Straight to Hell

OK, Joe Strummer plays a hit-man, the Pogues are Banditos, Elvis Costello's their butler, and Courtney Love dies a violent death....what more could you ask for?

I'd LOVE to be able to say that 'Straight To Hell' is one of the lost classics of the 80s but frankly, it's almost as bad as the mainstream critics make out. I say ALMOST, because it isn't an entire waste of time. Sy Richardson is as cool as ever, and the eclectic supporting cast (Cox semi-regulars like Sandoval, Berkeley, and Yeager, various musos and the king of weird movies, Dennis Hopper) make this worth watching for the "six degrees of separation" game alone.

Now look, I DO like Leone, and I like punk rock and I love Peckinpah, and I can sorta see what the other comments are saying about it almost prefiguring Tarantino, but there's one BIG problem - the lack of a decent script. For every good moment there four dull ones, and some funny lines or interesting characters wouldn't have gone astray.

So basically, if you watch this expecting the worst you'll enjoy it more than if you expect it to be as great as 'Repo Man'. I also would like to point out that Cox's next movie 'Walker' is a 100% improvement on this one, and almost IS a lost classic of the 80s!

Even though I am a huge Alex Cox fan, I still had a large problem with even finding this gem. It is definitely one of the most crazy, funny, and unpredictable films ever made. I kept thinking that if David Lynch had directed THE WILD BUNCH you would have STRAIGHT TO HELL. It is chock full of a rogues gallery of unique and unforgettable characters. Basically a group of renegade criminals flee to a little dump town in the middle of nowhere to hide out for a while. The result is chaos and more chaos as they try to escape the hell they've found. Don't expect any traditional Hollywood storyline or plot here. Just sit back and enjoy the ride. And you might just realize that Quentin Tarantino wasn't that revolutionary after all.

P.S. > Norwood is the man!

"Straight to Hell" follows a trio of criminals (with a female sidekick, making them a quad) who rob a suitcase full of cash and take off into the desert to go into hiding. Their car breaks down, leaving them stranded in the middle of a desert valley, where they find a seemingly abandoned ghost town. The next morning, however, a band of wild, murderous cowboys roll into town with guns, whiskey, and... espresso machines.

This utterly insane late '80s western romp pays homage to spaghetti westerns, Sergio Leone, and Clint Eastwood in equal measure, but drowned in such heavy idiosyncrasies and whacked out writing that the audience can do nothing but sit back and attempt to take it all in. In all truth, the writing here is completely underdeveloped, and the film feels like a melange of punk rockers and culture icons thrown in front of a camera in the Spanish desert—because that's kind of what it is.

Alex Cox, who infamously directed "Repo Man" and "Sid & Nancy," is the director and co-writer here, and while the script is delightfully absurd and full of issues (it has been said that Cox and his co-writer came up with it in a matter of three days), the direction is decent, and the film seems to rise above its production values on a visual level. It utilizes the western ghost town sets in Almeria, Spain, which were historically used in many spaghetti westerns, and even some Eastwood films, and the dusty desert atmosphere is laid on thick.

The real attraction of this film is its cast, largely made up of musicians—we've got Joe Strummer, Sy Richardson, and Dick Rude as the three bandidos, with a pre-Hole, pre-rhinoplasty Courtney Love playing their screeching yet somehow endearing pregnant sidekick. Rounding out the cast is The Pogues, Xander Berkeley, Elvis Costello, an insouciant Grace Jones, and Dennis Hopper, mad as a hatter. The film really seems like an excuse for this ensemble of punk rockers, rejects, and icons to run around the desert dancing, shooting each other, and drinking coffee, and that's just the pretense one has to accept with this film.

All in all, "Straight to Hell" will be a chore for many to sit through, but for anyone who appreciates bizarre cinema, spaghetti westerns, or exploitation trash will have a great time with this film (watching it through, one can see the referential moulds which Quentin Tarantino would come to bring into the cultural lexicon several years later). The narrative is almost completely nonsensical, but the visuals, paired with what is probably one of the weirdest casts in film history, really make this not only a time capsule, but a complete and utter anomaly. 7/10.

Picked up the DVD of this for £4.49 and it's worth every penny. Not only is this film a better spoof of westerns than Silverado but it contains enough weird and wonderful characters to give Lynch a run for his money.

Firstly you have got the superb Sy Richardson as Norwood(Tarantinos inspiration for Samuel L's Pulp Fiction character?), Joe Strummer as Simms(RIP), and the 'runt' Dick Rude completing the main trio.

Also popping their heads round Alex Cox's casting room door are: Courtney Love(pregnant Velma), Fox Harris, Kathy Burke, Edward Tudor Pole, Dennis Hopper (IG Farben), Grace Jones, Jim Jarmusch, Miguel Sandoval(Eastwood impression), Xander Berkley(priest), Elvis Costello(butler) and the Pogues(Mcmahon coffee gang)...Superb!!

There is also the great setting of Almeira, the funny costumes, Pray For Rain music and the priceless dialogue(regional dilects etc). So stop criticising and just enjoy yourself in Cox country!!