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IMDbPro

White Mischief

  • 1987
  • R
  • 1h 47min
CALIFICACIÓN DE IMDb
6.4/10
3.4 k
TU CALIFICACIÓN
Greta Scacchi and Charles Dance in White Mischief (1987)
Official Trailer
Reproducir trailer1:46
1 video
28 fotos
Drama de ÉpocaRomance trágicoCrimenDramaMisterioRomanceThriller

En la Kenia de la década de 1940, una historia de amor entre un aristócrata británico y una mujer casada desencadena un escándalo que sacude a la hedonista sociedad de Happy Valley.En la Kenia de la década de 1940, una historia de amor entre un aristócrata británico y una mujer casada desencadena un escándalo que sacude a la hedonista sociedad de Happy Valley.En la Kenia de la década de 1940, una historia de amor entre un aristócrata británico y una mujer casada desencadena un escándalo que sacude a la hedonista sociedad de Happy Valley.

  • Dirección
    • Michael Radford
  • Guionistas
    • James Fox
    • Michael Radford
    • Jonathan Gems
  • Elenco
    • Sarah Miles
    • Joss Ackland
    • John Hurt
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    3.4 k
    TU CALIFICACIÓN
    • Dirección
      • Michael Radford
    • Guionistas
      • James Fox
      • Michael Radford
      • Jonathan Gems
    • Elenco
      • Sarah Miles
      • Joss Ackland
      • John Hurt
    • 37Opiniones de los usuarios
    • 15Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominada a2premios BAFTA
      • 2 nominaciones en total

    Videos1

    White Mischief
    Trailer 1:46
    White Mischief

    Fotos28

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    Elenco principal41

    Editar
    Sarah Miles
    Sarah Miles
    • Alice
    Joss Ackland
    Joss Ackland
    • Broughton
    John Hurt
    John Hurt
    • Colvile
    Greta Scacchi
    Greta Scacchi
    • Diana
    Charles Dance
    Charles Dance
    • Erroll
    Susan Fleetwood
    Susan Fleetwood
    • Gladys
    Alan Dobie
    • Harragin
    Hugh Grant
    Hugh Grant
    • Hugh
    Jacqueline Pearce
    Jacqueline Pearce
    • Idina
    Catherine Neilson
    • June
    Murray Head
    Murray Head
    • Lizzie
    Gregor Fisher
    Gregor Fisher
    • McPherson
    Ray McAnally
    Ray McAnally
    • Morris
    Geraldine Chaplin
    Geraldine Chaplin
    • Nina
    Trevor Howard
    Trevor Howard
    • Soames
    Tristram Jellinek
    • Land Agent
    Tim Myers
    • Raymond de Trafford
    Sean Mathias
    • Gerald Portman
    • Dirección
      • Michael Radford
    • Guionistas
      • James Fox
      • Michael Radford
      • Jonathan Gems
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios37

    6.43.4K
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    Opiniones destacadas

    7tomsview

    Idle hands

    Although I wouldn't say this is a great movie, it is definitely an entertaining one.

    The film tells the mostly true story of the fairly outrageous goings on amongst upper class Britons in Kenya during WW2. If the film does anything, it captures that outrageous spirit perfectly.

    Aging Sir John Henry Delves Broughton (Joss Ackland) leaves war-torn England with his beautiful young wife, Diana (Greta Scacchi), to oversee his properties in British Kenya. They join other ex-pat aristocrats in the incongruously named Happy Valley community. Although cocooned from the war in Europe, the denizens of the valley are completely at the mercy of the boredom generated by their privileged lifestyles, and their overheated libidos.

    They joyously encourage new arrivals to cheat on their partners, and then just as joyously inform the other halves about what is going on. Broughton begins to realise that he has something more disturbing than German bombs and falling commodity prices to worry about when Diana begins an open affair with Josslyn Hay, the Earl of Erroll (Charles Dance).

    Eventually it all ends in tears, murder and suicide.

    The film was not successful at the box office, and it's hard to pick just what put people off. However there is a fair amount of nudity in the film, which I think still tends to alienate mainstream audiences. Maybe the whole thing sounded too unsavoury - Diana is irresistible to males, especially older ones with even Trevor Howard's character peeping at her in the bath. There isn't anyone in the story whose intentions are strictly honourable.

    But with that said, the performances are fascinating. Joss Ackland is superb; we feel his humiliation as the virile Erroll offers Diana what he can't.

    The 1940's probably weren't the most flattering period for fashions, however Greta Scacchi looks stunning in them - she reminded me of Lana Turner in "The Postman Always Rings Twice".

    Charles Dance exudes an element of danger, much like Vincent Cassel. Tall and lithe, he wears black tie beautifully, but when he strips down you see how fit and agile he is - not a man to be trifled with.

    "White Mischief" has a certain pace and style and glides by easily. It stays in the memory, and is a long way from being a bad movie.
    8HarlequeenStudio

    Catherine Tramell's adventures in the happy valley

    Basic Instinct set in Kenya at the end of Art Deco era which also marks the beginning of WWII. That means, the costumes and sets are gorgeous. Bravo! Greta Scacchi is stunning and we get full frontal nudity from her and Charles Dance... and everybody else. Greta Scacchi looks like a proper Hollywood golden age movie star, just looking at her perfect nails and hairdo makes me forget about the trivialities such as the depth of the character, etc. Every frame is gorgeous and perfectly lit. And the decadence - the drug use, the orgies, the masturbation to a corpse in a morgue, that's all glorious to watch in this dull era of superhero films and sequels and dramas that boast 'strong' female characters. It only lacks more... well, nudity. I feel that the romance between the two main protagonists ends too quickly for us to give a damn. But maybe that would have turned it into a 'soapy' melodrama. Maybe we can't relate to the whole situations because the characters have very few or zero redeeming qualities and, after all, they are the idle rich - we are not, but still. The film has a TV feel to it, like one of those Agatha Christie adaptations, which I'm not sure is bad; I adore these films. British aristocracy stuck in their lavish mansions; that's been a part of the Gothic lore ever since the folk tales were invented, and I'm sure it's them who invented them. This film is very dreamy and at the same time scary. There's a sense of a curse, that all the characters have been cursed, especially in the last scene which is like a picnic with the dead.
    Chloe13141414

    I read the book.

    Was well into the film before I realized it was based on the factual story of a famous murder case. I was transported and still feel that way every time I get a chance to enjoy it again. I forgot who the actors were-they became the characters. That's how you know a film is splendid. I love the restraint of a fine British actor. No words are wasted. A glance tells it all. Everyone in the cast should be knighted by the Queen! I'll drop her Majesty a line right away. Chloe
    9fastfilmhh

    Strange, decadent, and worthwhile

    Based on the book by James Fox (not the handsome English actor of a certain age) this film remains hard to pin down: it's part murder mystery, part sociological study, part history of pre-WW2 East African colonialism, part romance, part dionysian orgy (really), part Evelyn Waugh/Somerset Maughm, part romance, part.... etc. etc. And it's all true.

    Yes, the actors are more spectacular looking than their real life counterparts (particularly Scacchi, seldom more stunning.) Sarah Miles' strange character wafts through as most memorable of all in a rich ensemble set of louche decadents. (And yet the actress in real life admitted she may not have gotten a handle on the real woman, just an impression. Based upon my reading of Fox's and Trzebinski's books' accounts on the Alice de Janze, I'd have to agree. Nothing like her except the memorable quips and woozy flair.) Plus, most folks who didn't swim through the primo decadence of the 1960's firsthand might be appalled at what passes for entertainment in British colonial East Africa of the 1930'/40s. But what you'll get for your treasure hunt (this is a hard film to find) is the truth of a murder mystery, weird but real characters, a slice of history, all against the gorgeous panoply of Kenya, despite all its troubles one of the most beautiful spots on the entire planet, all shot on location right where the real events unfolded.
    TxMike

    Period piece, 1940 British in Kenya, based on actual events.

    Why did I rent this movie? Because my friend Paul said it best shows off the "charms" of Greta Scacchi, who was in her late 20s when the filming was done. She truly is a stunningly beautiful woman, and the makeup and lighting are just perfect for her. Bare above the waist, in the sea, she is also striking.

    Anyway, Scacchi plays the very young wife of an older, rich man, and they have traveled to Kenya where a lot of rich Brits hung out around 1940, trying to put world strife out of their minds. She flirts a lot, has an affair with a young playboy, and her husband doesn't take it well. Eventually the lover is found shot to death in his car.

    You don't have a lot of latitude when making a film based on fact, however it implies that the most likely shooter was the old husband. The case never was solved. I enjoyed this film because of its faithfulness to the period, the beautiful Greta Scacchi, and a pretty interesting story. I rate it "7" of 10.

    Argumento

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    • Trivia
      The producers wanted to fire Trevor Howard from this movie, due to his alcoholism, but Sarah Miles insisted he should stay.
    • Errores
      The courtroom scenes include counsel shouting "Objection!" and the Judge replying "Sustained" or "Overruled" and occasionally ordering things "stricken from the record". These terms are routine in courts in the United States but are never heard in courts based on English jurisprudence, as was the case in colonial Kenya in 1941. This is especially odd since it's a British production.
    • Citas

      Alice de Janze: [while looking at the sun rise] Oh God, not another fucking beautiful day.

    • Versiones alternativas
      On the home video VHS version of the film, a jazzy, swing style period song is substituted over the End Credits. In the original theatrical release, "The Alphabet Song" sung by Sarah Miles was used. On the UK DVD from Sony CDR11476, The Alphabet Song is back, along with the score by George Fenton.
    • Conexiones
      Featured in Wogan: Episode #8.15 (1988)
    • Bandas sonoras
      The Alphabet Song
      Written by George Fenton (uncredited)

      Sung by Sarah Miles

    Selecciones populares

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    Preguntas Frecuentes19

    • How long is White Mischief?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 10 de noviembre de 1987 (Reino Unido)
    • Países de origen
      • Reino Unido
      • Kenia
      • Estados Unidos
    • Idiomas
      • Inglés
      • Masái
      • Suajili
    • También se conoce como
      • Die letzten Tage in Kenya
    • Locaciones de filmación
      • Wrotham Park, Barnet, Hertfordshire, Inglaterra, Reino Unido(Doddington Hall)
    • Productoras
      • Columbia Pictures
      • Nelson Entertainment
      • Goldcrest Films International
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 5,300,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 3,107,551
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 24,538
      • 24 abr 1988
    • Total a nivel mundial
      • USD 3,107,551
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 47min(107 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Stereo
    • Relación de aspecto
      • 1.75 : 1

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