Dos policías al acecho

Stakeout is one of those movies that makes you wish you owned a time machine. Not only does Stakeout capture the magic of the '80s, it also brings forth a world many of us miss, and does so in a way that not many movies of that era managed to do. What is so great about this movie is that you always feel you are part of it somehow. You are right there with Richard Dreyfuss and Emilio Estevez, almost like you are their invisible partner. That's how good those two are. You will laugh and feel the excitement until the very last minute. To me, Stakeout is a feel good machine that leaves a strong impression on anyone who misses the era it was made in.

P.S. How beautiful was Madeleine Stowe?

Somewheres in between 'Beverly Hills Cop' and 'Lethal Weapon' you find this. Good cop/buddy action flick, plenty of humour, the violence is for real, the chemistry between the two leads and Stowe Just right. I enjoy the scene where she shifts her position JUST so slightly, its quite erotic, while the pranks the two cops play on each other are quite funny too.

Its fun watching how put out Estevez gets with the older guy whose clearly not acting his age.

There's nothing terribly deep here, and some of its really dated-Lethal Weapon-ish graphics, the cars, the angry black squad leader, the music(Miami Sound Machine, anyone?), etc, traditional boatchase/fight/battle to the death inside hellacious warehouse/factory finale, etc all par for the course.

But no biggies. The second one wasn't nearly as good's this one.

*** outta ****

There is something about Richard Dreyfuss that makes me think of George Clooney. I believe Clooney is one of a very few slate of actors that can make any scene work no matter how good or bad it is written. Dreyfuss is like that too. I remember a particular scene in Jaws when he brings wine over to Brody's house and Brody cracks it open and decides to drink from it. Dreyfuss tries to warn him by saying, " You might want to let that breathe.... nothing, nothing. " He takes a small scene and makes it that much more interesting by his excellent interpretations of who they are. Chris Leece is his best acting since the seventies. He is so much fun to watch and it is his relationship with Bill ( Estevez ) and the other two stakeout cops ( one of them being a very funny Forest Whitaker ) that make this film a treat to watch. Its strengths are its dialogue and acting, and although Badham directs a fast and frenzied film ( much like Beverly Hills Cop ) some of the movie just doesn't fit, especially the end where it resorts to Bruce Willis tactics and ends with explosions and death. But that aside the film excels, and it is a very funny film written by the same guy that had a hand in The Fugitive.

Here we have a film about two cops ( Dreyfuss and Estevez ) that are assigned to watch the home of the girlfriend of an escaped convict that may be on his way back to see her. Dreyfuss ends up getting a little too close to his subject and before long he ends up falling in love with her. This puts Bill in an awkward situation because not only is it against the rules and ethics, but he has to now cover for Chris during briefings with his superiors and he also has to keep the other two cops on the stakeout from finding out about Chris' involvement with their subject. The subject's name is Maria and she is played with richness by Madeline Stowe ( The General's Daughter ).

Some of the hilarity in this film lies with the two sets of cops trying to out do one another in their pranks. It seems that they have worked on stakeouts together before and it is shenanigans like leaving dog poop in the fridge and putting marker on the rims of the binoculars that add some nice comedy to the routine. Dreyfuss also has one hilarious line that had me laughing for quite some time. When they first get their description of who it is that they are watching, it describes Maria as 5'5 and 342 pounds. " 342 pounds! OHHH, she could be the house! "

The film works great as a comedy and only so so as a violent action film. I think the film would have benefitted if it stuck strictly to comedy and instead of reverting to a chase and explosions at the end, they could have written it better so that it is resolved with words and comic genius, just like the rest of the film. But overall this film is worth seeing for its hilarity.

**** One final note. Chris and Bill have movie line contests. It is a great way to pass the time and when Bill asks Chris the one line " Well this was not a boating accident. " Chris doesn't know. That is a nice touch seeing as it was Dreyfuss' Matt Hooper from Jaws that said that. That's a nice piece of inside Hollywood and it plays really well.

This is a forumulaic buddy movie, but it works. Madeleine Stowe is just wonderful. Richard Dreyfuss and Emilio Estevez also work very well. With good supporting acting all around, this movie works, when normally I would be rolling my eyes.

Good acting and some very good one-liner writing make what could have been a bad movie (like "Another Stakeout") and enjoyable experience. I recommend it for some good-hearted fun.

"Buddy Cop" movies were all the rage in the 80s, and 'Stakeout' is filled to bursting with the genre's clichés. But the fresh titular premise and charming performances by, and great chemistry between, stars Richard Dreyfuss and Emilio Estevez help to lift it above the fay and make it feel fresh. Oh, and then there's Madeline Stowe. My God, Madeline Stowe. She is just... wow. But, she also gives a really nice performance here, and she and Dreyfuss make for a strangely good screen couple.

'Stakeout' is a breezy, fun and subtly clever action/comedy (emphasis on the "comedy"). It's not groundbreaking, but it is solid entertainment for a lazy Sunday afternoon.