Swimming to Cambodia

1987
R
1h 25min

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7.6/10

2.5 k

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Agrega una trama en tu idiomaSpalding Gray discusses his participation in the film Los gritos del silencio (1984) and the background story about the troubles of Cambodia.Spalding Gray discusses his participation in the film Los gritos del silencio (1984) and the background story about the troubles of Cambodia.Spalding Gray discusses his participation in the film Los gritos del silencio (1984) and the background story about the troubles of Cambodia.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

7.6/10

2.5 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

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- 5 nominaciones en total

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Clip 2:02

Swimming to Cambodia

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Spalding Gray

Self

Sam Waterston

Additional Cast from 'The Killing Fields'
(material de archivo)

Ira Wheeler

Additional Cast from 'The Killing Fields'
(material de archivo)

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Opiniones destacadas

10smragan

The Ultimate Indie Film

It doesn't get much lower-budget than this: A guy sitting at a desk on a stage with a notebook, a pointer, and a map of Cambodia on the wall behind him. And for an hour-and-a-half, he keeps you absolutely mesmerized, by doing little more than talking. The special lighting, cinematography, musical effects, and odd film inserts that Demme's production brings to Gray's monologue (which, like so many of the films I truly love, was performed on a stage before it was brought to the screen) work ever-so-slightly to enhance the performance at certain points, but by and large this is just Spalding Gray, a wonderful story-teller, doing his thing. In terms of bang for your production buck, Swimming to Cambodia has to be right up there with The Blair Witch Project. A great film.

10aculprit

The best, never better

Jonathan Demme is a genius, and if you doubt it, see this film. Who else could've made a man sitting at a table talking so riveting? Although Spalding is a great storyteller and great to see live, none of the other films of his monologues have ever touched this one, the first.

See it and you'll never drink Singha again.

10mattbyrne69

Monologue about filming 'The Killing Fields' reveals genius shock!

Spalding's 'Swimming to Cambodia' defies the preconceptions often brought to a movie: we get to see one man at a desk, with a lamp and a glass of water, and a map of Cambodia with a pointer to help. And then Gray's amazing ability to hook the listener into his amazing free improvised anecdotes makes it worth a thousand blockbusters. Demme's film prior to this was 'Something Wild'... this is wilder and wittier. Do yourself a favour and watch. Spalding's tragic suicide last year brings a poignant edge to many of his existential observations, but this is uplifting, entertaining, funny and harrowing all in one. And it's a monologue. Sam Shephard once said it was impossible to compare anyone to Spalding, so unique was he. Here's the proof.

9ashakydd

Spalding Gray is the father of my love child

I have to admit that the quote from his second video-monologue "I didn't think that I could listen to a person talk for an hour & a half, let alone a man" is the most honest statement I have heard about Spalding Gray. Although I have to admit that his later video-monologues (after Monster In A Box) lacked some of the intensity of his first two (that I am aware of), he has produced a fascinating body of work between his stints as a bit actor. Swimming to Cambodia is an amazing film that I could not dare ruin for those who dare to explore this wonderful, dark and detailed world that Spalding Gray opens up and offers to us to explore. Watch this film, if you dare.

9Junkill

Masterful monologue

"Swimming to Cambodia" is an amazing piece of work. One of Spalding Gray's monologue pieces, it features him taking a story that seems like it should have been only mildly interesting and turning it into poetry. Directed by the incomparable Johnathan Demme and featuring music by the brilliant and eccentric Laurie Anderson, Gray recounts his experiences in the filming of "The Killing Fields." Gray's words tell of bizarre, disturbing, exciting and moving experiences in exotic locales. His words move from beautiful to disgusting, hopeful to horrifying, and always with a masterful lyricism that places him as one of the absolute masters of the English language! The book (published 1985) is supposed to be a great read, but the film of Gray himself telling the stories is an experience beyond compare. Spalding Gray's genius will be greatly missed.

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Trivia
Gray refers to the Cambodian photojournalist Dith Pran who survived the Khmer Rouge and ended up working for the New York Times. The year the present film was made, 1986, was the year that Pran received his U.S. citizenship. He passed away from cancer at the age of 65 in March, 2008.

Citas
[last lines]
Spalding Gray: Farewell, to the fantastic breakfasts, free every morning and there they were, waiting on you with the papaya, mango, and pineapple like I'd never tasted before. Farewell, to the Thai maids with the king-sized cotton sheets and the big king-sized beds. Farewell, to the fresh meat flown in from America, daily. Roast potatoes, green beans and roast lamb, at 110 degrees under a circus tent, according to British Equity. Farewell to the drivers with the tinted glasses and the Mercedes with the tinted windows. Farewell to the cakes, teas and ices every day exactly at four o'clock. Farewell to those beautiful smiling people. Farewell to that single, fresh rose in a vase on my bureau every day. And just as I was climbing into that first-class seat, and wrapping myself in a blanket, just as I was adjusting my pillow behind my head, and having a sip of that champagne, and just as I was bringing down and adjusting my Thai purple sleep mask... I had an inkling, I had a flash... I suddenly thought I knew what it was that had killed Marilyn Monroe...

Versiones alternativas
A&E cuts out the part of the sex performer doing tricks with her vagina (including the banana hitting the wall, which Gray alludes to early in the act.) In addition, the scene uses different close-ups, and ends with "boobly oobly."