White Mischief

As a family member, related to the main character, Sir Jock obviously for myself, it was a very interesting piece to watch, having grown up with full knowledge of the story in its entirety.

It was fairly accurate, although, typically, like any Hollywood film, some artistic licenses were granted. In fact, in real life, Sir Jock, a typical aristocrat of his time, had been in other troubles before, such as insurance fraud, and to this day I am somewhat surprised even with his titles, money, etc, he actually got away with this crime, for everyone strongly feels he did do it.

"The Sixth Earl of Carnarvon, Lord Porchester, was a close friend of Sir Delves, and a horse-racing jockey. Upon hearing of Jock's acquittal, he sent the famous cable: 'HEARTY CONGRATULATIONS UNDERSTAND YOU WON A NECK CLEVERLY REGARDS PORCHEY'. "

I loved the film, loved the decadence, and from what I have been told, this was all very typical of its time in Happy Valley Kenya. I gather both the Queen, as well as Bill Wyman from the Rolling Stones, each called it their favorite film for that year. Anyone especially familiar with British life, humor, etc, would find this most interesting.

SHELAGH DELVES BROUGHTON

Although I wouldn't say this is a great movie, it is definitely an entertaining one.

The film tells the mostly true story of the fairly outrageous goings on amongst upper class Britons in Kenya during WW2. If the film does anything, it captures that outrageous spirit perfectly.

Aging Sir John Henry Delves Broughton (Joss Ackland) leaves war-torn England with his beautiful young wife, Diana (Greta Scacchi), to oversee his properties in British Kenya. They join other ex-pat aristocrats in the incongruously named Happy Valley community. Although cocooned from the war in Europe, the denizens of the valley are completely at the mercy of the boredom generated by their privileged lifestyles, and their overheated libidos.

They joyously encourage new arrivals to cheat on their partners, and then just as joyously inform the other halves about what is going on. Broughton begins to realise that he has something more disturbing than German bombs and falling commodity prices to worry about when Diana begins an open affair with Josslyn Hay, the Earl of Erroll (Charles Dance).

Eventually it all ends in tears, murder and suicide.

The film was not successful at the box office, and it's hard to pick just what put people off. However there is a fair amount of nudity in the film, which I think still tends to alienate mainstream audiences. Maybe the whole thing sounded too unsavoury - Diana is irresistible to males, especially older ones with even Trevor Howard's character peeping at her in the bath. There isn't anyone in the story whose intentions are strictly honourable.

But with that said, the performances are fascinating. Joss Ackland is superb; we feel his humiliation as the virile Erroll offers Diana what he can't.

The 1940's probably weren't the most flattering period for fashions, however Greta Scacchi looks stunning in them - she reminded me of Lana Turner in "The Postman Always Rings Twice".

Charles Dance exudes an element of danger, much like Vincent Cassel. Tall and lithe, he wears black tie beautifully, but when he strips down you see how fit and agile he is - not a man to be trifled with.

"White Mischief" has a certain pace and style and glides by easily. It stays in the memory, and is a long way from being a bad movie.

Based on the book by James Fox (not the handsome English actor of a certain age) this film remains hard to pin down: it's part murder mystery, part sociological study, part history of pre-WW2 East African colonialism, part romance, part dionysian orgy (really), part Evelyn Waugh/Somerset Maughm, part romance, part.... etc. etc. And it's all true.

Yes, the actors are more spectacular looking than their real life counterparts (particularly Scacchi, seldom more stunning.) Sarah Miles' strange character wafts through as most memorable of all in a rich ensemble set of louche decadents. (And yet the actress in real life admitted she may not have gotten a handle on the real woman, just an impression. Based upon my reading of Fox's and Trzebinski's books' accounts on the Alice de Janze, I'd have to agree. Nothing like her except the memorable quips and woozy flair.) Plus, most folks who didn't swim through the primo decadence of the 1960's firsthand might be appalled at what passes for entertainment in British colonial East Africa of the 1930'/40s. But what you'll get for your treasure hunt (this is a hard film to find) is the truth of a murder mystery, weird but real characters, a slice of history, all against the gorgeous panoply of Kenya, despite all its troubles one of the most beautiful spots on the entire planet, all shot on location right where the real events unfolded.

Was well into the film before I realized it was based on the factual story of a famous murder case. I was transported and still feel that way every time I get a chance to enjoy it again. I forgot who the actors were-they became the characters. That's how you know a film is splendid. I love the restraint of a fine British actor. No words are wasted. A glance tells it all. Everyone in the cast should be knighted by the Queen! I'll drop her Majesty a line right away. Chloe

In no way a mainstream movie, White Mischief is a fascinating study of decadence among the expatriate English crowd in Kenya during WWII. Shows that not all Brits through the years have been stiff upper lip. [I already knew this.] Excellent photography, fine performances, witty dialog. Based on a true story.