CALIFICACIÓN DE IMDb
6.7/10
30 k
TU CALIFICACIÓN
Dos detectives vigilan a la exnovia de un fugitivo, pero surgen complicaciones cuando uno de ellos se enamora de ella.Dos detectives vigilan a la exnovia de un fugitivo, pero surgen complicaciones cuando uno de ellos se enamora de ella.Dos detectives vigilan a la exnovia de un fugitivo, pero surgen complicaciones cuando uno de ellos se enamora de ella.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados en total
Kyle Wodia
- Jeffrey Reimers
- (as Kyle Woida)
Gary Hetherington
- Prison Doctor
- (as Gary Heatherington)
Don MacKay
- Prison Officer
- (as Don Mackay)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
There is something about Richard Dreyfuss that makes me think of George Clooney. I believe Clooney is one of a very few slate of actors that can make any scene work no matter how good or bad it is written. Dreyfuss is like that too. I remember a particular scene in Jaws when he brings wine over to Brody's house and Brody cracks it open and decides to drink from it. Dreyfuss tries to warn him by saying, " You might want to let that breathe.... nothing, nothing. " He takes a small scene and makes it that much more interesting by his excellent interpretations of who they are. Chris Leece is his best acting since the seventies. He is so much fun to watch and it is his relationship with Bill ( Estevez ) and the other two stakeout cops ( one of them being a very funny Forest Whitaker ) that make this film a treat to watch. Its strengths are its dialogue and acting, and although Badham directs a fast and frenzied film ( much like Beverly Hills Cop ) some of the movie just doesn't fit, especially the end where it resorts to Bruce Willis tactics and ends with explosions and death. But that aside the film excels, and it is a very funny film written by the same guy that had a hand in The Fugitive.
Here we have a film about two cops ( Dreyfuss and Estevez ) that are assigned to watch the home of the girlfriend of an escaped convict that may be on his way back to see her. Dreyfuss ends up getting a little too close to his subject and before long he ends up falling in love with her. This puts Bill in an awkward situation because not only is it against the rules and ethics, but he has to now cover for Chris during briefings with his superiors and he also has to keep the other two cops on the stakeout from finding out about Chris' involvement with their subject. The subject's name is Maria and she is played with richness by Madeline Stowe ( The General's Daughter ).
Some of the hilarity in this film lies with the two sets of cops trying to out do one another in their pranks. It seems that they have worked on stakeouts together before and it is shenanigans like leaving dog poop in the fridge and putting marker on the rims of the binoculars that add some nice comedy to the routine. Dreyfuss also has one hilarious line that had me laughing for quite some time. When they first get their description of who it is that they are watching, it describes Maria as 5'5 and 342 pounds. " 342 pounds! OHHH, she could be the house! "
The film works great as a comedy and only so so as a violent action film. I think the film would have benefitted if it stuck strictly to comedy and instead of reverting to a chase and explosions at the end, they could have written it better so that it is resolved with words and comic genius, just like the rest of the film. But overall this film is worth seeing for its hilarity.
**** One final note. Chris and Bill have movie line contests. It is a great way to pass the time and when Bill asks Chris the one line " Well this was not a boating accident. " Chris doesn't know. That is a nice touch seeing as it was Dreyfuss' Matt Hooper from Jaws that said that. That's a nice piece of inside Hollywood and it plays really well.
Here we have a film about two cops ( Dreyfuss and Estevez ) that are assigned to watch the home of the girlfriend of an escaped convict that may be on his way back to see her. Dreyfuss ends up getting a little too close to his subject and before long he ends up falling in love with her. This puts Bill in an awkward situation because not only is it against the rules and ethics, but he has to now cover for Chris during briefings with his superiors and he also has to keep the other two cops on the stakeout from finding out about Chris' involvement with their subject. The subject's name is Maria and she is played with richness by Madeline Stowe ( The General's Daughter ).
Some of the hilarity in this film lies with the two sets of cops trying to out do one another in their pranks. It seems that they have worked on stakeouts together before and it is shenanigans like leaving dog poop in the fridge and putting marker on the rims of the binoculars that add some nice comedy to the routine. Dreyfuss also has one hilarious line that had me laughing for quite some time. When they first get their description of who it is that they are watching, it describes Maria as 5'5 and 342 pounds. " 342 pounds! OHHH, she could be the house! "
The film works great as a comedy and only so so as a violent action film. I think the film would have benefitted if it stuck strictly to comedy and instead of reverting to a chase and explosions at the end, they could have written it better so that it is resolved with words and comic genius, just like the rest of the film. But overall this film is worth seeing for its hilarity.
**** One final note. Chris and Bill have movie line contests. It is a great way to pass the time and when Bill asks Chris the one line " Well this was not a boating accident. " Chris doesn't know. That is a nice touch seeing as it was Dreyfuss' Matt Hooper from Jaws that said that. That's a nice piece of inside Hollywood and it plays really well.
I think this is one of the under-appreciated movies from the 1980s. It blends realistic action and comedy well, without taking itself too seriously. I agree with reviewers that Dreyfuss in this movie proves he was very good at comedy movies if they were written well, like this was. And Aidan Quinn is very good also (in fact, from "Desperately Seeking Susan" in 1985, to "Stakeout," to 1994's "Legends of the Fall" he has consistently given reliably good performances). For a late 1980s movie, it has aged fairly well. It's almost hard to believe that this movie came out only two years after Estevez was in "The Breakfast Club." I wish there were more movies like this that blended action and comedy as well as "Stakeout" did.
"Buddy Cop" movies were all the rage in the 80s, and 'Stakeout' is filled to bursting with the genre's clichés. But the fresh titular premise and charming performances by, and great chemistry between, stars Richard Dreyfuss and Emilio Estevez help to lift it above the fay and make it feel fresh. Oh, and then there's Madeline Stowe. My God, Madeline Stowe. She is just... wow. But, she also gives a really nice performance here, and she and Dreyfuss make for a strangely good screen couple.
'Stakeout' is a breezy, fun and subtly clever action/comedy (emphasis on the "comedy"). It's not groundbreaking, but it is solid entertainment for a lazy Sunday afternoon.
'Stakeout' is a breezy, fun and subtly clever action/comedy (emphasis on the "comedy"). It's not groundbreaking, but it is solid entertainment for a lazy Sunday afternoon.
Somewheres in between 'Beverly Hills Cop' and 'Lethal Weapon' you find this. Good cop/buddy action flick, plenty of humour, the violence is for real, the chemistry between the two leads and Stowe Just right. I enjoy the scene where she shifts her position JUST so slightly, its quite erotic, while the pranks the two cops play on each other are quite funny too.
Its fun watching how put out Estevez gets with the older guy whose clearly not acting his age.
There's nothing terribly deep here, and some of its really dated-Lethal Weapon-ish graphics, the cars, the angry black squad leader, the music(Miami Sound Machine, anyone?), etc, traditional boatchase/fight/battle to the death inside hellacious warehouse/factory finale, etc all par for the course.
But no biggies. The second one wasn't nearly as good's this one.
*** outta ****
Its fun watching how put out Estevez gets with the older guy whose clearly not acting his age.
There's nothing terribly deep here, and some of its really dated-Lethal Weapon-ish graphics, the cars, the angry black squad leader, the music(Miami Sound Machine, anyone?), etc, traditional boatchase/fight/battle to the death inside hellacious warehouse/factory finale, etc all par for the course.
But no biggies. The second one wasn't nearly as good's this one.
*** outta ****
I really enjoyed this movie! It's filled with laughs and excitement, and never once was I not entertained. Next to "48 Hours" I think this is one of the best buddy cop movies I have yet seen. Richard Dreyfuss and Emilio Estevez make a wonderful team, with dead-on chemistry. Dreyfuss steals the show with his hilarious performance, proving he's just as talented at doing broad comedy as he is intense drama. That especially shows in the scene where he's about to walk out of Madeline Stowe's house, but doesn't want to be recognized, so he asks her to lend him a hat. The way he handled that scene was so magnificent, and there are many other farcical moments that he handled just as efficiently, and with the wrong timing and delivery those scenes could've collapsed. Estevez plays the straight man, also doing a magnificent job, and you really feel his envy when he's spying on Stowe, who's being hit on by Dreyfuss. I loved the scenes where the rival cops pulled pranks on each other. Speaking of which, Forrest Whitaker pops up in a fine early performance. And Madeline Stowe is great and sexy, as always.
Sure, the plot is quite predictable, but as I said I was always entertained, thanks to sharp writing and great performances. John Badham is a fine action director, so he kept those action scenes filled with suspense and tension. "Stakeout" is not a film that will keep your brain occupied--as a matter of fact there are some scenes that require you to check your brain at the door--but I assure you that you'll have a damn good time.
My score: 8 (out of 10)
Sure, the plot is quite predictable, but as I said I was always entertained, thanks to sharp writing and great performances. John Badham is a fine action director, so he kept those action scenes filled with suspense and tension. "Stakeout" is not a film that will keep your brain occupied--as a matter of fact there are some scenes that require you to check your brain at the door--but I assure you that you'll have a damn good time.
My score: 8 (out of 10)
¿Sabías que…?
- TriviaRichard Dreyfuss and Emilio Estevez were having a movie trivia contest on the set one day. Estevez asked Dreyfuss to identify the movie that the line "This is no boating accident" was from. Dreyfuss didn't recognize the quote, despite the fact that he was the actor who said it in Tiburón (1975). Deciding that this was too good to pass up, this incident was re-enacted for the film.
- ErroresWhen the police car goes over the embankment and starts to roll, you can see the crew standing underneath the bridge. They are dressed in blue and red jackets
- Citas
Chris Lecce: [Chris and Bill are whiling away the time playing trivia questions] Okay, I got one, name the 16th President
Bill Reimers: I don't know
Chris Lecce: Here's a hint...
Bill Reimers: Abraham Lincoln.
Bill Reimers: [His questions are identifying quotes] Okay, "This was no boating accident!"
Chris Lecce: No idea
Bill Reimers: Man, you suck at this
- ConexionesFeatured in Siskel & Ebert & the Movies: They'll Do it Every Time: Part One (1989)
- Bandas sonorasWhy Do You Run
Written by Graham Ward
Performed by The Ward Brothers
Courtesy of Virgin Records Ltd. / A & M Records Inc.
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- How long is Stakeout?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Stakeout
- Locaciones de filmación
- 810 Millbank, Vancouver, Columbia Británica, Canadá(Chris's home on the waterfront)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 14,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 65,673,233
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,170,403
- 9 ago 1987
- Total a nivel mundial
- USD 65,673,233
- Tiempo de ejecución
- 1h 57min(117 min)
- Color
- Relación de aspecto
- 1.85 : 1
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