Rambo

John Rambo (BAFTA winner Sylvester Stallone) is a fairly reserved and sensitive guy, a man who has seen and lived the horrors of the Vietnam War. He returns to the good old United States of America to find his only friend has died. You can sympathise with him and when small- town sheriff (Brian Dennehy) takes a needless dislike to him and his heavy handed deputies mistreat Rambo you can see why Rambo is sent over the edge.

In retrospect, unfortunately the sequels turned John J Rambo into 'Rambo' the icon who relies more on an M-16 to get him out of trouble. In First Blood Rambo utilises the teachings from Col. Trautman (Richard Crenna) his war training and combat skills to stay alive and outwit his pursuers.

With less guns and explosions director Ted Kotcheff competently builds the tension and suspense and you get the feeling Rambo may not make it till the end. The locations are wonderfully atmospheric - foggy, earthly capturing the true outdoors. Stallone, Crenna and Dennehy are on form and the movie has a strong supporting cast that includes David Caruso in an early role as Deputy Mitch. Underpinning all this is Jerry Goldsmith's memorable score.

Rambo First Blood is a grounded drama and action must see.

If I'm going to see the fourth installment of a film franchise, I should at least check out the one that started it all. That fact brings me to finally seeing the 80's classic First Blood. It wears its decade on its sleeve with the acting, broad humor at times, and cheesy credit song "It's a Long Road." Despite all that, though, the movie lives up to the hype and fires on all cylinders. I had no clue that the story pitted one Green Beret against a hick town of bigot cops. When I thought Rambo and I had visions of one-man wars versus countries or platoons of soldiers, not civilians out with a vendetta. Rambo just wanted a friend in the world that saw him fight for his country with honor and return home to heckling and protest. All he did overseas was spit on by his return and he became a stereotype drifter, an untouchable to society. The truth of that comes out when a Sheriff in Oregon sees him crossing the street and escorts him out of town, refusing to allow him to even have one meal. He kept pushing and pushing, enough so that Rambo just couldn't take anymore.

As far as the premise goes, this one is quite effective. Based off a novel, I can see where the story would be strong despite the subsequent sequels for which I hear are horrible. To have a man beaten, on the brink of giving up on life, find his way back to the horrors he has been trying his hardest to forget is a clichéd setup for sure, but it is all we need to set this thing in motion. With some nice quick cuts, we are shown the torture he endured in Vietnam juxtaposed with the handling by the local authorities on a trumped up vagrancy charge for looking unclean. They drew first blood and it is up to him to get himself out, with or without taking other people with him. Rambo understands that these people are civilians and decides to only incapacitate them rather than kill all in his wake. These are not the Viet Cong, they are like him, however, they know nothing about what he has gone through in order to allow them to sit back at home feeling free. If nothing else, this film is here to show people that no matter what your views on a war may be, no matter how much one thinks it is not our fight, if our troops are there, they deserve our full support. They are doing a job and a service that we are not willing to do ourselves as we sit and watch TV feeds, shaking our heads that it is all for nothing. If we give even one inch, they will take a mile, you can't lay down, ever. They fight for us and deserve to be treated as heroes.

With all that said, can one really condone what John Rambo does in this film? No. Not even his old superior Colonel Trautman, brilliantly portrayed by Richard Creena, can accept what he is doing. He doesn't come in to set his boy free; he arrives to get him into custody so the fight will stop. The private war that has commenced needs to come with consequences. The punishment just needs to fit the crime. Rambo does nothing wrong except to hope for some shred of decency from humanity. That idealism is what causes all the trouble. Sheriff Teasle happens to be the straw that breaks the camel's back and all hell breaks loose. It is a matter of survival at first, but with the unrelenting pace, it soon turns into a search for justice by a warped mind doing the only job he knows how. I laughed when I heard the stats that the character kills just one person in this film. I mean how can Rambo, the ultimate badass, kill just one person? The laugh is on me, though, because I don't even count that one as his, it was the helicopter pilot's fault for jerking the aircraft. Rambo may destroy an entire town, but a cold-blooded murderer he is not—at least not until part two (with the great name of Rambo: First Blood II, a dual title that confuses the heck out of people on what the original truly was called).

First Blood has become so entrenched in popular culture and the lexicon of cinema that even though I had never seen the film, I could swear I knew Creena's monologue about Rambo verbatim. I'm sure it was parodied multiple times and probably shown at sporting events or something, but I just knew the entire speech—pretty crazy since I had never seen it before. Besides his nice turn during and after that sequence, we get a powerhouse performance from Brian Dennehy as the sheriff. This guy is good and it is too bad he was never used to full potential in the industry. Sure he did a lot of films, but nothing that he stood out from the pack with. As for the star, Sylvester Stallone shows why he was pound for pound the best action star of the 80's. Between this series and Rocky, he was stellar. From the charisma and shy modesty with which he begins the film, searching for his friend, to the stoic killing machine on the warpath, to the broken man unable to believe what has happened to the world around him, Sly runs the gamut effectively and perfectly. By far one of the best action films I've seen, First Blood stands the test of time and delivers on the cult status it holds. Surprisingly, I am now really looking forward to Rambo (part four) and definitely checking it out in a couple of days.

this is certainly not the greatest film ever made. in fact, it's plot is predictable and formulaic, and every character is two-dimensional.

having said that, this is a film that is often dismissed as a macho action flick with no redeeming feature. these are opinions i would defy.

while the only imagination put into the film seems to be the various ways in which John Rambo can kill people, the basic theme is nevertheless a pretty strong one. this is not meant to be a Fellini-esque commentary on life, the universe, and everything.

the three most important characters in the film are all played by pros. you have Stallone's John Rambo, Dennehy's Sheriff Teasle, and Richard Crenna's Colonal Trautman.

Brian Dennehy hasn't missed a beat in his entire career; he's been a superb character actor since i've been watching movies, and - like Michael Caine - he always puts everything into each performance. his Sheriff Teasle is menacing, bigoted, and protective. he comes across like a man who's marked his territory and won't permit intrusions. i won't say he's brilliant, but he is absolutely believable as a small-town sheriff faced with a situation so far out of his own experience that he cannot figure out why he can't solve the problem.

Crenna is a patriarchial character, such as he often seems to play. he gives the Spec Ops Colonal Trautman enough soul to make him seem human, and enough blood and guts to make him seem like a veteran soldier.

of course, the centrepiece to the film is Sylvester Stallone. Stallone always suffers from the perception engendered by his appearance. he is a somewhat short fellow with a body of bulging unpronoucable muscles, and a sad bassett-hound face that looks like it was designed by someone out of "Oliver Twist."

but the man can flat-out act. he gives John Rambo depth and reality. he comes across as far too fit and far too silent because Rambo is far too fit and far too silent. like his character in "Copland," Stallone is playing a guy who pretty much wants to be left alone and is caught up by a bunch of people around him who are overly enthused by their own status.

while i can understand the dismissal of this film as just a patriotic action sop, i cannot also accept that Stallone does not give a good performance. the man has been characatured; he's an easy target. he's a really built short-guy. but Stallone's intelligence and creativity drove his first film, "Rocky," and neither quality has deserted him since. like Michael Caine, he does seem to take any old lame role offered to him. but he always gets paid, and he always puts everything into his performances.

i'll never campaign for this film to be considered a "great" film, but i think i'll always defend it's star as a guy who works too hard too often to get the such little credit.

i guess the best way i can put it is, i watched "First Blood," and i believed him. i believed Stallone.

last time i checked, that is what an actor is supposed to do.

Sylvester Stallone achieved amazing heights during the 80's, along with Arnold Schwarzenegger, especially as a movie character synonymous with the muscled guy who is a pure fighting machine…

In Ted Kotcheff's "First Blood," John Rambo (Stallone) is a highly decorated Vietnam veteran who was trained specifically as a killing machine… He has come to a quite little town in Oregon, only to visit one of his platoon buddies… He was told that his friend has died, last summer, of cancer…

Disheartened, Rambo continues to walk the streets of Hope when he is annoyed by the local Sheriff (Brian Dennehy), and booked for vagrancy and resisting arrest…

Beaten, kicked all over, treated like trash, and pushed too far by the other cops in the Sheriff's office, Rambo is taking back to traumatic flashbacks, to the enduring torture in POW camp… Rambo, by that point, fights his way out and wages a one-man war against the police force that escalates out of control... Rambo is seen as a one man army overpowering all the sheriff's deputies and escaping into the surrounding woods…

"First Blood" communicates the rage, the depression, the frustration and the psychological wounds of one Vietnam soldier that fought for his country and was then hassled by it upon his return…

But what makes Rambo such a dangerous hero is Brian Dennehy being incredibly efficient as the cruel officer who doesn't like the looks of Stallone... Sure he's the abusive sheriff who is the victim of his environment, but he's also arrogant and incessantly underestimating a man who was 'the best, with guns, with knives, with his bare hands…'

Dennehy got a presence of his own pushing an 'expert in guerrilla warfare' at the breaking point

The adaptation of this novel to the big screen is a great accomplishment. The film is not only the beginning of one of the greatest action trilogies of all-time, but it charts the developments of its characters, something rarely done by an action movie. "First Blood" is a moving story about the realities of post-Vietnam America and is very underrated as a film.