Trash: basura

I wasn't expecting much when I watched this, but what I was expecting was a melt movie. An ordinary horror film with a plot centred around the viper drink. What I saw was a badly acted cop versus bums film, and in some parts, there was a bit of melting to justify the video cover. I suspect they couldn't afford much of the gore, so only had a few bits of melting. The part where the man exploded wasn't too bad, and nor was the first melting, on the toilet. I think that scene was probably the most expensive in it. It's the type of film that made me want to take a shower after viewing it. I didn't mind it. I've seen worse, but I was expecting a melt movie, and didn't really get it.

Liquor store owner Ed (M. D'Jango Krunch) is nosing around in his basement when he finds some VERY old booze labelled "Tenafly Viper". He figures, what the hell, he'll sell it to his customers for $1 a bottle. But this booze is deadly stuff: when people drink it, they explode into goop in all colours of the rainbow. While the body count rises, the story focuses on two street denizens who are brothers: Fred (Mike Lackey) and Kevin (Mark Sferrazza) who take up residence in a spacious auto junkyard along with various other hobos.

"Street Trash" marks, to date, the only theatrical directing credit for James M. Muro, who went on to Hollywood and became one of the most in-demand Steadicam operators in the business. Basing this movie on a short subject he'd made, he clearly has some real fun with the material. The Manhattan-based production makes some excellent use of locations, and has some very striking characters. Among them is the almighty Bronson (Vic Noto), a psychotic Vietnam veteran with a bunch of flunkies. Sexy Jane Arakawa, a gal with a great pair of legs, is the secretary who takes sympathy on Fred & Kevin and their cronies. Pat Ryan ("The Toxic Avenger") is her horny, scuzzy boss. And Bill Chepil is the surly, hard driving detective working these streets.

The makeup effects are wonderfully gross and effective. There are scenes here so memorable that they remain favourites for fans: Burts' impromptu shopping trip, and the entire "penis keepaway" sequence. One brilliant gag occurs early on when Bronson manhandles a nerdy motorist. The two best characters are thuggish restaurant owner Nick Duran (Tony Darrow) and his smart mouthed doorman (James Lorinz of "Frankenhooker"). Muro and company know that their scenes are some of the funniest here, so they keep their story going during the end credits.

While "Street Trash" took about 13 weeks to shoot, its journey to movie screens took about three years. It proves that filmmaking finesse isn't always everything: sometimes gung-ho enthusiasm and the willingness to pull out all the stops can go a long way too.

Eight out of 10.

'Street Trash' the most offensive film ever made? Quite possibly. This baby is exceedingly hard to locate, which is unfortunate, because it is an outlandish, unapologetic delight with a wonderful streak of black, black humour. Director Jim Muro has since become one of the most respected Steadicam operators in the business, and has worked his magic upon some pretty big pictures. I believe he was the Steadicam operator on 'Terminator 2: Judgment Day', but I might be wrong.

When an enterprising liquor store owner in New York's Lower East Side(?) finds a dusty crate of something named Tenafly Viper stashed behind a brick wall in a back room of his place of business, he decides to sell it cheaply to the bums in the neighbourhood who are his chief customers. But Tenafly Viper is strong stuff indeed; strong enough to melt one's body! And you thought hangovers were bad.

Pretty soon, the homeless population around the liquor store is dwindling as more and more of these unfortunates consume this deadly drop and promptly disintegrate. The first bum to imbibe the killer stuff does so while seated upon a filthy lavatory. He melts into the commode, pulls the chain, and flushes himself away! Truly tasteless, n'est pas? Two more memorable scenes from 'Street Trash' come to mind: in one, a man has his penis bitten off; in the other, a man is spectacularly decapitated by a flying gas cylinder. I read in Fangoria(?) that this scene required eight special effects crew members to pump blood! 'Street Trash' reminds me of Peter Jackson's wonderful 'Bad Taste' which, while far superior to 'Street Trash', is in the same outrageous vein. I guess it might also be likened to 'The Incredible Melting Man', although the special effects makeup in that picture was provided by the legendary Rick Baker - his first film? - and so is much better than anything in 'Street Trash'.

'Street Trash' is an excellent title, because trash is what this film is all about. Its milieu is grimy and bleak, and everything about the whole affair is inherently unclean. Oh yeah, I just remembered another memorable scene: a cop fights a man in a men's room, and beats him to the ground. Then the cop sticks two digits down his own throat and vomits upon the prone man! Pretty sick (excuse the pun)! This film also makes me think of John Waters in its examination of white trash, something Waters did with films such as 'Desperate Living' and 'Pink Flamingoes'. Like those flicks, 'Street Trash' serves up plenty of gross-out gags so, if that is what floats your boat in a movie, then you will certainly enjoy this. I hope 'Street Trash' has a huge cult following, and I suspect it does. And deservedly so.

When oh when oh WHEN is the DVD Special Edition going to be released?! I for one await it with great anticipation. By the way, if you do find this film, do not miss the song which plays over the end credits - very funny stuff! The last time I watched 'Street Trash' I was laughing because one of the bums reminded me of Chris Robinson of The Black Crowes fame. Sorry, Mr Robinson... no offence intended!

One day someone said, "I'd like to make a movie featuring a bottle of hooch that makes people melt into multi-colored ooze. I think I'll also add "sub-plots" about insane homeless vets, murder, necrophilia, gang-rape, castration, and police brutality. Oh, and it's a COMEDY."

Anyone who blasts the movie probably had no idea what they were getting into. Yeah, the story - if you want to call it that - is flimsy at best, but the film is punctuated by some inventive effects, some nice camera work, and a hysterical mostly-improvised Doorman character played by James Lorinz.

Summed up, if you like your movies dispicable, reprehensible, obnoxious, offensive, crude, and downright nasty, pick this one up. You won't be disappointed.

Yes, I actually thought this was better than some recent horror/comedies I've seen. Certainly superior to Urban Legend or Scream. I'm positively stunned by the fact that people would see the cover for this movie, read the title and synopsis, watch it, and then complain that this flick is offensive. For crying out loud, what do you expect from a film whose promotional literature shows a melted transient's head in a toilet bowl? Casablanca? Anyone dumb enough to see this movie and be taken aback by its admittedly sordid contents has exactly what they have coming to them.