Steel Dawn

Just caught up with it after 25 years and while this is not a classic, this is not a bad movie. I saw this when it first came on video and remember enjoying it and feeling it was a solid action flick for Patrick Swayze. I am very surprised all these years later after seeing it today on TV, that it still is, though I would only recommend it to people who like old movies and/or post-apocalyptic stories.

First of all, it was nice to see Patrick Swayze and his wife, Lisa Niemi paired together on screen. They had a tremendous relationship in real life; one of the only Hollywood couples to whom "till death do us part" really meant something. They clearly have an easy demeanor around one another that makes their scenes memorable. Most of all what's good about this movie and similar old flicks made on clearly-low-budgets is the lack of pretense. It's not trying to be flashy, it's not trying to be epic, nor is it trying to be something it's not. This is just a simple tale of a wanderer (Swayze) who comes upon a tiny village and learns to help the people in exchange for food, water and a bed and comes to defend them from marauders. Nothing more. His character, called "The Stranger" in the film, becomes a man of example, whose actions speak louder than words and who shows us how we can trust someone based on how they act and not what they say. Swayze has charisma and that's what makes it better than average for this type of old film. He was such a good dancer we forget he had some action chops as well. NEXT OF KIN, and ROAD HOUSE were made after this, along with POINT BREAK, and are better known. This is a quiet flick, a good one to watch on a lazy weekend afternoon.

The direction and music score are a little dated, as is Niemi's hairstyle (very popular in the '86-'87 years). The acting is okay overall, though Anthony Zerbe always makes a good villain. Mostly the excellent fight scenes keep the film moving forward. The choreography of the action is very good and Swayze truly has the grace of a dancer in his hand-to-hand combat. STEEL DAWN holds up as a nice reminder of simple, unpretentious 1980s storytelling.

Wars and drought have ravished the future, a distant reality, and the world is now a husk of its former self. Civilisation now exists in small pockets spread across the desolate landscapes. It is the time of heroes, fighters, and bronzed men who know how to kick butt in a big way.

Steel Dawn, is has an interesting premise, but as a story struggles to develop much higher than a collection of action set pieces. Swazye plays a nomad (the man with no name), who after a tangle with some strange human like creatures of the waste lands, runs into his old mentor on the way to the pub. His mentor is killed and Swazye's character is now after revenge. The film has a spaghetti western feel to it but with out the mystery.

But despite that it has its good side too, as always Swazye is enjoyable to watch and the supporting casts do an admirable job with their characters. Christopher Neame brings a likeable side to his fallen warrior turned assassin, Sho. Who after all just wanted to challenge a worthy opponent to fight. Brion James is good as Tark, Kasha's foreman, whose initial jealousy of the Nomad make him suspicious of all he does, so of course Tark's trust must be earned.

This is not an example of cinematic magic. It is in many ways though a fun film, silly and enjoyable , with out a doubt oh so cheesy.

Enjoy I did.

Of all the post-apocalypse movies spawned in the 1980s after the success of the likes of ESCAPE FROM NEW YORK and the MAD MAX trilogy, STEEL DAWN has to be one of the cheesiest - and that's a surprise when you consider all the silly nonsense that the Italians were churning out during the same decade.

Despite the sci-fi trappings of the scenery and scenario, STEEL DAWN is a western through and through. Patrick Swayze plays a nameless drifter who wanders into an idyllic small town and soon finds himself required to defend the townsfolk from an evil overlord, played by Anthony Zerbe. What follows will surprise nobody, but it is mildly entertaining thanks to its nostalgic appeal - in the form of dated costumes and hairstyles - and a pretty good pacing.

The narrative is heavily indebted to the likes of MAD MAX 2: THE ROAD WARRIOR, with a few things changed around (for instance, water is the scarce and valuable commodity here, rather than petrol). Fans of Swayze will get to see him do his martial arts stuff on some rather defunct bad guys (including the sand people from STAR WARS, it seems) as well as some zen-inspired meditation techniques.

Fans of B-movies may spot the likes of Arnold Vosloo (HARD TARGET) in an exceptionally early role, while British star Christopher Neame (DRACULA AD 1972) dons a fright wig as a tough. Veteran Anthony Zerbe embarrasses himself as the chief villain, but best of the lot is Brion James in an oddly touching performance as a bodyguard with a heart. I'm so used to seeing James typecast as a bad guy that it's a refreshing change to see him as a goodie for once, and he's the best thing about this movie by far.

I have no idea why this is such a comfort film, it just works somehow, all of the elements feel low budget and strange, yet still it's fun to watch. Nothing deep, pure entertainment, for that, it's great. It also proves that Patrick Swayze is capable of being great in anything.

The outline (plot may be too strong a word) of this movie is set in the future when water is scarce, and civilization is a dusty one-bar town. Our hero (Swayze) must prevent the evil cattle (oops!) Water baron from owning everything and defiling everyone. To be truly evil, our villain has to get an evil warrior to be Swayzes' warrior nemesis.

Think of this movie as "Road House" after the apocalypse. Swayze plays the troubled warrior; uneasy with the violence he must commit for a higher purpose, yet wise in literature and sensitive to a woman's needs (Sounds kinda like "Next Of Kin" too, doesn't it?).

While unworthy of an Academy Award, it is a fun movie that provides the kind of entertainment you expect from a modern swashbuckler. The good people are really good (or flawed in an OK way like the ranch foreman), and the bad people are really bad -- except for Swayzes' nemesis who is bad, but has a code of honor that is almost as complex as Swayzes' character.

I like it; it has a place on my shelf and I've probably watched it 3 or 4 times since it came out.