guns in the flower pot scene by using it again.

This was one of two films that Danny Lee did not appear as a Police Officer(the other being City on Fire). The film opens and ends with some excellent gun play. Its about members of a Mob gang who scamble for control after the head is assassinated. Danny Lee is very good in the role of the confused Sou. John Chiang is good as the idealistic Wai.

Although not as brilliant as the best of John Woo, its still superior to three out of four films that he has done in the USA. Just Heroes is notable for the early appearence of Comedian Stephen Chow in a dramatic role. Deals with the themes of honor and loyalty. The movie shows that there are differences between the fantasied and reality of life as a Triad. Ti Lung has a short cameo that ties Just Heroes(1987) to the two A Better Tomorrow films.

Just Heroes(1987) has a lot in common with the similarly themed epic Tragic Hero(1987). Woman have a much bigger role here that is unusual in a John Woo film. More than one person directed this feature film. One of my favorite scenes is the flashback sequence with the gun battle. Another favorite scene is the shoot out at the deserted mine.

The movie that Chang Cheh's disciples, John Woo, Wu Ma, and a host of others, put together to help their master ease the debts. Everywhere on the net I see all these people complaining about the film. After I watched it, I don't see why people would hate this, unless you're a diehard John Woo fanatic/macho person. Yes, women have a more prominent role in this film! They have an impact on the plot! They aren't just flower vases! "Just Heroes" (or "Tragic Heroes" if you like) borrows sections of "The Godfather", complete with the intrigue. Only complaint that I have is that the ending was a little rushed, which is to be expected since they were pressed for time, and at times the storyline pulls in all sorts of directions, but the gunfights were some of the best I have seen. The deconstruction of heroism was great, with the last few minutes powerfully hitting the mark. Great work for a film that was put together in a few weeks.

Like i say before the review this movie is a old fashioned Hong Kong action crime movie directed by John Woo with many familiar face of golden age of Hong Kong cinema like:David Chiang,Kuan Tai Chen, Lung Ti the holy trinity of kung-fu movie,Danny Lee from Woo masterpiece The Killer and surprisingly Stephen Chow whom used to play comedic role.It sometime get a little chessy with the dialogue,some homophobic aspect but the acting is good and some character actually very well written to the point that i really care about them in the end.The highlight of the movie still the John Woo violent shootout that you will see plenty of it although it not long and action heavy like Woo previous work but when it happen it very satisfied and awesome.Definitely not Woo best work but if you a fan of John Woo you will love it

The crime business gets an even more banalizing makeover in this John Woo blowout than it does in the beige-suit-and-silver-tie-clip yakuza world of Takeshi Kitano's gangland melodramas. Reportedly thrown together in haste, this web of intrigues in a most routinely businesslike mob world has it all: tippling molls, Kun Opera, quadruple-crosses, buckets of Wooian sentimentality, and world-class, state-of-the-art action choreography. Woo learned from the masters Walter Hill and Sam Peckinpah and did them one better: nobody on this earth, except Steven Spielberg on a good day, understands the ballet of gunmen and camera like Woo. It's become a cliche, but it's true, and this underrated movie proves it: Woo raised the bar and then hurtled over it. He's the tops.