La escritora Sarah inicia un servicio de acompañantes, involucrando al tímido programador Cliff. Un cliente inconforme chantajea a Sarah, pero superan las amenazas y se van juntos.La escritora Sarah inicia un servicio de acompañantes, involucrando al tímido programador Cliff. Un cliente inconforme chantajea a Sarah, pero superan las amenazas y se van juntos.La escritora Sarah inicia un servicio de acompañantes, involucrando al tímido programador Cliff. Un cliente inconforme chantajea a Sarah, pero superan las amenazas y se van juntos.
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6sol-
Working as a high class call girl in order to gain material for her new book, an esteemed author has to contend with blackmail when a client learns of her secret in this surprisingly well filmed sexually explicit drama. Joe D'Amato's camera almost never sits still, with many tracking shots that voyeuristically follow lead actress Jessica Moore around. There are some thoughtful extreme low camera angles as she undresses too, and in one of the film's most memorable scenes, she makes love to a toy factory owner, surrounded by smiling large toys that -- akin to the lions of 'The Battleship Potemkin' -- are filmed so that it looks like they are reacting to what is taking place! The film is not particularly well plotted though with the blackmailing not seeming to worry Moore at all who is more confounded by her inability to turn on a young computer engineer, played by James Sutterfield, oblivious to the fact that he is gay. The acting here is pretty second rate too with Sutterfield the worst offender, though most of the (mainly) non-professional cast have trouble delivering their lines in a way that does not feel rehearsed. Moore is, however, quite decent and while the narrative might have some deficiencies, it more than makes up for it with a very zany sense of humour shining through at several points. The opening scene, for example, has Moore fingering various mannequins that have been set into explicit poses; later on, she finds a couple of clients who want to be ridden like bulls at a rodeo, and the aforementioned toy store scene occurs on a Santa's sleigh of all places!
An erotic love story.
Big Joe used his usual plot devices here.
Prostitution ring disguised as a modeling agency services wealthy clients of all types. I couldn't tell if this was filmed in the U.S. or Europe. But wherever it was filmed, it looked great.
Seeing Mark Shannon play a cowboy was actually funny. But do cowboys really call every woman they meet 'filly?'
Laura (Goddess Supreme) Gemser matures in her roles and actually plays the boss of women instead of just a rebel. I hated the fact that she cut her hair. She looked better with it loooooooong. She's still a Goddess however.
The sub-plot about the young lad dealing with potential homosexuality was a tad weird.
But the lass in the lead looked GREAT. Her massage scene with the Turk left me gasping.
Big Joe used his usual plot devices here.
Prostitution ring disguised as a modeling agency services wealthy clients of all types. I couldn't tell if this was filmed in the U.S. or Europe. But wherever it was filmed, it looked great.
Seeing Mark Shannon play a cowboy was actually funny. But do cowboys really call every woman they meet 'filly?'
Laura (Goddess Supreme) Gemser matures in her roles and actually plays the boss of women instead of just a rebel. I hated the fact that she cut her hair. She looked better with it loooooooong. She's still a Goddess however.
The sub-plot about the young lad dealing with potential homosexuality was a tad weird.
But the lass in the lead looked GREAT. Her massage scene with the Turk left me gasping.
I saw this movie in Sri Lanka in 1997 and I loved it. But most of the scenes were censored and no body could not enjoy it that well in the cinema. Most of the sex scenes were cut for no reason. Does anyone know how to get the uncut version of this film on VCD/DVD. Please let me know.
In the mid-1980s Joe D'Amato made largely soft pornos and this is one of the better ones, despite being filmed in the US (his Italian films tend to be better). Following the commercial success of "11 days, 11 nights", this was marketed as a sequel, but it is rather more like a remake, and it is a slight improvement on the original. Both films were clearly inspired by "9 and a half weeks" (there is also a nod to Zulawski's Femme Publique) but D'Amato changed the story by putting the woman in control, a modification which works very well. No cinematic masterpiece, but a superior example of the genre.
Like many prolific Euro and Italian directors of Joe D'Amato's era, he would rightly be accused of self plagiarism today. This movie so echoes his Emmanuelle films, themselves a knock off, that it even features Laura Gemser in a supporting role. But all that aside, it's not a horrible film. It starts off slow, and one almost wishes for more explicit sex to keep things going, --- but after around the 45 minute mark... half way in... a love plot starts unfolding involving a gay or bi male, that really actually seems somewhat heartfelt... and moves the movie into more watchable territory. It's usual D'amato, revisiting themes, but if you like to see a new one from him you haven't seen - then check it out. But don't expect Emmanuelle and the Last Cannibals.
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- Versiones alternativasTwo versions of the film have been released in the U.S. -- an "R" rated version, which replaces some of the more adult scenes with stills, and completely removes several rather subtle scenes which reveal that Cliff is bisexual. An unrated version can also be found on cable sometimes with the cut scenes intact. Neither version is available on video in the U.S.
- ConexionesFeatured in Il vizio infinito (1992)
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